Flash Arrow Crossover 20

The CW Renews Virtually Everything: All DC Superhero Shows Are Back

Flash Arrow Crossover 20

Wanna know if your favourite CW show is show is back next year? Don’t worry. It probably is. The CW has given early renewals fora massive 11 series which means the network will be experiencing extreme deja vu next season.

The shows confirmed coming back are:

  • Arrow – for season five
  • DC’s Legends of Tomorrow – for season two
  • The Flash – for season three
  • iZombie – for season three
  • The Originals – for season four
  • The Vampire Diaries – for season eight
  • Reign – for season four
  • Supernatural – for season 12
  • The 100 – for season 4
  • Crazy Ex-Girlfriend – for season two
  • Jane The Virgin – for season three

“The CW has become home to some of the most critically-acclaimed shows on broadcast television,” says CW president, Mark Pedowitz, “with a wide array of fantastic scripted series across the week, ranging from musical comedy, to superhero action, to gritty sci-fi dramas. As we continue to further our strategy of more year-round original programming, picking up these 11 series for the 2016-2017 season puts us in a great position of having proven, high-quality shows to launch in the fall as well as midseason and summer of 2017.”

 


 

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The Flash 2.16 Photos Introduce New Speedster – UK Pace Spoiler Warning

The Flash episode 2.16 introduces yet another speedster to the mix. She, like the episode, is called Trajectory; she’s played by Allison Paige; and we get to see a lot of her in the set of photos from the episode below.

Here’s the official synopsis: “Deciding to blow off some steam, Barry and the team head out for a night on the town only to encounter an unexpected speedster who is up to no good. Iris is challenged by an assignment from her new boss (guest star Tone Bell), and is surprised when friction turns to flirtation.”

Click on all images for slightly larger versions.

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Poster & Synopsis For Flash/Supergirl Crossover Episode – Very Mild Spoilers

superman199CBS has revealed an official poster and for the upcoming  Supergirl episode that features a crossover with The Flash, which is a homage to the cover of Superman #199.

And here’s the official description for the 18th  Supergirl episode, titled “World’s Finest” which confirms what many fans were theorising – that the CW’s The Flash and CBS’s Supergirl are set on different worlds within the multiverse (which’ll handily help cut down on a lot of potential continuity problems):

“Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.”

Supergirl returns to the UK on Sky 1 on 1 April.

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The Flash S02E11 “The Reverse-Flash Returns” REVIEW

The Flash S02E11 “The Reverse-Flash Returns” REVIEW

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stars 3.5

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writers: Aaron Helbing, Todd Helbing
Director: Michael A Allowitz

 

Essential Plot Points:

  • The Reverse-Flash – Eobard Thawne – kidnaps Dr Tina McGee and forces her to work on some gizmo that’ll send him back to his own time.
  • But while he’s here he might as well do some research on this era’s the Flash because…
  • …This is an earlier version of Reverse-Flash who hasn’t yet travelled back to this period to kill Barry’s mum…
  • …And who wasn’t wiped from the timeline after the events at the end of season one because… well… um… er… Oh look! Wells’s handy diagram explains everything…

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  • Glad that’s all clear now. (We think it’s called Reverse-Plot-Engineering.)
  • Anyway, Team Flash knows that Reverse-Flash is here because Wells has got Cisco’s vibe power to work by scaring the bejeezus out of him. He then invents some technoshades that give Cisco waking nightmares (or sommat) to trigger his powers when needed. Hence, Cisco leads the Flash to Reverse-Flash’s secret lair where…
  • … the Flash rescues Tina then beats the crap out of Reverse-Flash.
  • Reverse-Flash is imprisoned at STAR Labs until Cisco stars having a seriously bad reaction to the time line being messed with.
  • Unless Reverse-Flash is sent back to his own time Cisco will die. So Barry reluctantly gives Eobard a push start back to the future. Team Flash has been careful not to let Eobard learn too many secrets while he’s here but Wells surmises that he now knows enough to set him on the path that leads to the events of season one.
  • Meanwhile, in other plotlines, Iris and Wally’s mum dies and this helps bond her siblings (yawn).
  • Patty leaves Central City to train for CSI Midway but before she goes she tricks Barry into confirming what she suspects: that he’s the Flash.

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Review:

Zoom has to sit this episode out because if Reverse-Flash had learned of his existence the resulting battle of egos may well have caused the multiverse to implode. Although, to be fair, Barry should be flattered; all these speedsters obsessing over him and determined to prove they can run faster. Maybe it’s the red leather ass that’s gets them all excited?

“The Reverse-Flash Returns” certainly doesn’t pan out as you might expect, and the unexpected is always good in a TV show. Eobard is defeated halfway through, not by the usual use of magic-science-plus-super-speed but by Barry hitting him lots. At super speed. Then he’s imprisoned before being reluctantly set free in order to restore the timeline and save Cisco from a fate worse than retconning. The real story here is how all these events irrevocably lead to Reverse-Flash murdering Barry’s mum and instigating the whole series. While the “soft” fate for Reverse-Flash in this episode would suggest a return for the character at some point, there’s no real need for it. Unless there’s a huge paradigm shift in the series’ status quo, he’s actually totally fulfilled his dramatic purpose in this reality now. Then agains, huge paradigm shifts are pretty much what this show’s all about.

As a villain of the week, Matt Letscher’s Eobard Thawne (who never really got a chance to make an impression last season with Tom Cavanagh playing the part most of the time) is far more interesting than the vast majority of the show’s a-power-and-a-grudge baddies, but he does have the weight of on arc plot on his side. There may not be many “best-of-enemies” fireworks in the episode but there are some sparky, edgy dialogues for the actors to savour. The “man of no consequence” scene between Wells and Thawne is wonderfully strained, while Cisco’s conversation with Thawne is funny, sweet and sad. You can tell Cisco wants to say more – because there must be so many confusing emotions boiling away inside Cisco about this guy who killed him and yet also (re)created him – but has the good sense to keep his mouth shut. Thawne, meanwhile, is clearly just intrigued, mentally making notes to check up on this guy when he gets back to his own time.

Only Barry’s scene with Thawne falls flat. There’s chat and exposition but none of it very enlightening. But Barry’s having an off week. His ex is leaving, but still showing every sign of being exactly the kind of intelligent, quick-thinking, brave woman he needs to keep by his side, Instead all he does is wallow in self-pity. It may be consistent with the character we know but it’s fairly dull to watch. As is Francine’s death. This should be an emotional storyline, but is so clearly reduced to a mere device to bring her children together that it’s difficult to care. Iris has one good line that nearly makes your lip tremble but that’s not really enough.

So, an odd episode in many ways, but still thoroughly watchable. However, if the CW needs another Arrowverse spin-off, we’d happily watch the Dr Wells & Vibe Comedy Show. Every scene they’re in together is passive aggressive genius.

 

The Good:

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  • The lorry sequence was a great action opening to the episode, with some ingenious lateral thinking from Barry.
  • Matt Letscher had much more of a chance to show us what his Reverse-Flash would have been like if he hadn’t looked like Wells for most of season one, and mostly he impresses (though it all goes a bit wrong with his ranty “origin” speech).
  • Great to see Patty is using her intelligence right up to her very sweet final scene (though we presume we haven’t seen the last of her; that would be too much of a waste).

