Dark Water

Doctor Who Series 8 Episode 11 Review: Dark Water

Dark WaterShowrunner Steven Moffat once again takes the writing reins for a two-part Doctor Who finale, and its first part certainly knows how to kick things off.

Dark Water is the first in this dual-episode finale for Series 8, and from the first scene it’s already quite the mindbend. Needless to say, this episode is one fraught with spoilers, right from the word go that’s the case. By the first few minutes you’re hooked and confused, which is textbook Steven Moffat, and the episode goes along on its way like that for quite a while.

Directed by Rachel Talalay, Dark Water shows us a broken Clara (Jenna Coleman) on the edge, one desperate and ready to make a lot of choices that go against type and come into conflict with her relationship with The Doctor (Peter Capaldi). But of course, it’s all in the name of love, for Danny Pink (Samuel Anderson) is in serious peril.

The episode is full of very strong performances, and despite some scenes playing out a bit oddly in terms of character behaviour and general Doctor Who-logic, both Capaldi and Coleman shine in their respective roles.

It’s the construction of the episode that’s a bit of a miss here. Dark Water is one of those Doctor Who episodes that probably would have worked better without the trailers and promotional material being released beforehand. It being a part one of a two-part series finale, there are plenty of eyerolls and a watch gazes on the way to reaching a plot point that was obvious and heavily telegraphed. It’s clear enough to reveal it here without fear of spoiling much: this week’s episode includes Cybermen.

Dark Water falls down on this point, because while a lot of the concepts thrown out there in the episode are rather curious and interesting for the Doctor Who world, there’s always that anvil everyone knows is about to drop: the fact that Cybermen are really the big baddies here.

Or are they?

In some ways, Steven Moffat does a good job with the story construction, as well as with all the twists and turns. A heck of a lot of it is predictable, yes, and if it wasn’t for the Cybermen issue, other scenes could have had an even bigger impact. And boy, are there some great scenes in this episode.

Not amazing scenes, mind you. A seasoned Whovian will appreciate but not be entirely shocked by Dark Water. Interest will be piqued for the next week, but as a first part, it’s not the best. Capaldi’s Doctor certainly knows how to respond to the sticky situation presented in this episode, and as he finally comes face-to-face with the enigmatic Missy (Michelle Gomez, who is wonderful in her eccentric role), a battle of wits is sure to unfold.

Overall then, this week’s episode wasn’t a complete disappointment, but rather, a predictable, signposted calm before the storm. Moffat still has another episode to knock it out of the park from what he’s set up, and hopefully he won’t slip up there.

It’s gonna be interesting how this story plays out.

In The Woods of the night

Doctor Who Series 8 Episode 10 Review: In the Forest of the Night

In The Woods of the night

A great Doctor Who episode can always do with a good mystery, and this week’s is no exception. When you have a seasoned writer like Frank Cottrell Boyce take the reins of writing an episode of Doctor Who, you know you’re in for an interesting tale.

In the Forest of the Night is a rather interesting tale that’s spun this week, with a mystery in contemporary London that baffles The Doctor (Peter Capaldi), Clara (Jenna Coleman), and Danny Pink (Samuel Anderson), for the entire Earth has apparently overgrown with trees overnight.

A seeming impossibility of a concept, In the Forest of the Night does well to continue the curiosity, but still keep it relatively plausible in the universe of Doctor Who. There are no mind-twisty time travel discussions here, nor are there any real antagonists that threaten our heroes this time around, just a load of questions that are looking to be answered.

Director Sheree Folkson does a stellar job balancing the constant oddity of a concept with character-building and humorous asides. Much like London in the episode, In the Forest of the Night just looks a little bit different compared to other episodes, attributed in part to the cinematography used. A lot of the episode just looks wonderful in the fictional overgrown city, with imagery like Nelson’s Column in the overgrowth to the raging sun shining through the density of the forest, plus the TARDIS is given a nice visual spin with the angles used and the handheld videography – it’s very much taken with a childlike eye.

Which is on point, for In the Forest of the Night is very much a child-centric tale. It doesn’t hurt that this week’s events happen when Clara and Danny have taken a school trip to an overnight stay at a museum. Throughout the entire episode, as well as the main enigmatic focus, In the Forest of the Night deals with the children in the world of Doctor Who, which is always a nice angle to take in the show, and it shows them in full force here, interacting with the Doctor, Companions, and the very mysteries in the episode.

What doesn’t quite work, and what is the main criticism for this week, is the child acting. A lot of it is really bad, and only some bits shine through. A lot of the supporting cast is weak in that respect, but the overall episode is still very effective. It continues to hold the audience’s attention with the whole unknown situation and how everything continues to build to a eureka of a climax.

If anything, In the Forest of the Night is a very strong episode to go into the two-part series finale. It was a wise decision to pair a strong script by Frank Cottrell Boyce with the balanced and visual directorial style of director Sheree Folkson.

All eyes really now are on showrunner Steven Moffat and director Rachel Talalay, for they are bringing us a two-part finale that already has one hooked with the sneak peek trailer.

Here’s to a very rather strong series of Doctor Who so far, and for the streak to continue.