Season finale >>>
24.94°C
New York
Friday, May 29
The main plot’s cracking but the Penguin sub-plot is just embarrassing… >>>
Gotham S02E15 “Mad Grey Dawn” REVIEW

![]()
Airing in the UK on Channel 5, Mondays, 10pm
Writer: Robert Hull
Director: Nick Copus















Ed finally takes the spotlight and the result is glorious. After weeks of being a bumbling Tyler Durden-alike, his first actual supervillain outing is exactly what this show is at its best; Byzantine, ’60s-style scheming crossed with emotional weight.
Seeing Ed walk his colleagues through his trap is huge fun and the through-line of this art thief-cum-bomber makes perfect sense at this point in the show’s timeline. We’ve had the Maniax, Galavan, the fall of Fish Mooney and Penguin. Now someone else is seizing power and doing a remarkably good job of it. That’s because Ed has one goal – at least right now; end Jim Gordon as a threat.
And he succeeds.
This is the episode we’ve been waiting for since Jim executed Galavan and it doesn’t disappoint. Ed’s scheme is a big part of that but the rest is the acting. Gotham at its worst is a retirement home for terrible performances but on its best days you get this. There are so many good performances here, several from cast members who’ve frequently been saddled with terrible material. Michael Chiklis’ Captain Barnes is especially great; disgusted and ashamed at his one-time protégé and unable to see how he’s being played. Likewise, Morena Baccarin and Donal Logue are well served by the script and Ben Mackenzie clearly revelling in finally embracing Jim’s dark side.
This is a tragedy, a story that can only ever end one way and everyone involved is at the top of their game. Cory Michael Smith in particular is on top form as the newly calculating, even malicious Ed. The Riddler is a very easy Batman villain to get wrong. A few more episodes like this and Smith could end up as defining a take on the role as Robin Lord Taylor’s Penguin. There, again, subtle, sweet acting is the order of the day and his scenes with Paul Reubens are honestly poignant. Especially as this is Gotham; nothing good lasts and Penguin’s days of retirement are most certainly coming to a middle.

But again it’s David Mazouz who impresses the most. His monologue about how he felt during the fight with Sonny is a definitive Batman moment and a perfectly placed justification for Bruce’s actions. He doesn’t just fight crime for the city. He does it to exert bloody, two-fisted control over his own life. It’s a simple, horrible realisation and Mazouz drives it home with very ounce of force he has.
There are still problems, but this is a show that’s really breaking stride. The serialised format helps immensely, the cast are on great form and the chickens are all coming home to roost. Jim may be in serious trouble but Gotham continues to improve.




Review by Alasdair Stuart
Gotham S02E14 “This Ball Of Mud And Meanness” REVIEW
![]()
Airing in the UK on Channel 5, Mondays, 10pm
Writer: Jordan Harper
Director: John Behring
.


















There are two vital things that happen this episode. The first is the death of Bruce Wayne the victim. The second is the new perspective the episode offers on Gotham.
Bruce has been a pawn, a sacrifice and a victim for as long as the show’s been on air. He’s struggled for control but has spent close to two full seasons reeling from the horrific murder of his parents and the destruction of his innocence. This episode, he gets everything he’s wanted since the start of the show. This episode, the very first question the show ever raised…
…Who killed the Waynes…?
…is answered.
And it doesn’t matter.
Or rather, it doesn’t matter enough. Because it was never going to. Matches Malone isn’t an evil genius. He’s not a man with a plan just a man with a gun. He even tells Bruce that walking through back alley could have got his parents killed. Gotham is a dangerous, stupid, cruel place and bad things happen at random. Matches, at least, ensures that bad things happen when he gets paid. He’s murder with a schedule, death with a client list so long he can’t remember everyone he’s killed.
That mundane, almost banal approach is exactly what this show has desperately needed. Matches doesn’t grandstand or show off he just kills people for money. He’s a monster, certainly, but he’s a very simple, very sad one. And there are thousands like him.
When Bruce walks into the apartment with Matches, he does commit murder; his innocence dies in that room and Bruce, at last, sees the city, and himself, for what each are. One is a crucible gone wild, a feral landscape of human predators unable to be anything else.
The other is a good-hearted, frightened rich young man whose family helped build hell.
That’s why Bruce leaves the manor. Because he knows that part of his life is a foundation and it’s time to build something new. He’ll screw up again, undoubtedly, but that’s the point. He’ll screw up and be endangered on his terms now. His journey towards being Batman has begun and Bruce knows exactly what it will cost him. The fact he’s doing it anyway proves he’s already a hero.