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  • Cisco and Wells continue to make a wonderfully prickly double act. We loved the “Don’t slurp!” exchange (Cisco needs to get a “DON’T SLURP!” T-shirt just to annoy Wells). It was also notable that when Cisco started fading away, Wells was the loudest advocate for saving him. It seemed genuine, and recalled all those moments when Wells (either version) admits (or denies too loudly) that he considers Cisco to be the son he never had.

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  • “Who are you?” “No one of consequence.” “Oh I doubt that.” Two great minds sussing each other out, and the antagonistic energy between them fair crackles.

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  • This move from Reverse-Flash is something Barry needs to learn. Although having said that, Barry impresses later on with his brutal use of Reverse-Flash as a punch bag. That has to be the most down-and-dirty fight on the show so far… and Barry wins! Sometimes a good old punch-up to defeat a supervillain is all you need.

 

The Bad:

  • Why did have Jay have to show Caitlin his double, Hunter Zolomon, rather than just tell her about him? Sure, it was fun for the viewer to see this alternate version of Jay, but the excuse to do some was terribly lame.
  • Reverse-Flash’s, “This is why I am EVIL!!! Bwaaaaaahahahah!” speech was embarrassingly cheesy and not particularly well-delivered.
  • Barry was just nauseating with his self-pitying, “Everyone I love leaves me…” spiel. Good job Joe wasn’t around to hear that, the ungracious little tyke. And his mum didn’t exactly have much choice in the matter.
  • This is very picky but Reverse-Flash’s costume did have the look of something that has been hastily dug out of the props cupboard and given a quick wipe with a cloth.
  • Francine’s death bringing together her children was all rather boringly predictable.

 

And The Random:

  • 52 Spotting: aside from the usual culprit (the sign outside the containment cells at STAR Labs), there are two more time-based 52 references this week. One is obvious: the digital clock saying “9.52pm” in Cisco’s vibe. The other is a bit more subtle: the clock in Francine’s hospital room is showing 8.52 (or thereabouts).

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  • Nice work if you can get it: Aaron Douglas (last week’s The Turtle) gets a guest star credit despite only playing a dead guy.
  • Jay says that his Earth-1 counterpart is known as Hunter Zoloman. This is a reference to a DC comic character but we’d be surprised if it were a mere Easter egg or in-joke. Because in the DC Universe Hunter Solomon was the real identity of the third supervillain known as Reverse-Flash, who made a life a pain for the Wally West version of the Flash in the early 2000s. Time to stroke you chin and go, “Hmmmmmmm…?” (And can anybody work out what he’s reading?)

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  • Tina didn’t seem to know much about Reverse-Flash, so when he raised his hand and started vibrating it, we were surprised he didn’t go, “Oh, a massage! Lovely!”

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Review by Dave Golder


Read our other reviews of The Flash

Keep up to date with all the Arrowverse news


 

 

 

 

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The Flash S02E10 “Potential Energy” REVIEW

The Flash S02E10 “Potential Energy” REVIEW

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stars 3

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writer: Bryan Q. Miller
Director: Rob Hardy

 

Essential Plot Points:

  • Cisco says that a metahuman he’s been tracking for ages – the Turtle (whom everybody but Barry knows about) – is the key to defeating Zoom. The Turtle can slow things down so if they capture him and harness his power they can create a weapon that will slow Zoom down.
  • Barry is having nightmares about Zoom killing Patty.
  • Patty is wondering why Barry is evasive and distant.
  • Iris tells Barry he should tell Patty he’s the Flash. Wells says this is a bad idea as Zoom goes after the ones you love.
  • Team Flash decides to trap the Turtle at an art exhibition; they know he will go after a particular painting. Barry invites Patty as he had already agreed to take her out for a meal on the same night. He’s going to tell her his secret when…
  • The Turtle attacks. Team Flash fails to capture him but the Turtle notices how the Flash is desperate to save Patty from harm. So, later, the Turtle kidnaps her and intends to turn her into a half-living, slowed-down exhibit to taunt the Flash.
  • Oddly, huge neon lights flashing “THIS IS A PARALLEL TO WHAT WELLS SAID ZOOM WILL DO!” do not appear.
  • The Flash rescues Patty by running really fast or something. The Turtle is incarcerated at STAR Labs.
  • But Patty, fed up that Barry keep running out on her, decides to quite CCPD and go to Midway University to study CSI.
  • In other news, Caitlin learns that Jay is dying, and he tells her the only cure is to recover his speed (apparently this won’t just make him die faster).
  • Wally lives up to his name, not bothering to turn up to family meets and street racing to win money for his mum’s medical costs. For some reason, Joe ends up apologising to Wally for all this rather than slapping cuffs on him.
  • Wells secretly kills the Turtle and extracts something from his brain via his nose.
  • Reverse-Flash enters our world through a portal…

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Review:

And so The Flash returns after its UK hiatus with an almighty… “meh!” This is one one of those episodes that if a mate who’d missed it asked you what it was like, you’d probably shrug and go, “S’alright, I suppose.”

It’s okay. There’s nothing particularly terrible about it. The speed racing is dull but not objectionable. Wally’s irritating, but then he’s supposed to be. The problem is, until the stinger scene at the end there’s nothing particularly memorable about “Potential Energy” either. Because, let’s be face it, the one thing you probably would say if your mate pressed you is, “Hey, there’s this great twist at the end!” But that’s really a prologue to the next episode, nothing to do with this one.

Other than that this feels like Flash on automatic. A humdrum villain of the week whose personality is his power. Barry in an emotional quandary getting lots of advice. Huge leaps of logic from Team Flash to track the villain. Caitlin looking doe-eyed at a hunky guy. Joe being fatherly. Wells having his own agenda. We would say the episode is merely going through the motions but since the villain is the Turtle we might as well go for the obvious gag and say it’s the show going through the slow motions.

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There are little moment when the episode shows sparks of extra energy. The running gag about Barry being the only one who’s never heard of the Turtle is fun. Stroppy old Wells-2 continues to be one of the season’s biggest assets from his hissy-fit in Cisco’s lab to his nasal attack on the Turtle at the end. His advice to Barry about not telling Patty about the Flash is a powerful moment too; you can’t help but think he’s wrong, but his words genuinely feel as if they come from the heart for once, and it’s not just another of his subtle bits of manipulation for his own ends.

The Patty plot, though, is just another familiar superhero trope. The show inverted it last year to some degree with Barry and Iris, but this time it’s pretty standard fare. Admittedly Patty stands up for herself more than many most superhero-other-halves do but that’s not enough to prevent the plot feeling recycled. Gustin and VanSanten act it all decently enough, but it’s a lot of effort being put into a situation that’s not really delivering for the audience. It’s okay. It’s not going to drive anybody away from the show. But it’s not going to draw anybody in either.

Which is the perfect metaphor for the entire episode really.

 

The Good:

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  • Lots of pretty wavy lines. Okay, that’s a really frivolous thing to like, but they were pretty.

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  • The stinger scene at the end with Reverse-Flash is one hell of an unexpected moment.
  • The running gag that Barry is the only one who didn’t know about the Turtle never gets old.
  • Patty’s really pained, “I’m actually really upset,” after Barry tries to be goofy about how he’s treated her has a raw, emotional truth about it that’s more genuine that many more weepy, overly-sentimental scenes.
  • You have to love the way the Turtle types really, really slowly.
  • But best of all was Well’s childish strop in Cisco’s lab straight after Cisco tells him off for having a childish strop. Wells-2 is the character of the season so far.

