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“It’s really good when you make something yourself and then you get recognised for it as well,” said Debra Phillips (Superdebz Cosplay) on the reactions she receives after finishing a costume she’s been working on. “It justifies it and makes me happy that [I’m not] wasting all my money for nothing. I’m actually getting a skill out of it.”
From Manchester, Debra attended the first MCM Manchester event in 2011 after her sister showed her photos from an MCM London convention. She started cosplaying the following year, only to take it more seriously in 2013, when she began learning to sew. She has since cosplayed Ariel from Disney’s The Little Mermaid, Daenerys Targaryen from Game of Thrones, Princess Zelda from The Legend of Zelda: Twilight Princess (including an armour clad Zelda from Hyrule Warriors) and Lana from Hyrule Warriors.
During our interview we talked about her most challenging cosplay, support from social media, getting motivation and fangirling over other people’s cosplay.
How did you end up getting into cosplay?
My sister went to one of the London events when she was at university with her anime society. Then she came back and showed me all the pictures. She was like, “Oh we did this and this and it was really fun.” So I was like, “Well, I want to do this!” So then we went to the first MCM Manchester event, which was five years ago and it was just a lot of good fun. I didn’t really do anything else for about two and a half years.
It was 2013 that I started getting more into it. I just started learning to sew as well. I ended up ordering a dress off eBay; it was for MCM Birmingham three years ago. It was an Ariel one… and it wasn’t what I wanted. It wasn’t the same as the eBay picture was. So then [I thought], “You know what, I’m just going to start learning to sew.” So now I can do it all myself and I don’t get ripped off by [dishonest sellers]!
A little over two years ago, you said you see yourself as a “massive noob” in regards to cosplay. How do you see yourself now when you look back at what you’ve managed to accomplish and where you are now?
Back then I didn’t really know what I was doing at all and now I have somewhat of an idea what I’m doing (laughs). I can actually do stuff that most of the time doesn’t look completely terrible. I hadn’t been involved in the [cosplay] community at all back then, which I’m quite involved in now. I’ve got a lot of friends who do the same thing. So everyone kind of knows everyone at this point, whereas back then I didn’t have a clue who anyone was. I didn’t have a clue how to do anything. I was just kind of winging it.
You’ve been cosplaying for nearly four years. Your first cosplay was Tinkerbell…
It wasn’t the first one I wore to a convention, but it was the first one that I made. It’s dreadful compared to how I can do stuff now.
Where does that passion come from to carry on and continue progressing?
My parents never let me have any of the Disney dresses as a child, so I guess they’re partly to blame. They have to deal with me now. But I guess a lot of it is escapism and it gives me something to do when I’m making it. Then you get to show off what you’ve made and you get a lot of attention and praise for it. It just makes you feel really nice and really good.
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Is that something you’re thinking about when you’re making it, seeing people’s reactions?
Yeah, I guess so. I really like to fangirl over other people as well. I’ll just be like, “Oh my God, these are really good.” I’m really into craftsmanship now. So I’ll sit on the floor and look at people’s dresses.
Has there been a particular fangirl moment at a convention for you?
I don’t think there’s been a particular one, but like I said, I do enjoy sitting on the floor looking at people’s hems now. That’s quite enjoyable for me. I don’t think I’ve ever fangirled completely on someone, but I’m not very good talking with people face-to-face either. So if I don’t know who someone is I’d just be like, “Oh my God, look at that over there. That’s so pretty, but I’m not going to go over because I’m scared.”(laughs)
What’s been the most challenging cosplay you’ve created so far?
Different ones have different aspects. I try and push myself with each thing I do, try and improve on something.
So, one would be more challenging than the other, but for a different reason?