His new perspective is shared by the show. In particular the introduction of Jeri, played with incredible, brittle charm by Lori Petty, does fascinating new things to what we thought we knew. Jeri runs a nightclub filled with people who hero worship Jerome. The old Maniax straitjackets are everywhere, the face of the original Joker plays on screens and Jeri herself dresses like him. This is a subculture we’ve not seen before but which fits the show like a glove. Gotham, a broken city, in love with its monsters and trying to become them. Bruce, a broken young man, trying to save them from themselves and each other.
That’s heady, tragic stuff and the episode nails it. Even the subplots feed into this central idea and finally begin to show us a different side to both the city and the show. Next week it could be awful again. But here, at last, is the city how the show wants us to see it. Absurd and horrifying, funny and tragic. Awful and brilliant.
Welcome to Gotham. Good luck. You’ll need it.



Review by Alasdair Stuart
Gotham S02E12 “Mr Freeze” REVIEW
![]()
Airing in the UK on Channel 5, Mondays, 10pm
Writer: Ken Woodruff
Director: Nick Copus
















That’s better! Mostly.
This episode benefits massively from how pared down it is. We’ve got Jim’s bad call rumbling along in the background, Penguin in Arkham and Victor Fries and that’s pretty much it. Even better, the Arkham plot is explicitly going to dovetail with the Victor plot. Well done, Gotham! Narrative coherency is pretty much yours!
It helps that the Freeze plot is played so straight too. There’s the right element of tragedy to it and Darrow and Hager anchor their scenes very nicely. Plus this is a welcome piece of moral ambiguity for a show that’s dealt with mostly flat-out bad guys for a while. Victor’s doing awful things but he’s doing them for love. And the lead detective on his case knows a bit about bad calls for what seem like good reasons…
Even better, this is a welcome style change for the show. As well as the more concentrated focus there’s also a sense of space. Victor’s identified this episode certainly but he’s not arrested. This is going to be a major case and the A-plot here is essentially the first part of a serial. That works really, really well. Firstly because Gotham benefits hugely when it concentrates like this and secondly because it’s nice to see someone other than the Joker getting the A-List treatment. Mr Freeze fits the ‘SCIENCE GONE MAD!’ stuff Gotham is particularly good at like a chilly, padded glove and it’ll be fun to see how this plays out.
It’s not all good, of course, and the episode leans on a couple of things it really shouldn’t but this is a welcome do over for Gotham. There’s a new sense of purpose, some cracking new characters and a really fun central vision. If you’ve not bothered with the show up to now, this is a pretty good jumping on point too. Fun, nasty and mostly well behaved this isn’t Gotham at its best but it is certainly Gotham getting better.

Review by Alasdair Stuart
Gotham S02E11 “Worse Than A Crime” REVIEW

![]()
Airing in the UK on Channel 5, Mondays, 10pm
Writer: Bruno Heller
Director: Jeffrey Hunt


