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The Bad:

  • The revelation that the Turtle has his wife in suspended animation is such a creepy idea it’s a shame it’s wasted in a throwaway moment at the end of the episode.
  • The way Team Flash deduces where the Turtle’s hide out is located is ludicrous. The show is an old hand at scripting sleight of hand that disguises massive plot contrivances but this time the “trick” was fooling no one: they just made a really good guess. (See also the way they work out he’ll go the the Crystal Ball painting.)
  • Similarly, how did Jay deduce, “You took my DNA from the champagne glass” a millisecond after Caitlin says,“I know you’re ill”? Surely there are other more likely ways he would have thought she could have found out first?
  • Barry’s concerns over telling Patty his secret are just another variation on a superhero trope that’s been done to death a zillion times before and doesn’t really offer any new twist.

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  • Wally is supposed to be an irritating teenager, sure, but he does he have to turn Joe – usually one of the best things about the show – into an idiot dad?
  • The speed racing stuff is generally quite naff and cosy. GTA it ain’t.

 

The Random:

  • Patty will be studying at Midway City University. In the DC universe, Midway City is the home of Hawkman, Hawkgirl and Doom Patrol and will be the setting for the upcoming Suicide Squad film. In The Flash episode “Fallout” Caitlin once claimed she had a cousin there, though she was actually fibbing and covering up for Ronnie Raymond who was on the run at the time.

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  • After the Flash rescues Patty at the end of the episode, Barry – still in costume – comforts her in his own voice, not his “Flash” voice. Was his a production lapse or an error on Barry’s part that Patty will pick up on? She’s proven sharp about such things in the past.

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  • In the immensely yawnsome street racing scene, Wally is, of course, driving a red car. THIS IS FORESHADOWING!
  • Wally is from Central City’s twin city Keystone City which is where Golden Age Flash came from. In this series of The Flash, Eobard Thawne is from Keystone as well.
  • The TurtleThe Turtle’s lair was in Naydel Library. The character was co-created by Gardner Fox and Martin Naydel in All-Flash #21 (1945).
  • This is the first time on the show that Cisco calls Grodd by his full comic name “Gorilla Grodd”.
  • The Vandervoot diamonds are clearly named after Laura Vandervoot who played Supergirl on Smallville and will soon be appearing in Supergirl as Brainiac-8.
  • Aaron Douglas, who plays the Turtle, is still most famous as Chief Galen Tyrol in the Battlestar Galactica reboot, but he does also have previous live-action comic book form. He played two different characters in Smallville (Deputy Michael Vertigo in “Obscura” in 2002, and Pierce in “Traveller” in 2008); he was a detective in the terrible Catwoman movie (2004); and he was one of Stryker’s soldiers in X-Men 2 (2003).
  • The Crystal Ball painting was recently recovered from Markovia. In DC comics Markov is Geo-Force, a superhero with geo-kinesis abilities who is also prince of Markovia.
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Barry is an early adopter of the new Chuck II Converse. Wonder how many pairs he gets through and if he sponsored?

 

Review by Dave Golder


Read our other reviews of The Flash

Keep up to date with all the Arrowverse news


 

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The Flash S02E09 "Running To Stand Still" REVIEW

The Flash S02E09 “Running To Stand Still” REVIEW

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stars 4.5

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writer: Andrew Kreisberg
Director: Kevin Tancharoen

 

Essential Plot Points:

  • The Weather Wizard breaks Captain Cold and the Trickster out of Iron Heights prison.
  • He wants them to combine their powers and skills to kill the Flash. Captain Cold politely declines.
  • Cold warns Barry then buggers off to star in another series.
  • Weather Wizard and the Trickster plough on regardless. As it’s Christmas they hatch a seasonal plan; the Trickster pretends to be Santa and hand out bombs disguised as presents to a hundred kids.
  • Weather Wizard (who can fly now, by the way) blackmails Barry: either he lets himself be killed very publicly and very humiliatingly or the kids all die.
  • It’s Wells to the rescue as he uses magic science to drag all the bombs into a breach, leaving Barry free to defeat the two villains.
  • Oh, hang on, we forgot to mention that Patty is on a revenge trip because Mardon (before he became Weather Wizard) killed her dad back in the day. The Flash talks her out it.
  • Wells is blackmailed by Zoom to help him steal Barry’s speed.
  • Joe learns about his son, Wally, who turns up on his doorstep during a Christmas party (which was probably a good thing as it looked like Barry and Patty were going to get irritatingly mushy).
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Oh look, he’s made Flash Christmas decorations!

 

Review:

Right, so it took four credited writers to create last week’s muddled, mishmash of a crossover, while this week’s little gem of an episode credits just one scriptwriter. Is there a lesson to be learned there? Or maybe Kreisberg simply benefitted from not having to cram in so many disparate elements.

Whatever the case, “Running To Standstill” is a welcome bounce back to form; a focussed, fun and event-packed episode which still has time to spare for some good old sentimentality. As a Christmas episode it has to deliver some festive spirit with an accompanying cheese platter. Luckily cheese is something The Flash is an expert in; it’s a past master at delivering a dollop of schmaltz that leaves you feeling warm inside and not just a little bit sick from overindulgence.

So, amazingly, you get through an episode that features no less than four heartfelt scenes of high emotion (Iris reveals to Joe he has a son; Joe tells Barry he feels guilty for never being there for his son; Patty reveals to the Flash why she hates Mardon so much; and Barry tells Wells – through a pane of glass – that he forgives him) without vomiting and not feeling shortchanged on action. Because there is a lot of action. Some of it very good indeed (see below).

And out of those four big emotional scenes only the Patty one feels hammy. On the other hand, the most effective one is the virtual monologue Grant Gustin gives about forgiveness; once again he proves to be one of the most versatile leads in an action TV series at the moment.

Meanwhile over in the main plot Mark Hamill has a whale of a time camping things up as the Trickster and while Wentworth Miller leaves the action early, he has a few great moments of surly gittishness to savour. Liam McIntyre’s Weather Wizard remains a little by-the-numbers villain-of-the-week, but at least he gets to fly this time in an impressive action sequence.

The Christmas present plot is a rum old piece of tinselly toot, the kind of silly-but-still-fun nonsense Russell T Davies used to like in his festive Doctor Who episodes. Don’t think too hard about the logic and just enjoy the image of hundreds of Christmas present hurtling into a breach (though we’re thankfully spared the montage of crying kids).

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Alongside all that we have the Wells/Zoom plotline unfurling in all kinds of interesting ways. At last we find out there is some sense and logic behind Zoom’s MO of sending countless hapless goons from Earth 2 to fight Barry (apologies for ever doubting there was): he’s trying to make Barry run faster so he can syphon off even more of the speed force. It still doesn’t explain why he’s taken so long to use Wells’s daughter for blackmail purposes, but what the hell; at least we know where Wells stands now, and we feel sorry for him. Let’s hope he can, eventually, be the hero this time round. Without dying. And keeping his sarcasm intact.

Oh, and Jay’s developed a sense of humour. His gentle ribbing of Caitlin and her geeky responses were actually very sweet. Y’see, miracles do happen at Christmas!