Yeah. I’ll try and do different techniques for different things, try and learn something new. I usually give myself loads of time as well, but maybe Lana from Hyrule Warriors gave me the biggest headache, because I was restricted on time. It was a really awkward costume to put together. There was just things I was trying to do with it that I’d not done before and working with different fabrics and Worbla. I’ve worked with Worbla before, but I don’t think I’m that great with it. There’s things in the design that don’t make a lot of sense, it was really difficult finding reference images for a lot of the detail, so I had to wing a lot of the patterns on the skirt. So it’s trying to get it to look good and trying to work with the resources I’ve already got instead of buying new stuff.
Is Lana one you’d want to rework in the future?
I’ve already started doing some bits for it now. I’ve redone the top part for that, which is good, I’m quite happy with that now. I don’t think I’ve ever been 100% happy with something. The first time I make something I usually go back and change something if I wear it again. If you’ve taught yourself to sew, every step you do is a learning process until you’re at a high enough skill level where it’s not. It’s good to go back and redo something as well, because it means you can look back on what you’ve done previously and realise, “Oh I’ve improved a lot since then.”
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A lot of cosplayers use social media to show off their progress and work, but there have been a few instances where you’ve asked for feedback, constructive criticism and help from fellow cosplayers and prop makers. How helpful has that been for you?
It’s very helpful. I’ve spent a lot of time stalking other people’s profiles, because they’ve made something that I’m trying to do, or something similar, and they’ve used a technique which I haven’t done, or even thought about. A majority of the time people are very happy to tell you and very happy to help you, which is great.
I try and be as helpful as I can if anyone asks me anything. It’s not very nice to be turned down if you’re stuck with something. I always try and be really helpful and I always appreciate it when people are incredibly helpful as well.
Would you say that you’ve had to rearrange certain things in your life around cosplaying?
(Pauses) I don’t leave my house a lot anymore, because a lot of my days off I’m sewing, sat on my kitchen floor with Worbla.
Would you say there was a certain turning point where that happened?
Probably about two years ago now, where I seriously considered that I know what I’m doing now. I’m quite happy to spend all day sewing and then just crashing out because I’m so tired (laughs).
Is there a favourite cosplay that you’ve created?
My pink Ariel one, my newest one, that’s probably my favourite at this point. I don’t know whether it will be my favourite at the end of the year, but at this point it’s definitely my favourite. I’m just obsessed with Ariel. I finished it in time for MCM London [in May 2015]. Then I redid some parts for it for MCM Birmingham in November [2015] and I won the masquerade on the Sunday with it.
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What is it about Ariel and her costume that stands out for you?
I’ve always been attached to Ariel. It’s really cheesy, but I guess it’s because she has a dream, it happened and it was all really nice and lovely. I’ve just been obsessed with Ariel since I was pretty young and now I have a way to actually express it.
The dress was just one that I happened to want. It was one of the first ones that I actually made a few years ago, but it was when I was still learning, so wasn’t up to my standards anymore. I remade it and I was much happier with it. It’s not screen accurate, I did it off one of Lele Draw’s Queen Ariel designs. It’s true to the character, but it’s like your own spin on it. I like putting my own different spin on things. No one else really has it, so it’s nice to have something that’s more individual to you. I don’t want it to sound like it’s better than anyone else’s, because it’s not, but I like having something that’s more unique, [and being] the only one who has it like that.
How does it feel for you taking part in masquerades, placing and winning?
Really good. I really like getting recognition as well, because… I’ve got a lot of joint pain and the amount of work and effort I put into just working all day, that makes it justifiable. Like, “Oh I’ve worked nine hours,” which is probably something I shouldn’t have done, but I’ve done it and I’m in loads of pain, but it’ll be worth it. If you place, it’ll make you feel a lot more justified in what you’re doing.
You’ve mentioned moments where you tend to procrastinate. What do you do to motivate yourself?
I literally just force myself to do it. I’m usually quite good at keeping on track. It’s like, I’ll [work on something] for like an hour, then I’ll have a break for 20 minutes as opposed to working all the way through. Or instead of doing a part I don’t want to do, I’ll do another part. But if there’s something I don’t want to do, I just force myself to do it. It’s, “Do this and then you can eat this biscuit later. You can sit and play video games for the rest of the night, so long as you do this. It’s not going to get done itself, so you need to do it now.” I manage that way. It just works for me.
