And Affleck doesn’t actually deny he’s out >>>
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Friday, May 29
And Affleck doesn’t actually deny he’s out >>>
From Buffy to Batty >>>
Joss Whedon reveals in his dependably witty commentary on the Blu-ray release of Avengers: Age Of Ultron (out to buy in the UK from 14 September) that he managed to sneak a Buffyverse Easter egg into the Marvel film so clever, so ingenious and so subtle that if you ever meet any one who reckons that they spotted it at the cinema, then point at them in a crowd and shout, “Liar, liar, pants on fire!” very loudly.
Remember Angel, the spin-off from Buffy The Vampire Slayer in which her bloodsucking ex -boyfriend decamped to Los Angelese to set up a supernatural detective agency? Remember the legal firm that began as Team Angel’s nemesis but which they ended up reluctantly running by the final season? Remember what it was called? Wolfram & Hart.
Well, in Thor’s weird trippy dream vision sequence, there’s a brief glimpse of three shoadowy figure in some archways. They’re wearing masks. And guess what the masks represent?
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Fans went wild as Felicia Day emerged from the wings, beaming at the enthusiastic turn-out. She waved and waved before curtsying to the right, then bowing to the left, and finishing with a little pirouette. “Thank you very much,” she said, “I’m so happy to be here. It’s been fantastic to meet so many people with accents, very exotic, even, from Wales! Those who are Welsh, the voice, it’s lovely. Very nice.”
Not long before her arrival, the panel host had been giving away freebies. At the mention of this, Felicia brought up her yet-to-be-released book, called You’re Never Weird On the Internet (Almost), due for release on August 11th, as she expressed how much she loves getting free books from publishers – free anything, in fact. “Even if you don’t know what it is, you want it. I’m allergic to all this stuff, give it to me!” Luckily, she’s come to the right place for free stuff, especially since fans tend to give her gifts at cons – she now has a storage unit to keep it all in, and she promised that she keeps everything.
This led to being asked what the most awkward gift is that she’s received. She replied, “Somebody gave me a little sculpture of myself made entirely of their hair.” The audience didn’t know whether to laugh or recoil, but mostly they laughed. “I did not keep that one,” Felicia added.
Questions opened up to the audience after that and tabletop games were brought up right away, much to Felicia’s excitement, as she expressed an addiction to them. “I love inviting people over to play, eating loads of pizza, and screaming at people when they get grease on my pieces. Wash your hands! Do not touch my pieces with your greasy, greasy, greasy hands! I’m weird that way,” she joked. “The only thing I would request is if there could be a tabletop focused on stealing things from people, because I love to steal things in video games. Pick-pocketing, opening people’s cabinets, taking their urns and chests of gold. So, killing people, stealing things, let’s have a board game focused on that.” Not a bad idea, who doesn’t love the satisfaction of stealing everything right from under a city guard’s nose in Skyrim?
Someone brought up a current show that Felicia features in and she may or may not have died in recently (spoilers!), which led to bringing up the long list of shows she’s been killed in, and continued to be a running joke throughout the panel. “Well, spoiler alert, I seem to be dead!” she said about the show in question. “I wanna say that I didn’t ask to be killed off, but I have been killed by the best of them. Joss Whedon’s killed me,” she said, “he also shot me in the kneecaps, I’ve been killed on so many shows, so apparently I’m very killable. I don’t know if I just look good as a corpse.” Despite her short life-expectancy, of the shows she has worked on, being in productions like Supernatural and Buffy the Vampire Slayer have meant the most to her because the fandom and the crew felt like family. The community around these shows have existed in a way that goes beyond the source material. “Being part of these long running shows means they come with a fandom, and it’s like being part of a family, which makes everything I do feel less like a job.”
A nervous young girl confessed that she saw Felicia in the street the other day, but she’d felt too scared to approach her. As she turned a notebook over and over in her hands, the girl asked if she could give Felicia fan art. “Yes, please do! Come on down!” Felicia cried. The young girl hurried down the aisle, jumped onto the stage and tore a picture from her notebook. “Oh my God, it’s beautiful! Did you do just draw my face?” Felicia asked. “It’s a beautiful picture of me, thank you! My drawings are like a five year old’s, I can’t tell you what it means to me when people who are artistically gifted give these things to me.”
Next was some insight into Felicia’s “first venture into geekdom” and how she grew to love the community she’s become such a prominent figure of. “I was homeschooled, I never went to school, and there’s a lot of funny stories in my book about not understanding how people work in the world, but because my parents were very science based and loved art, and science fiction and fantasy, they wanted me to do whatever I wanted in my life – they were always my influence. I had no idea that it wasn’t cool for girls to like video games, or read fan fiction, or write science fiction, or create dragons out of Lego, so I just embraced it from a young age because it was cool to me. Later in life, when I was exposed to other people, it wasn’t as easy for me to confidently say ‘I like these things’, like in Hollywood. Hollywood likes to – especially with women – shape you to be a certain way. So I had to learn to embrace what I love, rather than bend to what other people thought I should love.”