 

The Good:

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  • The teaser was just magnificent and features some stunning FX shots and editing. All of that was trumped by the punchline, though: Zoom saying, “Merry Christmas”. What a cheeky git.

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  • The brief scene with Wells arriving at the door of some poor kid’s house and deadpanning, “Your toys… give them to me,” is one of the comedy highlights of the season so far.

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  • The slo-mo shot of Barry running across the helicopter’s blades must have been of those great ideas from the comics that the writers have been trying to crowbar into an appropriate plot for ages. It was worth the wait, though.

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  • Sure, Mark Hamill is just playing the Joker again (he does so in the animated Batman series) but the Trickster is still all kinds of fun to watch. His highlight here is coming up with new lyrics for a Christmas classic, “Deck the halls with body parts from a girl named Holly.” Though for some reason, his delivery of, “Don’t have a snit, Snart,” was hilarious too. And how much did he look like Johnny Rotten when he stuck his finger down his throat?

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  • “They didn’t have any Green Arrow dolls.” “I don’t know why anybody would want a toy of that crazy man.”
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A mug shot
  • Oh yeah, and this was our shot of the episode. How could you not love it?

 

The Bad:

  • Not so much bad as, “Huh?” What is the episode title all about? It’s just a generic phrase that could apply to any episode of The Flash and has nothing to do with Christmas. The only other main cultural touchstone for the phrase is the U2 track of that name from The Joshua Tree, and that’s a track about drug addiction. Apart from the fact that heroin is sometimes referred to as “snow” we can’t fathom a connection there.
  • Patty’s whole speech about “Mardon didn’t kill my dad… I did!” is a steaming great “IT SHOULD HAVE BEEN ME!” cliché. Even actress Shantel VanSanten looks like she’s grimacing as she delivers it. It’s not like the episode even needed it; Patty on a revenge trip for the death of her father was convincing enough without an extra dollop of guilt.
  • So not one of those hundred kids didn’t sneak a look at their present early? We find that hard to believe.
  • The scientific logic behind reversing the magnetic polarity of one bomb so that it would attract all the others is what’s technically known as “bobbins”, aka, “TV sci-fi science”.

 

And The Random:

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  • In the DC comics universe Wally West was Kid Flash and eventually the third Flash after Barry died during the “Crisis On Infinite Earths”. He was the comics’ primary Flash for around two decades until Barry returned during “Final Crisis”. His main girlfriend during this time was Linda Park.
  • Snart may have been an odd choice for Mardon to spring from jail but somebody had to make him available for a certain spin-off that’s coming up. Which also explains this little piece of foreshadowing: “Sorry, I’m not interested in being a hero.” “You’re doing a lousy job of being the villain this week.”

The_flash_running_to_stand_still_jiggle_wiggle

  • The toy warehouse was owned by Okamura Toys. Hiro Okamura was the third character in the DC universe to take up the mantle of the Toyman, though unlike his predecessors he wasn’t a supervillain. He actually helped out the Justice League.
  • Cisco uses the phrase “Best of both worlds” which was one of the taglines used to promote season two. Though knowing Cisco he probably had the Borg on his mind.
  • And talking of Cisco’s cultural references, “Magnets, bitch,” has to be a nod to Breaking Bad, surely?

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  • Okay, has Iron Heights’ psychiatrist seen the pictures in the Trickster’s cell? That’s what you call an obsessive personality.

Review by Dave Golder


Read our other reviews of The Flash

Keep up to date with all the Arrowverse news

 

 

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The Flash S02E08 “Legends Of Today” REVIEW

The Flash S02E08 “Legends Of Today” REVIEW

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stars 3

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writers: Greg Berlanti, Andrew Kreisberg (story); Aaron Helbing, Todd Helbing (teleplay)
Director: Ralph Hemecker

 

Essential Plot Points:

  • Immortal villain Vandal Savage (the best argument for nominative determinism ever) arrives in Central City by stowing away on a ship (presumably he was worried about getting all his knives through customs if he’d flown in).
  • He immediately starts randomly killing people then goes off to search for some woman with wings called Chay-ara (who we know as Kendra, even if she doesn’t know it yet). Turns out he needs to kill her and some guy with wings called Prince Khufu to retain his immortality and grow stronger. Chay-ara and Khufu then reincarnate so the process can happen all over again. Khufu retains his memories each time but Chay-ara always needs a memory jog.
  • After the Flash saves Kendra from Savage he takes her and Team Flash to Star City where Team Arrow can help keep her safe.
  • Prince Khufu turns up and after a bit of fighting and bickering convinces Teams Arrow and Flash that Kendra needs to  jump off a building to encourage he wings to appear. Despite some scepticism this eventually happens.
  • Savage also seeks the staff of Horus in Central City. Oliver and Barry try to stop him but fail. He now has a stick that blows things up.
  • Wells and Caitlin produce Velocity 6 – a drug that creates artificial Speedsters. They want Jay to try it but he’s reluctant.
  • Then Patty shoots Wells and the only way to save him is to remove the bullet, fast. So Jay injects himself with Velocity 6 and uses speedy hand power to phase into Wells’s chest and pluck out the bullet.
  • The drug wears off and Jay vows never to use it again, warning Wells not to use it on Barry. Yeah, right.
  • While queueing in CC Jitters for a coffee Oliver sees old flame Samantha, with a boy who would be the right age to be his son…

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Review:

Last year the Flash/Arrow crosssover event was two self-contained episodes, both of which were quality hokey fun. This year it’s a two-parter which also has to bear the weight of setting up key elements for the spin-off show, Legends Of Tomorrow, was well. Sadly, like Joss Whedon’s Age Of Ultron, while this first part has a lot of fun elements, it also shows the strain of having to tick off a check list of “thing that must be included”. The result is choppy, uneven and lacking in depth.

You have to feel sorry for Falk Hentschel and Ciara Renée. This should be their big entrance as Hawkman and Hawkgirl and they’re pretty much reduced to exposition and clichés because there’s no room for anything with more depth. By the time Kendra stands on a rooftop wailing, “This is my destiny,” you’re ready to push her off the edge just to stop the stream of cringey dialogue. Luckily the flying effects are impressive and the Hawkman Vs Flash and Arrow fight is a blast (it looks like it’s come straight out of the pages of the comics) so the Hawk duo debut isn’t a total wet squib.

A scene early on is symptomatic of the scripting shortcuts going on; a rare moment when the mechanics of the writing process show through. Barry’s had one encounter with Savage and out of nowhere announces that he’s “mystical” and as Team Arrow has more experience with “mystical” they need to travel to Star City to ask for help. This is unconvincing on so many levels the writers may as well have just had Barry say, “I really want to see their new secret hide-out!” Cisco tries to plaster the cracks over with a comment about Zoom but it only highlights how desperately flimsy the reasoning is.

The whole episode is full of such easy fixes and convenient leaps of logic necessitated by the fact that it’s simply trying to do too much. This is Vandal Savage’s debut too – you know, the guy who’s going to be crucial in Legends Of Tomorrow – but he’s given little chance to come across as anything other than a by-the-numbers ranting moustache-twirler. The shtick with the metal fan is good fun, though.

