John Krasinski A Quiet Place interview horror starring Emily Blunt

John Krasinski interview: I’ll have an anxiety attack, then we can talk Oscars

Matt Chapman speaks with star, director and co-writer John Krasinski about A Quiet Place, a brilliant horror movie co-starring his wife Emily Blunt. Krasinski was thrilled to see horror and sci-fi/fantasy so well represented at the 2018 Oscars, with Get Out and The Shape of Water, but can’t believe his film A Quiet Place will get the same attention.

“My God, I can’t even think about that. I’ll have an anxiety attack and then we can talk about it,” he tells us. “I loved those movies and I loved that horror and sci-fi were represented at the Oscars this year, because that’s amazing. But it never crossed my mind for this.”

A Quiet Place is released by Paramount and is in UK and US cinemas now. 

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Plastic Memories – Anime first thoughts

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Plastic Memories is a series that sounded tear-worthy from the very first description I read. And I was right to assume that. The anime is set in a world where humans live happily alongside very human-like androids named Giftia. Giftia are specifically developed for various ‘owners’ requirements, whether it be for work, companionship or to fill a missing family gap, they mean a great deal to those who own them. The problem is, with a lifespan of 81,920 hours (roughly nine years and four months), Giftia do eventually have to be let go. Although they possess very human emotions and personalities, they do not age as a human would. When a Giftia approaches the end of its lifespan, the Terminal Service comes and collects the expiring Giftia, erasing their memories before they begin to deteriorate.

Now, if you don’t find the idea of someone’s nine year beloved companion suddenly being hauled away and shut down to be a sad one, then I’m not sure you are capable of feeling sadness. Within the very first episode of Plastic Memories, we are subject to witnessing the heartbreak of a Giftia reaching expiration. Although it’s more of a bittersweet and peaceful goodbye, it’s extremely touching. It only took this show twenty minutes to get a tear from me and that’s quite an achievement within the pilot episode. The show appears to deal a lot with the characters within, focusing on relationships and bonds and how much one person can mean to another. It really can be quite thought provoking as you watch and evaluate how you would feel in these various people’s lives. Throughout the initial episodes, we come across four very different instances of Giftia and their owners and the purposes they serve to each other. The show is well thought out in terms of making the relationships diverse and making sure the audience is aware of just how real these Giftia are. It’s very absorbing and can be easy to forgot that they only last nine years. When you realise that as you’re thinking up a storm of the attachment these two ‘people’ have, it’s kind of heart shattering.

plasticmemories_tsukasa-islaWe see events unfold in Plastic Memories as we follow our protagonist, Tsukasa Mizugaki, as he embarks on his first day working for the Terminal Service. Tsukasa is a very average-Joe kind of character. He’s an eighteen year old college dropout, due to medical reasons of course because there’s literally no other issues in anime… apparently. Although clueless and seemingly useless, Tsukasa is accepted (mostly) into his new job and assumes the role of a ‘spotter’. The Terminal Service works in the format of teams. One human, the spotter, and one Giftia, the marksman. The partners work together as two points of view in order to persuade Giftia away from both willing and very stubborn owners. However when Tsukasa is paired with his marksman, Isla, it becomes clear that not all Giftia are particularly good at their job.

We see Isla within the first literal seconds of episode one, judging purely on her timid appearance, one would guess that she would be a typical quiet and stern type. Complete opposite. Isla is a huge klutz with a plethora of quirks and ‘flaws’. She’s adorably child-like and accident prone, which makes her the perfect balance for Tsukasa, who admittedly, by episode two, was already becoming quite boring and dry. The use of partners, however, does serve the anime well. With multiple teams working within the Terminal Service, the writers clearly seized the opportunity to create both functional and utterly dysfunctional pairings which serves constant entertainment, as well as giving the audience that fun choice of which pairing they like/dislike the most. It’s all about the comparison.