When you’re posting progress about your cosplays, you tend to mention being poor and having to budget. Do you plan and budget before making a cosplay, or do you just spend till you’re happy with it?
I try and save money. I’m trying to save money for the one I’m going to be starting in a few weeks. But I’m not working a lot. I work in retail and they keep dropping the hours. I just try and save as much money as I can. If I know that I’m not going to be able to afford a big costume, I’ll do something smaller.
Last year I had lots of Coscraft vouchers, so I did one [Princess Zelda from Hyrule Warriors] that required lots of Worbla, because I didn’t have to pay for that myself; so that was convenient. Also I try and find cheaper alternatives to things. Like, a lot of my fabric I get online, just because it’s cheaper and I’ll try and find discount days or discount codes to try and get stuff as cheap as I can
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What is the most you’ve spent on making a costume?
Probably about £200, for my Ariel with the pink dress, everything included. (Pauses) I don’t know, it’s probably about £170-ish. It was about that amount after all the fabric. It’s such a good costume and it just kind of happened. Then it was like, “Okay, I need all this extra fabric as well, because I need to do this, I need to add this to it.” My fabric was £7 a metre and I have to get ten meters of that… it just adds up a lot. Then you end up getting little bits for it. Like, “Oh, this little bit is only £10, so that’s fine, I’ll get that.” That just keeps happening.
How does it feel for you when you’re at a convention and people ask to take a photo and want to talk to you about your costume?
Honestly, I’m always taken aback by it when people are like, “Oh, I love your costume, it’s so good!” But I have a lot of issues with my anxiety, so I guess I’m always going to be taken aback a little bit. I’m getting recognition out of it and it’s making people happy, it’s making me happy.
Would you say that cosplaying has helped you with your anxiety?
I guess it’s helped with some aspects. I never have that many issues when I’m at a convention as opposed to out with the normal people in civilised society. I guess it helps. It helps with a lot of things. It means that I socialise with people, I talk to people that I usually wouldn’t talk to… that I wouldn’t even dare talk to. And it gets me out of the house a lot, which is really good.
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You’ve mentioned a few times wanting to cosplay one of Anastasia’s dresses from Don Bluth’s animated film, as well as a walkable mermaid Ariel from The Little Mermaid. Are you still interested in cosplaying these characters?
I don’t think a walkable mermaid Ariel will ever happen. It’s something that I want to make, just for the sake of making it, but I don’t think I’ll ever be able to wear it. I don’t think I’ll be comfortable enough wearing it. A lot of people do it where her skirt is opened up at the bottom and you can walk around, but I’m one of those people who would want to make it as an actual tail and you wouldn’t be able to walk, so it’s not very practical.
I’d love to do one of Anastasia’s dresses at some point, it’s just trying to find one that I’m attached to and really would do… and just getting it done. I’ve got a list and I keep seeing things and I’m just like, “I want to add that to the list.” The list keeps getting longer and it’s just more harder to narrow everything down to what I can do within my skills and what I can afford to do.
If money was no object, which cosplay would be there on the top of your list to do?
(Pauses) There’s a few that I’d probably want to remake completely. I’d want to remake my Hyrule Warriors Zelda one, which I’ve [already] remade bits for, but it’s still not up to [the standard] I want it to be. I would want to do more Disney dresses… oh God, I know what I want! There’s an Ariel dress in one of the parades in Disneyland… one that’s not running anymore, the ‘Celebrate a Dream Come True’ parade. It’s blue and it looks like a sail and I want it, but it’s very expensive. I’ve seen a couple of people do it and it looks absolutely stunning. I really want to do it, but it’s not going to happen this year, unless I roll into a lot of money. It’s unlikely, but it’s on my list. Maybe one day I’ll be able to get it done… maybe.