Oddly the most effective strand in the episode is the one least concerned with the crossover: Wells creating Velocity 6 and Jay being forced to use it. We’re betting Jay is going to regret that in future episodes. The only real jarring moment here comes when Joe orders Patty out of STAR Labs and she meekly complies. She strikes us more as the kind of officer who’d demand to know what’s going on, even if she has just cocked up massively. No: because she’s just cocked up massively, because the cock-up only happened because nobody’s telling her what’s going on.

Other than that there’s some great quipping going on between the composite casts (Cisco offering to find a better code name for Speedy for example) and Felicity steals every scene she’s in. The action is as top-notch as ever and the effects continue to impress. “Legends Of Today” certainly isn’t a disaster, it just feels like a bit of a mess that doesn’t launch its new characters in any great style.

 

The Good:

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  • Oliver and Barry taking the piss out of each other, especially the comment about the Green Arrow costume having no sleeves (that sounded like something Stephen Amell may have said and an answer one of the producers gave him).

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  • Both of the slow-mo Barry-chases-flying-knives scenes are very effective.
  • Felicity! Ah, if only Flash could swap her for Caitlin…
  • Having said that, Caitlin has a technobabble scene with Wells in which Danielle Panabaker actually sounds half convincing!
  • The flying effects for Mr and Ms Hawk are much better than we’d feared they’d be. We didn’t think “Gordon’s aliiiiivvvvvveeeee!!!!!” once.
  • Wells doesn’t get much to snark about this week but the way Tom Cavanagh delivers the word “attitude” in a list of things that might be preventing Barry running faster is petty needling of the highest calibre.
  • “The first time I kissed Kendra I got a vibe… no, not that kind of vibe.”

 

The Bad:

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  • Sorry, but that helmet has clearly been designed to make Diggle feel better about his one.
  • The plot struggles to justify the crossover then struggles to contain all the elements.
  • Darkh lacks the usual chilling presence he has in Arrow and comes across more like a ’60s Batman villain.
  • But Darkh is Marlon Brandon in Apocalypse Now compared to Casper Crump as Vandal Savage, who looks like he’s about to burst into a musical number at most points. He also has some terrible dialogue.
  • It’s all a bit of a mess really.
  • And why introduce the Samantha plotline into an already overstuffed episode?

 

And The Random:

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  • Velocity 9 (rather than 6, but give Wells time) is a drug in the DC comics universe created by Vandal Savage that, like here, creates artificial Speedsters. But users become addicted and there are many side effects: premature ageing, exhaustion, salivating, and eventually death. It first appeared in Flash Volume 2 #12 (1988).

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  • Vandal Savage is much older in the comics having originally been a caveman who was exposed to a meteor that somehow made him immortal. His comic version’s history is not intertwined Hawkman’s and Hawkgirl’s as it is here. He was created by SF author Alfred Bester and Martin Nodell, first appearing in Green Lantern #10 (1943).

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  • Hawkman was first introduced in Flash Comics #1 (1940) as was “Shiera Saunders” who would go on to make her first appearance as Hawkgirl in All Star Comics #5 (1941). At this point they were simply reincarnations of an Egyptian prince and princess. It wasn’t until the mid-’90s that DC retconned the Hawk couple’s history with the idea that they had been continually reincarnating over and over since ancient Egyptian times. In-between they spent a period reinvented as aliens from the planet Thanagar.
  • flock_of_seagullsDid Barry really refer to Damien Darhk as “Flock Of Seagulls”? We’re struggling to think of anything else he can be referring to other than the ’80s band of the same name who has a US Top 10 hit with “I Ran”. But that’s a VERY obscure reference, and while the lead singer did have white hair, it was more the style of his barnet than the colour that he was infamous for, and Darhk certainly doesn’t have hair like that. However, a cover version of “I Ran” was used in episode five of season one of The Flash, so you never know. Maybe someone on the production team is the Flock’s biggest fan?
  • Oliver jokes that he gets more bruises from Felicity than he did from Deathstroke, who was the big bad on Arrow season two.
  • Magnetic arrows have been seen many times in the comics.
  • In the Arrow episode “Haunted” John Constantine was looking for an artefact called the “Orb of Horus”. Is it related in any way to Savage’s “Staff Of Horus”, do you reckon?

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  • The ship Savage arrives on is called the Tithonus, who in Greek mythology was made immortal by Zeus, but with a catch: he wasn’t given eternal youth to go with it. So he aged until his body no longer worked and he begged for death. In some versions of the tale he’s turned into an eternal tree.

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  • The image of Jay inserting his hand into Wells’s chest to save his life is an inversion of the famous scene from season one when Reverse-Flash inserts his hand into Cisco’s chest to kill him. Deliberate? You decide.

Review by Dave Golder


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The Flash S02E07 “Gorilla Warfare” REVIEW

The Flash S02E07 “Gorilla Warfare” REVIEW

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stars 3.5

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writers: Aaron Helbing, Todd Helbing
Director: Dermott Downs

 

Essential Plot Points:

  • Physically Barry is recovering well from having had his back broken by Zoom, but mentally he’s back in the mope zone, worried that he’s not the hero Central City needs. Amazingly Joe fails to buck him up so Iris calls in the cavalry: his dad, Henry. That does the trick.
  • Grodd’s back and he wants to make babies with Caitlin. No, hang on, this isn’t an HBO show: no bestiality is involved. He wants her to science up some more apes likes him. He kills a few scientists to get the chemical needs to make this possible.
  • Harry pretends to be Reverse Flash (using Wells Mark I’s old yellow costume) to confuse Grodd (who thinks of Wells Mark I as dad) and get close enough to Caitlin to rescue her.
  • Harry reveals that not all the breaches on  Earth 2 are in Central City, like they are on Earth Prime; instead they are scattered across the planet. One, handily, leads to a sanctuary for intelligent gorillas on Earth 2.
  • With Barry back in action, Team Flash lures Grodd to the relevant breach then forces him through it. Grodd arrives on Earth 2 and sees Gorilla City for the first time. If he’s ever seen Dawn Of The Planet Of The Apes this can only end badly.
  • Harry comes up with a new plan: close all the breaches except the one at STAR Labs, thus forcing Zoom to use that one, then have a trap waiting for him. One problem: he doesn’t know how to close the breaches yet.
  • Cisco goes on a date with Kendra and vibes on her. He see a vision of a woman with wings. And we’re not talking Lil-Lets.

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Review:

Two returning guests stars this week and one blasts the other off the screen. Not to be mean to John Wesley Shipp, but the CG ape was just about the only real reason to tune in for this episode. Henry Allen’s reappearance – and, indeed the whole “Barry wallows in self-pity” stuff – felt like a particularly trite rehash of a storyline we’ve seen many, many times before. This season the writers seem to be hoping that if they regularly swap around who’s giving Barry his “pep-talk of the week” we won’t notice they keep covering the same ground.

So in some ways this is an unusual episode of The Flash. The weekly action/adventure plotlines are usually among the flimsiest elements designed mainly to push forward arc plot revelations and character development. This week, though, the Grodd storyline eclipses everything; the perfunctory father/son chats, Barry’s moping, Cisco’s slightly unbelievable date dramas, Harry’ new plan. Only the redemption of Harrison Wells (which isn’t really redemption but be still needs to gain their trust) provides some good meaty character drama and Tom Cavanagh rises to the occasioneven if his increasingly truculent hair seems to be having a parallel drama all its own.