When asked for her favourite gag-reel moments on Supernatural, Felicia brought up a scene from season 10 where her character, Charlie Bradbury, has to down a shot. Apparently she’d never done a shot before that moment for fear of throwing the drink over her face. Pulling a melodramatic, ‘I’m badass’ face, she tried to show how seriously she’d approached actor Jensen Ackles (Dean Winchester). She grabbed the shot glass, threw it back…and threw the drink all over her face. But the camera was rolling! She had to keep going, even with liquid dripping down her chin and onto her leather. Felicia pulled her sinister face again, to emphasise how ridiculous the moment was. “Jensen is one of the best actors I’ve ever met,” she said, “he can turn it on and off – he’ll be in character like boom! In that moment, I’ve never seen him break before, but he was watching me and he’s like…” Here, Felicia made one of her eyes twitch madly, the corner of her mouth fighting not to smile, the other side of her face keeping up the stoic deadpan. “After they said cut, he threw up his hands – what the hell?!”
After that, she shared many stories about how she had learnt to deal with anxiety, especially as someone often in the public eye. Her main advice to people who struggle with it and who want to go into performing of any kind, was to put yourself out there as often as possible, because the only way it gets easier is to do it multiple times. To learn to do it for “your own enjoyment and the joy of giving what you have to other people”, since the main reason we suffer from things like stage fright “is because we’re worried what other people will think of us,” she explained.
Throughout the panel, she frequently emphasised how important she felt it was for people to follow through with their passion and to share it with the world. The internet has enabled us to connect in hundreds of ways, to share what we create, and to keep getting better at our passion. We’re more enabled than ever before to produce our own content. Don’t let self-doubt, or other people’s opinions of what you ‘should be doing’ steer you away from the path you feel is calling you. Her final statement on the panel came back to this point as she enthused, “The door is open for you to say what you want to say, in a way only you can say it. Let your flag fly, because whatever makes you happy is wonderful.”
Felicia expressed her thanks for the many questions and hopes to come back to MCM London Comic Con again. She’s dreading the shipping fee for all the free books she’s accumulated, however! Catch her on Sunday from 12:00 until 13:00 on the showroom floor for the chance to have a photo taken together. If you missed the panel, you can watch it for yourself on our YouTube channel, and don’t forget to check out the roundtable interview we had afterwards.
Since its announcement in May 2012, speculation as to whether writer-director Joss Whedon could do it all again and create a blockbuster sequel to 2012’s The Avengers was rife, along with questions about which Marvel characters would be next to make the leap from page to screen. Avengers: Age of Ultron sees the return of Iron Man (Robert Downey Jr), Thor (Chris Hemsworth), Captain America (Chris Evans), Black Widow (Scarlett Johansson), The Hulk (Mark Ruffalo) and Hawkeye (Jeremy Renner), as well as introducing some new heroes to the fight to save the world. But has it been worth the wait?
In the fictional Eastern European city of Sokovia, the Avengers team are working hard to break into Hydra and retrieve Loki’s sceptre with their usual gusto. They had it in the The Avengers, but since then, there has also been Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, Agents of S.H.I.E.L.D. and Agent Carter, so presumably someone just misplaced it. With agents of both S.H.I.E.LD. and Hydra switching sides quicker than you can blink, it would have been easily done.
Last shown in confinement being watched over by Baron Strucker (Thomas Kretschmann) during the mid-credits scene in Captain America: The Winter Soldier, it now turns out that twins Pietro and Wanda Maximoff (Aaron Taylor-Johnson and Elizabeth Olsen) volunteered to be experimented upon by Hydra. Genetically enhanced to become Quicksilver and Scarlet Witch respectively, they seek vengeance on Tony Stark for the death of their family and obliteration of their village by bombs bearing his company name – Stark Industries. Understandably – I think I’d be a bit angry too.
But Age of Ultron is not all action. Similar to the end-credits “shawarma” scene in The Avengers, there are some genuinely heart-warming moments where the Avengers and company just kick back and relax. One such scene happens after a house party at Stark’s to celebrate finally getting hold of Loki’s sceptre, and sees them all come together to play that famous drinking game, “Who Can Lift Mjolnir?” With no winners (or at least none that Thor’s ready to admit), the after-party continues.
It’s in this jovial scene that the movie’s villain Ultron (James Spader) announces his sinister presence, dragging in the first of his many metallic bodies. With leaky parts and a consciousness stolen from J.A.R.V.I.S., Ultron replays Stark and Banner’s conversation of an artificially intelligent peace-keeping project to the group before attacking them with controlled Iron Legion robots. Disappearing through the internet, Ultron’s eerie sing-song voice of “I have no strings to hold me down, there are no strings on me” echoes as he enacts his version of a peace-keeping plan: saving humanity from itself by completely destroying it. Great plan, Ultron. Repeatedly bounding over the line between evil madman and pantomime villain (well, he is part-Tony Stark’s personality) throughout the film, Spader’s performance as Ultron is absolute perfection.