Finally, what’s your favourite Disney film?
The Little Mermaid. I’m far too obsessed with Ariel. I have too many figures and too many pairs of Little Mermaid pyjamas (laughs).
Thank you to Debra for taking the time out for the interview. You can see her describe herself as adorable by following her progress on the Facebook page Superdebz Cosplay.
Thank you also to Papercube for arrangement and photos. You can check out his work on his Facebook page.
Photos of Debra cosplaying as Ariel by Robert John Parker.
Interview by Shalimar Sahota
This week’s round-up of some great, funny and weird sci-fi and fantasy pics and vids that have been created a buzz on the ’net…
••• Titan has started releasing various Doctor Who comic titles with variant covers by artist Simon Myers (Scarlett Couture, Ghost) that riff off from famous album covers. Keep your eye out for more in the new year. (We reckon Queen’s “The Miracle” album cover must be a shoe-in, surely?)
Specially commissioned by the fine folks at HBO, master food artist Michelle Wibowo of Michelle Sugar Art created this incredible edible seen at last weekend’s Taste of London 2015. The attention to detail fabricated into this four-by-five-foot foodie fantasy is fantastic.
••• HBO commissioned food artist Michelle Wibowo of Michelle Sugar Art to create this Gingerbread King’s Landing for Taste of London 2015. Next week, Game Of Scones. Possibly. [via Geek Tyrant]
••• Artist Matt Vince has created these beautiful posters reimagining “The Legend of Zelda” as Studio Ghibli films. Suddenly, we really need to see these films!
••• Here’s how they do weather forecasts in Finland…
••• Honest Trailers get its teeth into a Marvel film so bad even Stan Lee didn’t want to do a cameo. Fantastic Four may be a large, slow-moving target, but the Honest team still comes up with a few new ways of twisting the knife.
••• Create your own caption time (if you can stop sniggering). Tweeted by @Todd_Spence from this year’s Macy’s Thanksgiving Day parade.
••• Reddit users have thoroughly explored the wastelands in Fallout 4 and spotted a still-disgruntled-with-the-press Charlie Sheen hiding out there…
••• Here’s why games would be a lot more difficult if the end-of-level bosses showed some glimmers of intelligence…
••• Peter Capaldi vacations in Middle-earth…
One of the fastest growing parts of the event at all of the MCM Comic Con events is that of the Comic Village, a place where comics meet in cavalcade of colour and creativity. One of the reasons for this recent growth is the explosion of indie comic book writers and artists who are attending the event to sell/exhibit their work.
One such artist is the talented Sarah Childs. MCM Buzz spoke to her about how she became an artist, her favourite MCM Comic Con memory and her manga series The Chronicles of Gyzra, the latest of which she will be selling this weekend.
MCM Buzz: How did you first discover you could draw?
Sarah: I’ve always loved drawing and I can’t remember a time before it. I just loved the ability to create my own worlds and characters. I think that inspiration came from being a fan of video games and wanting to create my own. In school everyone seemed to love asking me to draw Pokémon and Sonic characters and that just made me want to create more stories, no longer just for me, but for everyone to enjoy. From there it went from simple playing to studying new techniques and materials. Still to this day I have so much to learn, but I love every second of it.
MCM Buzz: What made you decide to start your own manga?
Sarah: My dad spent several years working in Japan and introduced my family to JRPGs, manga, anime and the beautiful movies of Hayao Miyazaki. At the same time I loved watching Pokémon, Yu-Gi-Oh and Dragon Ball Z and started copying them. I love the art style and when I got my first manga novel I was instantly addicted to the beautiful flowing and detailed artwork. There is something special about manga, the way the pages don’t have to stick to their panels, the words flowing around the images, and the inviting, expressive characters. I knew I wanted to tell my own stories, but as soon as I discovered manga I realised that this was the form I wanted to tell them in.