Thankfully, the action plot provides plenty of fine set-pieces to enjoy, backed up by some excellent effects. Caitlin and Grodd continue their King Kong/Fay Wray vibe with Ms Snow the most sympathetic to the gorilla’s softer side. (Although, considering the very ’70s-looking white trouser suit Caitlin’s wearing, maybe that should be a King Kong/Jessica Lange vibe.) Having Harry pretend to be Reverse Flash is a clever conceit, as it unnerves both Barry and Cisco and adds some tension as you wonder how comfortable he feels in the suit. Not very, it seems; but is he double bluffing?

To be honest, we hope not. It would be too obvious to have Wells turn out to be a villain again. Grumpy, reluctant hero Wells is far more interesting.

Fun and lightweight, “Gorilla Warfare” is enjoyable but worryingly flimsy in areas in which the show is usually strong. Barry’s return to full (physical and mental) health feels far too quick and easy but maybe that was a scheduling necessity; you’d hardly want him in a wheelchair for the big crossover event, would you?

 

The Good:

  • Grodd! Occasionally he’s a little bit “bendy CGI” but mostly he’s a very impressive creation for a TV show. The brief chase at the end as he follows Barry through Central City is especially good.
  • Gorilla City looks great too.
  • In fact, the action and effects are what lift this otherwise fairly standard episode. The pretty colours distract from the lack of real meat.

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  • Harry is huge fun to watch again, even though he’s softening. The scene with him mimicking Wells, saying the lines he said right before he killed Cisco, is disproportionately disturbing. It’d good to see Harry getting a decent amount of screen time, and his growing friendship with Cisco feels unforced and natural.
  • Our first glimpse of Hawkgirl as Hawkgirl, sort of flying.

 

The Bad:

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  • The problem with bringing Henry in to give Barry a pep talk is that John Wesley Shipp is nowhere near as convincing in this type of scene as Jesse L Martin is. Plus, Henry’s argument is based on a spurious premise that mopey Barry would have pointed out immediately; Henry always knew he was innocent, whereas Barry doesn’t know that he’s not a failure. Instead of Henry just acting like pale imitation of Joe, the writers needed to find another way he could shake Barry out of his navel-gazing – tough love? By example? By nicking his wheelchair?
  • Barry’s physical recovery seems far too easy too. Okay, he has superfast healing, but after last week’s cliffhanger (“I can’t feel my legs!”) having him on his feet in the very first scene here is a bit of an anticlimax.
  • Okay, we can just about accept that, in a weak moment, Joe may have been insensitive enough to regret not having a “real” son in front of his daughter, but we can’t accept that Iris wouldn’t have made some sarcastic comment about, “So I’m not good enough?” to pull him back into the 21st century.
  • The Cisco/Kendra romance is about as convincing as Dick Van Dyke’s cockney accent.
  • A breach that leads to a gorilla sanctuary? How convenient.
  • Why is Grodd collecting the chemicals he needs to create little Grodds before he asks Caitlin how to make mini-Grodds?
  • The attempt to humanise Grodd is a laudable one but the script doesn’t develop the idea beyond lip service.

 

And The Random:

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  • Gorilla City first appeared in the DC universe in The Flash #106  (1959). It was originally located on the planet Calor but was unknowingly brought to Earth by Green Lantern. You may be wondering how anyone could relocate a city without knowing; just accept it makes sense in comic logic. Its new home was in Africa. In the comics, this is where Grodd came from.

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  • Cisco’s geek credentials have been seriously dented by his failure to use the phrase “rodents of unusual size” when listing why The Princess Bride is so great.

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  • “I know what I vibed,” says Cisco after his his first vibe of the episode, but we’re not sure he did know. “There was a man with these big…” We think the word you’re looking for is “breasts”. Good grief, lad, that is quite clearly NOT A MAN!

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  • That tower that Grodd’s using as a base look remarkably similar to the one where Chloe lived in the later seasons of Smallville.

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  • A lot of the locations seen on the map that Harry’s consulting have been established as locales in Central City in the DC comics universe over the years: Brookfield Heights, Chubbuck, Petersburg, Lawrence Hill, the Van Geld Opera House. But the Miliken Standard Corporation has us stumped. An in-joke, maybe?

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  • Cisco’s date with Kendra at the end of the episode seems to be a subtle nod to the John Cusack comedy romance movie Say Anything (1989) in which he use used a boombox held aloft to try to serenade Ione Skye. The song he uses is Peter Gabriel’s sublime “In Your Eyes”, which is also used on the soundtrack of this scene in the episode.

Review by Dave Golder


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The Flash S02E06 “Enter Zoom” REVIEW

The Flash S02E06 “Enter Zoom” REVIEW

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stars 5

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writers: Gabrielle Stanton, Brooke Eikmeier
Director: JJ Makaro

 

Essential Plot Points:

  • Doctor Light tells the Flash that if she had killed him, Zoom wanted her to take his chest emblem and throw it into a breach to prove she’s succeeded. This would summon Zoom so he could send her home.
  • Doctor Light agrees to pretend to kill the Flash to draw Zoom out.
  • Wells has developed a slowing-down formula which they intend to shoot Zoom with.
  • Doctor Light escapes from the pipeline. She’s naked, but invisible…
  • …Which means she’s left her costume behind.
  • Barry has an idea: Linda – Doctor Light’s Earth Prime doppelgänger – can pretend to be Doctor Light by dressing up in her discarded costume. Cisco instantly whips up some light ray gizmos to strap to her hands.
  • Unfortunately she makes a rubbish supervillain.
  • So Barry gives her a pep talk in which he reveals to her that he is the Flash. It works.
  • Sadly the plan to lure out Zoom with a fake fight between Barry and Linda as Doctor Light doesn’t work (we’re not surprised – Barry keeps squirming when he’s supposed to be dead and Linda keeps putting her hand up to her ear piece).
  • Patty becomes suspicious that Barry and Joe are keeping something from her, but doesn’t hold too much of a grudge after Barry passionately and impulsively kisses her. He’s just had another pep talk from Joe, y’see.
  • But later on, when no one’s expecting him, Zoom goes all Spanish Inquisition and executes Barry. Well, nearly executes him. Team Flash manage to hit Zoom with one “slow dart” before he finishes the task and he zooms off.
  • But he has left Barry paralysed from the waist down.
  • Cisco vibes on Wells and learns that Zoom has his daughter held captive back on Instagram Filter Earth.

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Review:

Barry should have listened to Jay. But he didn’t, and now Zoom has utterly humiliated him and left him paralysed. The final 1o minutes of the episode are simply magnificent; a tour de force of eye-popping action, shock twists, gut-wrenching drama and beautiful FX work that would have assured a five star review even if the rest of the episode had been a pile of steaming bat guano.

In fact, the rest of the episode is an absolute delight too, featuring some of the funniest moments so far this year. The scenes with our Earth’s Linda Park trying to become Doctor Light are huge fun, as is Linda’s goofy reaction to finding out that Barry is the Flash (“Holy crap! I’ve made out with the Flash!”). Malese Jow is such an asset to this show let’s hope that she’s in this for the long haul. Though it would be good to have a regular, young, female character on the show who hasn’t snogged Barry (although Caitlin only snogged a fake Barry, to be fair, and didn’t have much choice in the matter).

