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MCM London Comic Con guests reveal their favourite cosplays and more

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Having recently been unveiled on the MyM Buzz Facebook page, we are now pleased to announce that our latest video from MCM London Comic Con is also available on our YouTube channel.

This video features the convention guests talking about their favourite aspects of the event, as well as their favourite cosplays seen during the weekend. Featured guests include: John Noble (Fringe & Sleepy Hollow), Felicia Day (Supernatural, The GuildBuffy the Vampire Slayer and Geek And Sundry), Jessica Nigri (Cosplay Idol), Iain De Caestecker (Marvel’s Agents of S.H.I.E.L.D., The Fades), Nick Blood (Marvel’s Agents of S.H.I.E.L.D.), Renee Felice Smith and Barrett Foa (NCIS: Los Angeles), Emily Wickersham (NCIS), Ali Hillis and Mark Meer (Mass Effect), and Tyler James Williams (The Walking Dead, Criminal Minds, Everybody Hates Chris).

Click play below to watch the video. You can also see more videos and photos from the weekend on the MCM Buzz YouTube channel and in our Facebook photo galleries.

Videographers – Jordan Bragg and Jacob Cooper.

Audio/Video Editor – Jacob Cooper.

Crew provided by Southampton Solent University and Jack Tindall.

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Felicia Day has fans laughing at MCM London Comic Con panel

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Fans went wild as Felicia Day emerged from the wings, beaming at the enthusiastic turn-out. She waved and waved before curtsying to the right, then bowing to the left, and finishing with a little pirouette. “Thank you very much,” she said, “I’m so happy to be here. It’s been fantastic to meet so many people with accents, very exotic, even, from Wales! Those who are Welsh, the voice, it’s lovely. Very nice.”

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Not long before her arrival, the panel host had been giving away freebies. At the mention of this, Felicia brought up her yet-to-be-released book, called You’re Never Weird On the Internet (Almost), due for release on August 11th, as she expressed how much she loves getting free books from publishers – free anything, in fact. “Even if you don’t know what it is, you want it. I’m allergic to all this stuff, give it to me!” Luckily, she’s come to the right place for free stuff, especially since fans tend to give her gifts at cons – she now has a storage unit to keep it all in, and she promised that she keeps everything.

This led to being asked what the most awkward gift is that she’s received. She replied, “Somebody gave me a little sculpture of myself made entirely of their hair.” The audience didn’t know whether to laugh or recoil, but mostly they laughed. “I did not keep that one,” Felicia added.

Questions opened up to the audience after that and tabletop games were brought up right away, much to Felicia’s excitement, as she expressed an addiction to them. “I love inviting people over to play, eating loads of pizza, and screaming at people when they get grease on my pieces. Wash your hands! Do not touch my pieces with your greasy, greasy, greasy hands! I’m weird that way,” she joked. “The only thing I would request is if there could be a tabletop focused on stealing things from people, because I love to steal things in video games. Pick-pocketing, opening people’s cabinets, taking their urns and chests of gold. So, killing people, stealing things, let’s have a board game focused on that.” Not a bad idea, who doesn’t love the satisfaction of stealing everything right from under a city guard’s nose in Skyrim?

Someone brought up a current show that Felicia features in and she may or may not have died in recently (spoilers!), which led to bringing up the long list of shows she’s been killed in, and continued to be a running joke throughout the panel. “Well, spoiler alert, I seem to be dead!” she said about the show in question. “I wanna say that I didn’t ask to be killed off, but I have been killed by the best of them. Joss Whedon’s killed me,” she said, “he also shot me in the kneecaps, I’ve been killed on so many shows, so apparently I’m very killable. I don’t know if I just look good as a corpse.” Despite her short life-expectancy, of the shows she has worked on, being in productions like Supernatural and Buffy the Vampire Slayer have meant the most to her because the fandom and the crew felt like family. The community around these shows have existed in a way that goes beyond the source material. “Being part of these long running shows means they come with a fandom, and it’s like being part of a family, which makes everything I do feel less like a job.”

A nervous young girl confessed that she saw Felicia in the street the other day, but she’d felt too scared to approach her. As she turned a notebook over and over in her hands, the girl asked if she could give Felicia fan art. “Yes, please do! Come on down!” Felicia cried. The young girl hurried down the aisle, jumped onto the stage and tore a picture from her notebook. “Oh my God, it’s beautiful! Did you do just draw my face?” Felicia asked. “It’s a beautiful picture of me, thank you! My drawings are like a five year old’s, I can’t tell you what it means to me when people who are artistically gifted give these things to me.”