MCM Buzz: Who would you say are some of the people who inspire your work?
Sarah: Yoshitaka Amano’s artwork from Final Fantasy will always be a huge inspiration to me. One of the earliest drawings I have kept was a sketch I made of Ifrit from Final Fantasy X. I used to copy the drawings from the official guides and so I learnt so much from studying his art. Also, the beautiful works of Wenqing Yan, also known as Yuumei, melt my heart. Her artwork inspires me to keep improving, to me she is what an artist should be; someone who can take raw emotion, combine it with compelling story and tell you everything you need to know in one image. There are so many other artists that inspire me too: all the comic artists from theBLVD Studio, Kei (a vocaloid artist), Kim Hyung-tae, and also a lot of artists that visit our wonderful Comic Village at MCM.
MCM Buzz: What is the process you use for creating your work?
Sarah: Planning is very important to me and I love to create intricate detailed worlds and characters. Because of this I spend a lot of time designing the world first. This can involve anything from maps to monster designs. After this I write the main plot points. Usually there is something in my life or in a dream that has sparked the inspiration for the story so I start at this point and try to figure out how the characters would react to each event. Once I have a list of key events I will flesh it out in a script type format, detailing what certain characters will say or do. After this I will take key scenes and thumbnail them. This is where a scene is drawn in lots of little rectangles representing the pages, before drawing them full size so that I can make sure the pages flow together and make sense.
Once it comes to actually creating the manga I first start by drawing all 200 pages as quick pencil sketches using stick figures and symbols to represent characters. I read through the story, edit and then draw the pages in detail; first starting with pencil, then pen outlines, then I fill in the outlines with tone and texture and finally I colour over with markers to act as screen tones adding a sparkle here and there with a white gel pen. This is then scanned, edited in PhotoShop and words are added. Finally, I send off the pages to the printer and await the day when a big box of books arrives on my doorstep!
MCM Buzz: How long does it take you to go from idea to a finished piece of art?
Sarah: For the pages of my book it takes between two and eight hours of work depending on the complexity and detail of the art needed. For my much larger commissions (for example drawing a client and their Pokémon team in a flood lit stadium) it can take much longer, roughly a month including designing. I prefer to work in smaller bursts though, by getting my artwork complete in a couple days.
MCM Buzz: What would you say is the most challenging part about being an artist?
Sarah: Believing in yourself and not being afraid to show your work to the world. It can be hard when you receive hurtful comments and sometimes you want to run away from it. When someone is harsh about something that you poured your heart into it can be upsetting. My advice to any artists dealing with this is to try and learn from the criticism. If someone is being mean, remember that you don’t draw for them, you are drawing for yourself, so don’t worry too much about it. However, if someone really seems like they are trying to help, you have to listen to them because they might see something that you don’t. You can decide for yourself whether it is a valid criticism, but I would recommend always trying out what people suggest, you might enjoy the change.
MCM Buzz: On the flip side what would you say you enjoy most about being an artist?
Sarah: The best thing is how fun it is. Meeting so many wonderful people, both artists and fans is just amazing. Knowing that you make your living from what you love to do is just unbelievably amazing too. Yes, there are stresses, and there’s a lot of work you have to do, but I wake up everyday happy with my job and looking forward to what new exciting projects I have planned. The absolute best part though, is when you hand your artwork over to a customer and you see their face light up with happiness. That smile makes my day.
MCM Buzz: How would you describe The Chronicles of Gyzra manga graphic novel series?
Sarah: The Chronicles of Gyzra is an action, adventure trilogy. One night a strange, black rain falls on the village of New Eden, transforming the forest animals into ferocious monsters. We follow the journey of Eiki, a blue haired, adventurous young man, as he fights to protect his village and little sister, Mikana, from the contagion of the black rain. Follow Eiki into the crystal forest to discover the dark truth behind the black rain and its mysterious controller, Gyzra. The artwork is highly detailed with vast forest landscapes and powerful, magical fight scenes, all drawn traditionally by hand.