Wells-the-jerk is also great once again, though his motives are a bit confusing. He seems relieved that Cisco has found out about Jesse being captured… so why be so touchy about being touched by Vibe earlier on? There seems no reason why he would hide this from Team Flash so does he have something else to hide that Cisco hasn’t discovered yet. And since Zoom has kidnapped Jesse, why is Wells working to bring about his downfall? You’d think, as Joe does, that Zoom would be blackmailing Wells into working for him. There’s something complex going on here and Wells could yet prove either the major villain or redemptive hero of the season. Whatever the case, please, Wells 2, don’t lose your snark; it’s your best feature.

Amidst all this Patty has little to do except revert to traditional girlfriend-of-a-masked-hero mode (“he’s hiding something and keeps blowing me out on dates…!) and Caitlin is reduced to being a straightwoman, providing feed lines for the men’s punchlines. But in such a packed episode there have to be some casualties. Iris doesn’t have much to do either, but scores points for her sarcastic asides when Linda goes into super-cooking mode.

For the most part, though, this is a consummately constructed episode. It joyously breaks the formula established by the season so far then rips it apart in the final moments with shocking developments that scream “gamechanger”. It moves seamlessly from frivolous fun to gripping drama in the space of a breath. It cements Zoom as one hell of a scary foe – every moment he’s on screen he totally dominates it. And the slick direction moves through the many moods with a deft touch, letting actors act when they need to and giving the big action sequences an emotional sweep.

Bane broke Batman’s back and the Dark Knight returned. Since there are at least 16 episodes of this season left we assume the Flash will be back on his feet before long too. But for the moment, we’re still reeling.

 

The Good:

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  • Zoom’s grand tour, dragging the limp body of Barry Allen around Central City to show-off who’s boss, is massively effective. It’s real gut-wrenching stuff, featuring  special FX shots that are loaded with emotion; a rare thing on TV where FX are often just a utilitarian means to an end.
  • Linda’s training session as Doctor Light is hilarious, especially the exploding gloves and the misjudged high-five.
  • This image:

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  • Linda’s reaction to discovering Barry’s secret – “I’ve shagged a famous person!” basically.
  • The fake fight between Doctor Light and the Flash with its whispered asides and Barry regretting falling to the ground in such an awkward position.
  • Hell, Linda in general. She’s just great!
  • Caitlin: “Oh great, that could be this year’s Cold Gun. Maybe another criminal can get it and then we have Sergeant Slow!” Cisco: “I would never let that happen. Sergeant Slow is a terrible name.”
  • Caitlin: “No offence to Linda, but there is no way she can pull this off.” Wells: “Well, maybe if she didn’t scream every time she fired.”

 

The Bad:

  • Given that the real Doctor Light is still at large, it’s bizarre that Linda – who’s spent half the episode terrified – would suddenly decide to walk home at night on her own (not that if Iris had gone with her she would have been much help against Zoom).

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  • Why would Doctor Light need to take her clothes off to become invisible? Whatever power she’s using to make herself invisible would presumably work on her clothes too. This is one clumsy piece of plotting to negate Cisco having to get out his sewing machine later in the episode to whip Linda up a costume.
  • Whereas the Barry/Joe scenes are always exquisitely acted it would be nice to get through a week without them having a heart-to-heart; they’re in danger of losing their value through overuse.
  • We still don’t understand why Zoom used so many crap henchmen first before deciding to kill Barry himself when he proves so much better at it. Okay, he still fails, but he gets a lot closer.

 

And The Random:

  • Incredibly, for such a slick, assured-looking episode that balances great performances with pacy storytelling and big effects sequence, this is the debut TV directing effort by JJ Makaro. It is not, however, his first association with the Arrowverse; he’s been stunt co-ordinator on Arrow since the beginning and has worked on 10 episodes of The Flash in the same capacity. He stunt career began in the ’80s on shows such as Airwolf and films such as Iron Eagle 2. We reckon he should get more directing gigs on the strength of his work here.

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  • We’ve been pretty rubbish at 52-spotting this year (it’s mostly been appearances of Channel 52, of which there was another in this episode). But we spotted this really obscure one to balance things out: when Cisco vibes there are three extremely brief shots of a clock with one hand… that’s pointing at 52 minutes.

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  • For the record here’s that Channel 52 appearance. This week it’s actually the version of of the channel from Instagram Filter World, where Oliver Queen died and his dad Robert Queen became ‘The Hood”. This is similar to the comic book storyline “Flashpoint’, in which Barry’s time travelling causes an alternate reality in which Bruce Wayne’s dad became Batman after Bruce is killed.

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  • We will get away from Channel 52 in a moment but we just had to point out: what kind of unethical reporting is this? Showing a victim’s phone so close-up you can see who her dad is?
  • “But you were fine with killing Linda Park?” “It was the best bad idea I could come up with. Leave her body for Zoom to find. He’d think I was dead and I’d be free.” Last week we were wondering why there had been no explanation why the Earth 2 assassins were killing their doppelgängers. Well, Linda 2 gives an explanation here, which is all fine and dandy, but it seems very unlikely Al Rothstein/Atom Smasher would come up with exactly the same plan.

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  • This week Wells 2’s daughter is named: Jesse. Then Wells uses his pet nickname for her: Jesse Quick. That’s right; she’s the show’s version of yet another speedster from the comics. Jesse Quick. She was first introduced in Justice Society Of America Vol 2 #1 (1992) and was the daughter of daughter of Golden Age heroes Johnny Quick and Liberty Belle. She went on to become the partner of the Wally West version of the Flash.
  • Patty mentions hard light, which could be a reference to the Green Lantern but we couldn’t get Rimmer out of our heads.
  • If Doctor Light can hack into STAR Labs’ fibre optics systems, how come she can’t spring herself from her cell? Maybe those doors are on a separate system for security?
  • Scarily, there are a whole bunch of “babies going through tunnels” videos on YouTube like the ones Patty and her mates are giggling at.
  • The music during Linda’s training session as Doctor Light is “Rock And Roll Rave” by The Preatures.

 

Review by Dave Golder


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The Flash S02E05 “The Darkness And The Light” REVIEW

The Flash S02E05 “The Darkness And The Light” REVIEW

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stars 4

Airing in the UK on: Sky 1, Tuesdays, 8pm
Writers: Ben Sokolowski & Grainne Godfree
Director: Steve Shill

 

Essential Plot Points:

  • Zoom’s rubbish assassin of the week is Dr Light, Earth 2’s Linda Park doppelgänger with super powers. She does kill someone, but it’s not Barry and it’s by accident (RIP Picture News editor Eric Larkin).
  • Earth 2’s Wells – let’s call him Harry, like Cisco – is a general dick to everyone but has a special contempt for Jay whom he regards as a loser. Barry is faster and better and more likely to take down Zoom, he thinks.
  • Jay retaliates by pointing out Harry had months to admit he created the meta-human problem on Earth 2; instead he made money out of the situation by selling meta-human-detecting technology.
  • But something has changed Harry, who now admits his guilt and vows to take down Zoom (we learn in the final scene that Zoom has kidnapped Harry’s daughter).
  • Harry outs Cisco as a meta-human because his powers can help locate Dr Light.
  • Wells’s advice helps Barry defeat Dr Light. Buoyed with confidence, Barry announces he’s ready to take on Zoom. Jay flounces off in a strop because no one believes him that Zoom is too powerful to take on.
  • Barry and Patty have a date, complicated by the fact that Barry has been blinded by Dr Light. They end up snogging.
  • Surprisingly, Iris doesn’t discover any new relatives hiding down the back of the sofa.