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Next was some insight into Felicia’s “first venture into geekdom” and how she grew to love the community she’s become such a prominent figure of. “I was homeschooled, I never went to school, and there’s a lot of funny stories in my book about not understanding how people work in the world, but because my parents were very science based and loved art, and science fiction and fantasy, they wanted me to do whatever I wanted in my life – they were always my influence. I had no idea that it wasn’t cool for girls to like video games, or read fan fiction, or write science fiction, or create dragons out of Lego, so I just embraced it from a young age because it was cool to me. Later in life, when I was exposed to other people, it wasn’t as easy for me to confidently say ‘I like these things’, like in Hollywood. Hollywood likes to – especially with women – shape you to be a certain way. So I had to learn to embrace what I love, rather than bend to what other people thought I should love.”

When asked for her favourite gag-reel moments on Supernatural, Felicia brought up a scene from season 10 where her character, Charlie Bradbury, has to down a shot. Apparently she’d never done a shot before that moment for fear of throwing the drink over her face. Pulling a melodramatic, ‘I’m badass’ face, she tried to show how seriously she’d approached actor Jensen Ackles (Dean Winchester). She grabbed the shot glass, threw it back…and threw the drink all over her face. But the camera was rolling! She had to keep going, even with liquid dripping down her chin and onto her leather. Felicia pulled her sinister face again, to emphasise how ridiculous the moment was. “Jensen is one of the best actors I’ve ever met,” she said, “he can turn it on and off – he’ll be in character like boom! In that moment, I’ve never seen him break before, but he was watching me and he’s like…” Here, Felicia made one of her eyes twitch madly, the corner of her mouth fighting not to smile, the other side of her face keeping up the stoic deadpan. “After they said cut, he threw up his hands – what the hell?!”

After that, she shared many stories about how she had learnt to deal with anxiety, especially as someone often in the public eye. Her main advice to people who struggle with it and who want to go into performing of any kind, was to put yourself out there as often as possible, because the only way it gets easier is to do it multiple times. To learn to do it for “your own enjoyment and the joy of giving what you have to other people”, since the main reason we suffer from things like stage fright “is because we’re worried what other people will think of us,” she explained.

Throughout the panel, she frequently emphasised how important she felt it was for people to follow through with their passion and to share it with the world. The internet has enabled us to connect in hundreds of ways, to share what we create, and to keep getting better at our passion. We’re more enabled than ever before to produce our own content. Don’t let self-doubt, or other people’s opinions of what you ‘should be doing’ steer you away from the path you feel is calling you. Her final statement on the panel came back to this point as she enthused, “The door is open for you to say what you want to say, in a way only you can say it. Let your flag fly, because whatever makes you happy is wonderful.”

Felicia expressed her thanks for the many questions and hopes to come back to MCM London Comic Con again. She’s dreading the shipping fee for all the free books she’s accumulated, however! Catch her on Sunday from 12:00 until 13:00 on the showroom floor for the chance to have a photo taken together. If you missed the panel, you can watch it for yourself on our YouTube channel, and don’t forget to check out the roundtable interview we had afterwards.

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Blood Lad review

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In the form of a comedy from the underworld, Blood Lad was a well written concoction made up of all the ingredients needed to create an enjoyable seinen anime. With themes of supernatural action throughout, Blood Lad is another great example of how anime can turn the stereotypes of ‘scary’ demons and underworld creatures on their heads. Just like how Black Butler made demons sexy and Death Note made Shinigami lovable, Blood Lad made the creatures of the underworld downright relatable and sometimes, particularly in the case of our protagonist, quite pitiful.

The protagonist is Staz and despite being a complete and utter loser, he is hopelessly lovable from the moment we meet him, and he continues to hone this appeal all the way through. With his horrendously over-the-top otaku lifestyle, he’s undeniably familiar to many real life anime fans who sit and watch him. Well, besides the fact he’s a vampire. He boasts (literally) a large collection of anime related figurines and merchandise. Plus he has a manga collection that could rival any die-hard collector. However, despite being surrounded by all the things he loves, Staz suffers from the common characteristics of any person that seems to have everything they want, including power over pretty much the entire underworld. It’s almost like mafia wars, demon edition. Nevertheless Staz is arrogant, melancholy and bored of his current position.