That being said, when comparing Isla to the other, more talented, Giftia in her line of work. It becomes increasingly obvious what the deal is. Without spoiling anything, although I wouldn’t class it as much of a spoiler, the anime dishes out bad news after bad news. Most people won’t believe me when saying it, but when I first saw Tsukasa and Isla meet eye to eye in their opening scene, it didn’t take long for everything else to fall into place. Unfortunately for such an interesting premise, the anime is far too predictable. The surprises are like long awaited guesses and can make it feel almost disappointing as you wait for something amazing to happen. But that doesn’t mean to say that the show isn’t worth watching. For an original series with no previous source material, it can’t be faulted. It’s unlike the stereotypes seen in each anime season and definitely stands out as something different for those who are sick of the usual romance and sports anime. As predictable as it seems, it’s still going to be a series that demands a tissue… or ten.

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The Host 2: Video Clip Shows First New Footage

I used to work on a sci-fi magazine that had three rules for extended content: magic, monsters, aliens. During that time I chained seven seasons of Buffy on boxset and upped my count of monster movies, to put me on an equal geek footing with the rest of the office.

What’s this got to do with a clip of The Host 2, the Google robots are wondering as they scan my copy (and you’re probably reaching that point, too). Well, when I saw The Host it seemed to bring together an awesome, very un-Hollywood monster movie, with the kind of kick-ass humour Joss Whedon slotted throughout Buffy The Vampire Slayer.

Judging by the first clip from The Host 2, the same principles apply in the sequel. We can’t wait.

Make sure you stick around for the comparison shots between the special effects and the clean footage at the end of the clip.


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Argo: Review

“This would be one of the worst films ever made if it wasn’t a true story,” Ben Affleck admits in a press interview for Argo, and he’s right.

This pottiest of pot boilers sees six US Embassy staff escape into Tehran when a crowd breaches their secure complex and takes everyone else hostage. Fearing for their lives if they are caught by the Iranian hardliners, their possible escape routes sit squarely between a rock and a hard place.

That’s until CIA exfiltration expert Tony Mendez (Ben Affleck) comes up with a crazy plan to shoot a made-up sci-fi film in Iran, sneaking the six out as Canadian filmmakers once they’ve scouted possible locations. Cue the creation of a fake studio, the interest of a known director and the search for a suitable script. The premise is bonkers – but given that it is true, also fascinating.

Affleck doubles up on directing duty and manages to pull off a difficult task in that area. Mixing the very real fear of execution with some genuine humour and sly digs at the LA film industry is a difficult juggling act, but for the most part it hangs together. He gives Argo the pace and attitude of a heist movie, the weird vibe of Star Wars and even occasionally throws in the swagger of Anchorman as part of his ’70s setting. Some of the taches are so luscious it’s a wonder part of the ticket price isn’t being handed over to charity for Movember.

His cast also do him proud. Victor Garber, Tate Donovan, Clea DuVall, Scoot McNairy, Rory Cochrane and Christoper Denham excel as the bickering Embassy staff unsure of whether to trust Mendez or not. Meanwhile, John Goodman (glib as hell as real-life make-up artist John Chambers) and Alan Arkin (on his best grumpy form) handle the Hollywood (or should that be ‘LLYWO D’ as the sign read in those days) side of things with aplomb. Bryan Cranston also continues an excellent run as Mendez’s boss, proving it’s almost impossible to pigeonhole him.

In fact, the only real weak link is Affleck himself. Directing, producing and starring is a tough gig and perhaps it took its toll, as it’s his character that rises least to the challenges facing all those involved. Waking up in what looks like Tracey Emin’s bed and chatting to his 10-year-old son on the phone feel like lazy attempts to fill out Mendez’s backstory. And while, admittedly, he’s supposed to be the cool and professional one of the group, we never really get the sense that he feels the danger or the pressure of the situation – despite the inclusion of the inevitable fuck-you scene as he argues with his superiors.

As for Affleck’s quote, about Argo being one of the worst films ever made had it not been true? It easily avoids that thanks to its effective period recreations, fine character acting, some truly gripping moments and a plot that really does defy belief.

VERDICT: 8/10

Argo was released in US cinemas on 12 October 2012 and is in UK cinemas 7 November 2012.