 

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Review:

Dr Wells is dead. Long live Doctor Wells! Okay we’ve known for a few weeks now that the Earth 2 version of Central City’s answer to Steve Jobs was skulking in the shadowy edges of the storyline. But this is his first proper full-on appearance, where we finally get the measure of the man. And the decision the writers have taken is a clever one.

Because he couldn’t just be evil again. That’s been done. And besides, it wasn’t actually Wells who was evil, but Eobard Thawne in his stolen body (a fact that’s given lip service here but most of the characters seem to have difficultly accepting). On the other hand, while making this new Wells a good guy would have been a fun contrast, it’s also the really obvious move; spend a few episode making it look like he’s a villain then reveal him ro the avenging, high-tech hero.

So what we get instead is a dick, as Cisco so precisely points out. He may turn out to be a villain; he may turn out to be a hero. It doesn’t matter. For the moment, we have a self-satisfied, big headed bully who you’d loathe in real life but is fantastic to watch on screen. There’s even a little hint and quite how much of a Jeremy Clarkson he is really early on in his very first speech when he says, “Meta-humans: men –and women! –with extraordinary abilities…” You can actually hear the exclamation mark after “women” as if that’s somehow even more extraordinary.

Dick. But what a fantastic addition to the chemistry of the series.

The other highlight of the episode is Barry’s hilarious blind date with Patty. Grant Gustin proves once again that he’s a great comedy performer and the whole scene is both silly and charming. To be fair, Patty is being written as a little bit too perfect at the moment and is in danger of coming across a little shallow; Iris may not have had such a great screen chemistry with Barry but she’s by far the more multi-layered character. If the show’s playing the long game as far as getting this famous comic couple together this is probably the right way to go about it; Barry and Iris weren’t ready for each other in season one but as they both mature maybe they can come together in the future. On the other hand, giving Patty a few flaws could add a lot more depth to her portrayal. In the meantime Patarry… or Bazatty… or whatever… are a fun couple to watch.

Dr Light is slightly better than the usual villain-with-a-gimmick-of-the-week, primarily thanks to the fact she’s the doppelgänger of an existing character so she’s slightly easier to identify with. She’s still remarkably skimpy in the backstory department, though.

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Poor old Jay is a bit of a whipping boy at the moment and the arrival of Wells Mk 2 makes him come across as even more wet and useless (falling into a relationship with the increasingly vapid Caitlin doesn’t do him any favours, either). Wells’s arguments all seem far more convincing at the moment, but maybe he has the easier sell; arguing for caution and restraint, as Jay does, is always going to inherently sound like the weaker position. As much as Jay has been a bit of a disappointment so far, let’s hope there’s some retribution and re-assessment for him soon. He needs it, because your main memory of him this episode may well be his hopeless, “I don’t know!” when Barry asks what he should do to defeat Dr Light.

A strong episode despite a few creaky moments, “The Darkness And The Light” also benefits from a last-minute appearance from Zoom, who in a few seconds comes across as far more formidable than Reverse-Flash ever did.

 

The Good:

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  • For some reason, the business with then chairs in the bank really amused us.
  • Barry’s “blind” date is hilarious, made better by the fact that Patty isn’t fooled in the slightest.
  • Zoom is blimmin’ scary, isn’t he? Hiring Tony Todd to do the voice was a good move.
  • The death of Eric Larkin is a bit of a shocker.
  • The new snarky Wells – an internet forum in human form – is a clever twist. Not evil; not nice; just a git. He’s great fun to watch and has some great lines (Joe: “How are you still alive?” Wells: “I don’t know. Because you missed?”)
  • “You know, our Dr Wells may have been evil but you’re just a dick.” Cisco is not impressed, clearly.

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  • This moment, which so horrifically mirrors that shocking moment in season one when evil Wells thrust his hand into Cisco’s chest and stopped his heart. This Wells has even been told about that story; is he being deliberately cruel? Whatever the truth, it is an uncomfortable moment to witness.

 

The Bad:

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  • Earth II looks like it’s been shot using the sepia filter on Instagram.

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  • The shot where Iris shoots off Dr Light’s helmet is very unconvincing (as was the whole “Chekov’s gun” set-up with Joe giving Iris a weapon that was clearly going to come into play later in the episode).
  • Why do the Earth 2 duplicates need to kill their Earth 1 counterparts. Will this ever be explained?
  • There’s a really awkward moment late in the episode when Iris thanks Wells which feels really false and comes from nowhere. It’s not like Wells needs his ego stroked.
  • Joe: “I just want one week where we’re not surprised by somebody from out past.” It’s never a good sign when a line brings attention to a cliché you hadn’t noticed.

 

And The Random:

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  • Anybody else think that Zoom’s mask looked a little bit like the Black Panther’s, but with go-faster flashes?
  • Dunno whether it’s relevant but Dr Light is defeated in a train station while Zoom’s hideout seems to be a train shed. Maybe Dr Light wasn’t trying to leave on a train; maybe she was looking for a breach.

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  • Did you spot the remote control training dummy that Cisco built for Barry way back in the sixth episode of the first season, “The Flash Is Born”?

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  • Hang on. Is this some kind of dating service? Or a personality test? Imagine if your meta-match was Grodd.

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  • There have been two main Dr Lights in the DC comics universe. The first was a supervillain called Arthur Light first introduced in Justice League of America #12 (1962). He was never a major villain though he was a member of the Fearsome Five, Injustice Gang, Injustice League, Secret Society of Super-Villains and Suicide Squad at various times. He was eventually outed as a serial rapist and killed by The Spectre in Final Crisis: Revelations #1 (2008). Meanwhile, an entirely different Dr Light, a female scientist called Kimiyo Hoshi, was created in Crisis On Infinite Earths #4 (1985) and became a superhero. In a cruel twist, Arthur Light drained her of her powers during the Infinite Crisis crossover event in 2005. She’s barely been heard of since.

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  • Kendra Saunders (played by Ciara Renee) is a character from the DC universe (introduced in Earth 2 #2, 2102) but just in case you don’t want spoilers, we’ll tell you more about her when the truth comes out on the show.

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  • Likewise Wells’s daughter (played by Violett Beane) is destined to become The Flash’s version of another famous character from the DC comics universe (a very different version as she’s not Wells’s daughter in the comics) but we’ll deal with that when more is revealed. She’s not even named in this episode. However, did you notice her expression when Jay is outing Wells for creating the meta-humans? It’s almost like she’s recalling something at the back of her mind.
  • Presumably the friend from Atlantis that Jay refers to is Aquaman.
  • Foreshadowing alert: “Cisco, I don’t think any of us would become evil if we all of a sudden got powers,” says Caitlin Snow, who becomes the supervillain Killer Frost in the comics (and presumably will in the series if Barry’s glimpses of the future in the season one finale come true).
  • Interestingly, however, when Wells uses his meta-human detector on Caitlin it doesn’t register her, so presumably when (or if?) she becomes Killer Frost, it won’t be because she was affected by the STARLabs blast.
  • The show has referred to speed mirages before (evil Wells used them in season one) but this is the first time Barry has used this power.
  • Cisco Ramon is now officially Vibe, just like in the comics.

 

Review by Dave Golder


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