The slow trickle of names revealed to be attached to this film have continued flowing right up until its final release. How they found room to add more names to the already ensemble-heavy movie poster without breaking the rules of Marketing 101, perhaps we’ll never know. Rumours ran amok about characters reprising their roles from previous Marvel films, and about brand new characters yet to be seen. While James Rhodes (Don Cheadle), Erik Selvig (Stellan Skarsgard) and Sam Wilson (Anthony Mackie) all have short-but-sweet cameos, Heimdall (Idris Elba) and Peggy Carter (Hayley Atwell) only appear in trippy, Scarlet Witch-induced dreams.
Paul Bettany, who in previous films has only been present as the disembodied voice of J.A.R.V.I.S., now finally gains a physical form as Vision. Vision’s appearance has up till now been kept a closely guarded secret, with the character represented by a strategic, shadowy blur on the movie’s official poster. It turns out that, like with all mystical objects, it wasn’t actually Loki’s sceptre that held power – it was the Infinity Gem within it. Remember the Infinity Gem from Guardians of the Galaxy? Well, it’s pretty important here, since this one gets lodged in Vision’s forehead. Created as the final vessel for Ultron to occupy and stolen from Ultron by the Avengers, Vision endures a perilous game of pass-the-parcel before being finally activated by Thor’s hammer. With Vision brought in for the final act, adding to the weight of so many characters already, it does feel as though that they need not have bothered with all the secrecy. As a confusing mix of J.A.R.V.I.S., Ultron and something not quite either, Vision is yet another omnipotent, benevolent character with a cape. Where will he turn up next? Maybe he’ll come back for another film, but it doesn’t feel like a pressing question.
Hinted at in the trailer, the romantic sub-plot between Natasha Romanoff and Bruce Banner is unfortunately an underdeveloped weak link in Age of Ultron. Romanoff is first introduced to Banner when she is sent to recruit him in The Avengers for the Avengers Initiative. Once onboard S.H.I.E.L.D.’s helicarrier, it’s not long before Banner transforms into The Hulk and TRIES TO ATTACK Romanoff. And that’s just two of the very few interactions seen between them. There was previously so much geared towards implying that Romanoff had more-than-friends feelings for Hawkeye, that establishing Banner as a love interest for Romanoff to get doe-eyed over felt forced and out of nowhere. It’s also a little frustrating that Whedon, renowned for his “strong female characters”, has played this with such awkward footing: within an almost all-male team, Black Widow has proved herself a rich and resilient character, with no need of being neatly paired off with a fellow Avenger.
Speaking of surprise love, Hawkeye now has a wife and children! A little farmhouse with lush acres of surrounding fields is where this bow-and-arrow-wielding Avenger calls home, with wife Laura (Linda Cardellini) and his two-soon-to-be-three kids. Giving more screen-time to Jeremy Renner pays off in magnitudes. Not all of the Avengers are gods or genetically altered, some of them are very human with the exceedingly human ability to die. In the scene with his wife, we get to see what true cost there is for all of the Avengers in continually fighting to save Earth. This exchange gives meaningful weight to both Hawkeye’s pep-talk with Scarlet Witch during the final battle and the direction of the franchise to come.
A deliberate mid-sentence scene cut amusingly signs off Joss Whedon’s fantastic contribution to the Marvel Cinematic Universe. Weaving together the already epic plots of comic-book characters into two unlikely stories and carefully nudging the direction of their spin-off films and TV shows, Whedon has been shaping the world like a real-life Nick Fury and has made cinematic history.
At just under two-and-a-half hours long, Age of Ultron is another Marvel bum-number but the action is so cautiously paced that you’d never know. If you do get the chance to see this film in IMAX 3D as I did, do it: every shot is spectacular.
Avengers: Age of Ultron is out in UK cinemas on April 23.
Star Trek Into Darkness lacks the zippy chatter of Joss Whedon’s Avengers but delivers on the action…
I used to work on a sci-fi magazine that had three rules for extended content: magic, monsters, aliens. During that time I chained seven seasons of Buffy on boxset and upped my count of monster movies, to put me on an equal geek footing with the rest of the office.
What’s this got to do with a clip of The Host 2, the Google robots are wondering as they scan my copy (and you’re probably reaching that point, too). Well, when I saw The Host it seemed to bring together an awesome, very un-Hollywood monster movie, with the kind of kick-ass humour Joss Whedon slotted throughout Buffy The Vampire Slayer.
Judging by the first clip from The Host 2, the same principles apply in the sequel. We can’t wait.
Make sure you stick around for the comparison shots between the special effects and the clean footage at the end of the clip.