MCM Buzz: How did you come up with the idea for the series?
Sarah: I was about 13 years old when I first watched Princess Mononoke and the film filled me with inspiration. The following few nights I dreamt of a stunning, crystal forest plagued by an inky, black rain that was creating gruesome monsters in the depths of the trees. I couldn’t shake the dream and started scribbling little notes about it, drawing what I had seen and creating little stories for my mysterious world. In 2010, aged 17, I trialed a mini comic at MCM to see if others would be as fascinated as me with this world and the reaction was wonderful. Now, aged 21, I have two 200 page graphic novels about that world.
MCM Buzz: You are releasing the second volume of the The Chronicles of Gyzra Book 2: Wisdom and Strength at MCM London Comic Con this October. What can fans expect from the graphic novel?
Sarah: The first book, Courage and Hope, introduced us to the beautiful yet harsh world of The Chronicles of Gyzra. In volume 2, Wisdom and Strength, we delve into the darker depths of this world and start to uncover the hidden truth behind why our heroes are here as we begin the treacherous journey to destroy the evil that is Gyzra.
MCM Buzz: What made you first decide to attend MCM London Comic Con?
Sarah: Anime, video games, cosplay and meeting some of my favourite voice actors and actresses. My friends and I couldn’t wait to visit, and when we walked into the hall for the first time it was like walking into a dream. That was about six years ago and I still visit every year, but now my favorite part is meeting all the other visitors!
MCM Buzz: How would you describe the experience of attending MCM London Comic Con as an artist as opposed to a fan?
Sarah: It’s very strange at first! Seeing the hall start as a giant shell and evolve into a bustling event is very exciting. Unfortunately, I don’t have the time to visit the shows anymore, but I still love seeing all the cosplayers. My favourite thing about MCM is the great atmosphere and how you can be anything or anyone at the show and no one cares. It’s a celebration of our mutual love of everything from sci-fi to anime and that always feels special.
MCM Buzz: What has been your favourite MCM Comic Con moment?
Sarah: The first convention I sold at was amazing because everything was new and exciting. It was the first time that I had sold my artwork and it filled me with confidence. I was very shy at the time and the confidence that the event gave me showed me how to come out of my shell. I met so many amazing artists, including Bernard Chang, who my table was opposite. He was incredibly encouraging and gave me so much advice as well as signing and gifting me some of his art books. Having the opportunity to talk to other artists has been one of the best things for me in improving my artwork and every meeting with these people, who I admire and respect, will stay with me forever.
MCM Buzz: You describe yourself as an avid gamer. If you could create a piece of manga based on any video game character, who would it be, why and what would the story be?
Sarah: Now that’s a hard question! My heart is torn between The Legend of Zelda or .Hack//, two worlds which I am absolutely obsessed with. I think that there is a lot of potential in creating a story about Dark Link. I’d love to combine his story with the Twilight realm from Twilight Princess as we didn’t really get to explore it much. Perhaps there could be an alternate time line where Dark Link is trying to get to the Twilight Realm and jumping through different dimensions and games/time lines. He has to complete tasks in each game whilst the Link of that world is in the background. He learns, by being defeated by Link in Ocarina of Time, that losing one battle doesn’t stop you from getting to where you need to be. At the end of the manga he finally arrives at the Twilight Realm where he can stay and live with other creatures that understand what it is like to live as shadows. Maybe even a little love story with Midna; I miss her, she was a wonderful character.
MCM Buzz: Where can attendees find you at MCM London Comic Con?
Sarah: I will be in Comic Village Friday to Sunday. I will have a double table called Gyzra Ink which you will be able to find in the official MCM guide book online or at the show, or you can follow my Twitter @gyzra and facebook.com/Gyzra to see updates. For any other information or if anyone wants to contact me visit my website www.gyzra.com. I look forward to meeting lots of new people!