Blood-Lad-01-2That’s when we’re introduced to the random arrival of Fuyumi Yanagi; a human girl who just happens to stumble into the demon world one day. Of course she’s well equipped with a face beyond kawaii and a chest beyond large, and in the true okatu stereotype fashion, Staz is instantly infatuated and claims Fuyumi as his own. That is until she’s entirely devoured and killed by a rogue demon plant before returning as a ghost. Yep. 100% true. So what follows is a hilarious but rather endearing story of Staz attempting to fulfill his vow to bring Fuyumi back to her former self. It’s definitely a story with a bit of everything as Blood Lad does a great job of making sure there’s some form of key feature that everyone will enjoy.

The series teeters between two key genres; comedy and action. One of the most obvious points of appeal within Blood Lad is the sheer humour. But, thankfully, it isn’t the forced kind. The series evoked a natural flow of laughter without being too over-the-top or ‘try hard’ as I often see in the more light-hearted comedy series.60251566 The jokes and punchlines were timed perfectly throughout and did well overall to create a balance between comedy and action in the storyline. One of the tropes that anime has always taken on with the comedy theme is referencing. There’s something about seeing a line or reference from old or popular anime that make us fans go, ‘OOH! OOH! I KNOW WHERE THAT’S FROM. HOW AMUSING!’ Blood Lad used this to its pure advantage. From subtle comments to Staz literally attempting to conduct a ‘Kamehameha’, it was almost like a fun side quest to see how many references you could find.

All jokes aside (literally, sorry) there’s a lot more to this series than just gags. The plot is genuinely decent and for a short series, the pacing is pretty much flawless. With some anime it’s typical to see fighting scenes lasting episode after episode with no real progression, yet Blood Lad deals with fighting scenes in a way that quickly builds up tension and never leaves with an unsatisfactory result and this is consistent throughout. No episode felt like filler or a drag; there was clear consistency in both the themes and characters which made this easy to watch and really invest in. I suppose you could say it was a little lacking in twists and surprises, and was probably a little predictable in most cases, but it’s not something big enough to detract from the overall impact.

As far as animation and style goes, it’s another tick. The scenes were bright and playful, completely complimenting the theme of the anime. There was a comedic style of animation through characters facial expressions and exaggerated mood frames. There was also a very vast selection of landscapes within Blood Lad which I believe is worth mentioning. blood-lad-03-1The scale of the journey that Staz and Fuyumi underwent was made far more expansive by the various locations visited. Each one being equally different. This carried over to the individuality of each and every character. All creative creatures were achieved with great detail which made it refreshing and interesting to meet the different personalities. It was also nice to see the dark atmosphere of the underworld retained through the characters appearances, despite the light nature all around.

As if I hadn’t already blabbed on and on with good points, overall Blood Lad clearly gets a big thumbs up. Between the endless laughs and surprisingly engaging battle scenes, it was a thoroughly enjoyable anime. For once I wasn’t put off by the typical kawaii-big-chested female! And that says something. Blood Lad stuck true to what the story was trying to present. Something light and funny with just enough focus to keep the plot worth watching. Everything from characters to scenery were used to the advantage of the series which stopped it from becoming boring or stale. For such a short series, it started well and managed to keep up a great standard throughout. Definitely worth a watch.

Blood Lad is released on DVD and Blu-ray by Anime Limited on 2 February.

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Book review: Flashes by Tim O'Rourke

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Most good books have a cover and/or a blurb that hook you right in from the get-go, and Tim O’Rourke’s Flashes is definitely one of those. A mysterious young girl standing on the train tracks, references to crime and strange goings on, and O’Rourke almost has you gripped before you’ve even opened the book. It’s an opportunity missed by many books, which often copy the style of other well-known releases rather than looking to stand out from the crowd. Thankfully, Flashes manages to be interesting inside and out.

The tale is told from two main perspectives – that of Charley, a young girl who experiences bizarre moments of somewhat supernatural or psychic visions which she likes to call ‘flashes’, and of Tom, a fledgling police officer eager to climb up the ranks. Their paths inevitably cross due to Charley’s pursuit of the truth in relation to her flashes, trying to connect the dots between what she sees and what happens in the local news. With Tom on the scene, she has someone to confide in, and together they take a journey of discovery, deception and romance.

I must admit that I found the romance element to be a little forced at first. Overall it’s a story concept that’s ended up overused in recent times, when many stories simply don’t need the main characters to get together romantically. You can probably blame Twilight and similar popular books for that. However, O’Rourke manages to flesh out the relationship between Charley and Tom beyond a stereotypical young couple to a more emotional and supportive one. The story ends up working better because of it, as it raises the stakes for all involved, and makes the situations Charley ends up in feel all the more real and perilous.