The ending of this episode is the most interesting thing the show has done so far this season. It’s also something that goes a long way towards redeeming some of the goofy, and flat-out stupid, stuff in previous episodes.
Jim’s killed a man. In cold blood. That’s not going to go away even though anyone with a perfunctory knowledge of spoilers for the next half season will have a pretty good idea how this gets resolved. Gotham’s Finest, a man who came into the city intent on changing it for the better has executed an unarmed, horribly injured man and then walked away as a wanted criminal mutilated the corpse.
How do you come back from that?
You don’t.
This is the defining moment in Jim Gordon’s career, and, weird as it sounds, it’s the first thing this season that’s shown the slightest hint of him being the man who will one day run the GCPD. This is an awful, inexcusable thing he’s done and even though we know it’ll ultimately pan out, he’ll always have the memory of pulling the trigger.
That’s why it makes perfect sense to have this in his past; because Jim knows from here on out he’ll never be an absolute moral authority. He is, to borrow and modify the line, becoming the police officer Gotham deserves. And that isn’t enough. But other officers like him, and Batman, together? That’ll be enough. And that’s exactly the road this compromised, broken version of Jim Gordon is heading down.
The episode delivers elsewhere too. We get another nice Bruce and Silver moment, some excellent Alfred and the long overdue return of Lucius Fox. But it’s this moment that does, and should, stay with you. Jim’s through the looking glass and now the series is free to go to some very interesting, very dark places.
And hopefully have some more comedy Alfred moments too.


Review by Alasdair Stuart
Gotham S02E10 “The Son Of Gotham” REVIEW

![]()
Airing in the UK on Channel 5, Mondays, 10pm
Writer: John Stephens
Director: Rob Bailey
















Picture Gotham as a plane.
Picture that plane in a nose dive, the engines on fire.
Picture, slowly, that dive start to level off. That was last week.
This week it starts to climb.
The reason is Bruce Wayne and Silver St Cloud. Who knew that was a sentence we’d ever write?
But seriously, the Bruce plot is the best thing this episode because it’s a direct response to something last episode. Remember Alfred’s line about Bruce not being able to deceive people correctly? Bruce bloody does.
The centre of this episode is very clever, because it, like Bruce, lies to you. It presents itself as a frankly very dull, “Bruce and Silver are kidnapped” plot. It tells you this is to do with the corruption at Wayne Enterprises. It tells you this has nothing to do with the Galavan plot. It tells you Bruce still believes Silver.
It never once tells you the whole truth. And it’s brilliant.
There are few arts more complex, and under-appreciated, than the creation of deliberately slightly fake drama. That’s what this episode does and it drags you in too. We only became suspicious when Bruce was dragged off to be tortured. By the time the splendidly (possibly too) chirpy Tom the Knife came out it was pretty obvious something was fishy by the time he called to Bruce you could almost hear the them tune from Leverage. Very, very well played.
In one episode, the show has set up more forward momentum than Bruce, Selina and Silver have had for most of the season. Bruce isn’t reactive anymore, he’s out in front of the things that keep happening to him. Selina is simultaneously impressed and slightly worried and Silver, who’s awful, is finally written out. We hope.
Even better, the episode doesn’t hand wave away the really nasty episodes of its plots. Because a good chunk of this episode is Tom lying pretty convincingly to a pair of kids that he’s going to mutilate them. That’s about as awful as you can get and the show doesn’t back down from it in the slightest. This is the strong, morally ambiguous drama Gotham likes to think it always is and it’s so, so good to see it back.
Elsewhere, the episode is fun but not on the same level. Jim is clearly traumatised by Officer Parks’ death and that’s giving Ben Mackenzie some meaty stuff to play with. However, he spends most of this episode trundling around the sewers with Harv investigating the Order of St Dumas. It’s fun but it feels like marking time and leads to the more than slightly ludicrous final scene.
But the episode’s worst crimes are saved for last. Galavan being exonerated is as deeply weird as it is expected. This is what happens when you cast Richard Kind as an authority figure! When will you people LEARN?! Worse still, Cockneyman and Tabitha have a fight that serves no purpose other than to put them in position for next episode. And maybe give Alfred some nasty infections given the garbage truck he escapes in.
But despite that the episode is worth it for the Bruce plot and the start of something new with Jim. Gotham’s still got big problems but this is the second week in a row it’s improved. Keep it up, folks. And give Bruce more to do, he’s great now.



Review by Alasdair Stuart