To O’Rourke’s credit, the repartee and banter between Tom and his fellow police officers always feels genuine and authentic. It never feels like a cheap rip off of similar interactions in The Bill or other crime stories: instead, Tim’s own personal experiences really shine through. Tom’s ambitious nature rubs some of his colleagues up the wrong way, and it’s interesting to see how these difficult interactions all intertwine as the story goes on. The same goes for Charley and the tempestuous relationship she has with her father, having lost her mother and, more recently, her friend, both in suspicious circumstances.

There is a real darkness to Flashes that the author manages to draw the reader into. Whether it’s being near the train tracks or stuck with someone mysterious near her, Charley’s circumstances always come across crystal clear through the descriptive nature of the writing. It makes for a tense and edgy read which always keeps you guessing right to the end, and O’Rourke certainly had me fooled through much of the book. Final acts are often telegraphed, but not here, as Flashes manages to be as clever as it tries to be. It’s a relief that the quality of the storytelling throughout is matched by its resolution.

A concept like that at the core of Flashes could easily be a cheap device but it is used sparsely and only to ramp up the tension and add to the reader’s enjoyment. O’Rourke certainly tells a modern tale, dropping references to current technology and music that places Flashes in the here and now, and this can be a little jarring from overuse at times. However, beyond that is a solid effort that presents strong characters of both genders, and an addictive idea that works better than expected. Part crime thriller and part romance, Flashes is a gratifying story that will appeal to a whole spectrum of readers.

Flashes is now available from Chicken House in paperback and three-part eBook.

The paperback also contains a bonus story with Tom and Kiera Hudson, the main character from O’Rourke’s other book series. 

Supernatural: The Anime Series gets UK release

The animated series of Supernatural will be released in the UK on 27 March, and is available for pre-order on Amazon. The series is based on the popular American live-action television series, which follows two brother who hunt demons. Animated by Madhouse, the 22-episode series features both Jared Padalecki and Jensen Ackles voicing their respective roles of Sam and Dean. However, while Padalecki is in all 22 episodes, Ackles only does the voice work for Dean in the final two episodes.

According to the press release by Fetch Publicity, the box set will include a two-part making of, fourteen episode introductions with Jared Padalecki and Jensen Ackles and interviews with Supernatural creator Eric Kripke, the directors, Padalecki and Ackles and the Japanese actors.

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Midnight Son: Review

Sun-dodging, sex and sanguination in a moody vamp horror from the director of The Blair Witch Project… 

Whatever happened to movie monsters the good guys love to kill? Creatures of the night used to bring whole communities together, carrying torches and waving pitchforks, yet there’s no such nimby attitude these days. Whereas women used to run screaming from vampires, they are now more likely to jump on anything without a pulse. Perhaps this is the true, lasting legacy of Twilight, a series of films that saw its female lead debate whether to date a werewolf or a bloodsucker. It was restaurant silver service rather than silver bullets, steak tartine rather than stake through the heart. With zombie love story Warm Bodies on the way, things are only going to get worse.

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It’s therefore disarming to find out that Midnight Son was shot in 2007 – a year before Twilight’s release – with principle photography taking place over 22 nights in Los Angeles and a few scenes being added years later. Had Scott Leberecht’s (The Blair Witch Project) film been released six years ago, its decision to ask the audience to feel sympathy for someone who stalks the night(shift) would have seemed much fresher.

The story follows Jacob (Zak Kilberg), an overnight security guard who had a normal childhood until a rare skin condition forced him to seek shelter during daylight. A joke from his junkie girlfriend Mary (Maya Parish) and a sudden change in his health – where no amount of eating can satisfy his hunger – has him renting vampire flicks and checking out his teeth in the mirror to see if he might be on the change.

Midnight Son uses its low budget to great effect. Vérité-style camerawork gives it a raw – if not quite bleeding – edge, witnessed in the handheld back and forth of a street conversation or the extreme close-ups of its insatiable lead character. Kilberg is RPattz without the sparkle, all tortured looks and glaring appetites.

Writer/director/producer Leberecht’s artistic input, meanwhile, even extends to the painted pictures of sunrises and sunsets Jacob obsessively crafts. Moody, mean and with a glimpse of LA’s darker side, it’s just a shame his film didn’t see sunlight for so long.

VERDICT: 8/10

Midnight Son opens in cinemas in key UK cities on 11 January 2013.

  • Like this movie? Check out the season eight Supernatural episode Bitten to see an awesome found footage take on what it’s like to become a werewolf.