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Chuck-The Official Soundtrack review

Chuck-The-Official-Soundtrack-FrontIt’s hard to believe that three years have passed since we said goodbye to Chuck from our TV screens and, discounting some talk of a movie, everything Chuck seemed firmly confined to the past. Until this week, that is, when we discovered that from April 7th , the show’s original soundtrack would be made available to purchase.

Naturally, we jumped at the chance to get our hands on it, keen to ensure this wasn’t just a cruel pre-April Fools joke. Thankfully it wasn’t, and needless to say, we were thrilled to when our copy arrived.

In this digital music age, it’s become almost unheard-of for a TV series not to release its soundtrack, from Arrow to Game of Thrones, most shows have spawned at least one if not more.  We may never know why Warner Bros waited over three years to release one for Chuck, but at least we can be grateful that they got there in the end.

The soundtrack comprises a selection of tracks from the 91 episodes that make up the show’s five-year run, including instrumental music composed by Tim Jones, as well as tunes from the show’s own fictional cover band, Jeffster. The CD features 16 tracks of which 13 are from Jones’s instrumental score and 3 are songs by the Jeffster duo. Those purchasing digitally, however, will get the the added bonus of 2 additional instrumental tracks and 2 more Jeffster songs, bringing the total to 20 tracks.

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What was unique about Chuck as a series was its combining of many different genres, resulting in a hybrid story that would no doubt present a challenge to any composer. But if creating a score to bind together these disparate elements presented any problems for Jones, it certainly does not show in the final product. The music moves between dynamic sounds for action scenes, moving and passionate melodies for love and emotional scenes and kooky and crazy tunes for the many other bizarre scenes that the characters found themselves in. In fact, even individually, many tracks manage to capture the emotional range of an entire episode, expertly mixing different sounds over the course of a few short minutes.

Jones’s merging of various musical styles means that the score offers more than just classic orchestral sounds, often bringing traditional instruments together with synthesizers and even some choral vocals (e.g. Track 7 – “It’s not all work”) It may sound like an odd mix, but Jones’s expertise ensures everything fits together perfectly so that the music not only suits the visuals it was designed for, but also works in its own right as well.

One interesting thing is that some of the longer tracks are divided into sections that could have been treated as a collection of separate tracks – so arguably, you’re actually getting more than 16 or 20 songs. Perhaps the greatest sign of the score’s strength, however, is that even now, after this all this time, when you hear it you still instantly picture the characters and scenes it was created for.

Chuck-The-Official-Soundtrack-JeffsterPerhaps the best way to describe the Jeffster tracks, on the other hand, is is that they are the best worst covers of classic rock and pop tracks that you could ever wish for. Initially only intended to function as part of a small subplot in the show, Jeffster was formed by the characters Jeff and Lester (Vik Sahay and Scott Krinsky) when they decided to perform at the wedding of Chuck’s sister, Ellie. From there, however, the concept quickly evolved, with the pair going on to perform terrible renditions of numerous songs.

Key to the fun and popularity of these tracks were always Sahay’s and Krinsky’s acting, whether in the the show itself or at live events like San Diego Comic Con, so one might wonder whether or not they work without the hilarious visuals.

Perhaps surprisingly, the answer is yes, and this is thanks in large part to Sahay, whose vocals are so over-the-top that they manage to transcend the cringeworthiness of a bad X-Factor auditions, instead become works of comedic genius. For some of us, part of the appeal is probably also in identifying with the idea of not singing as well as we might like to think we can. The arrangements for the covers are also fantastic as, despite being professionally produced, they have a hopelessly amateurish feel, recreating the sound of a cover band used to making music in garages or basements.

As a series, Chuck was a rare televisual gem, and the music from both Jones and Jeffster! helped play a part in that. Much like the show itself, Jones’s great score is definitely underrated and deserving of more recognition. While it only offers a small selection of the music from the show, this soundtrack provides a great trip down memory lane that’s sure to have fans reaching for the DVD collections to re-live this classic series.

CHUCK – Original Television Soundtrack is available to download or buy on CD from April 7th thanks to VARÈSE SARABANDE RECORDS.

Argo Review poster Ben Affleck sci-fi movie Iran true story 470

Argo: Review

“This would be one of the worst films ever made if it wasn’t a true story,” Ben Affleck admits in a press interview for Argo, and he’s right.

This pottiest of pot boilers sees six US Embassy staff escape into Tehran when a crowd breaches their secure complex and takes everyone else hostage. Fearing for their lives if they are caught by the Iranian hardliners, their possible escape routes sit squarely between a rock and a hard place.

That’s until CIA exfiltration expert Tony Mendez (Ben Affleck) comes up with a crazy plan to shoot a made-up sci-fi film in Iran, sneaking the six out as Canadian filmmakers once they’ve scouted possible locations. Cue the creation of a fake studio, the interest of a known director and the search for a suitable script. The premise is bonkers – but given that it is true, also fascinating.

Affleck doubles up on directing duty and manages to pull off a difficult task in that area. Mixing the very real fear of execution with some genuine humour and sly digs at the LA film industry is a difficult juggling act, but for the most part it hangs together. He gives Argo the pace and attitude of a heist movie, the weird vibe of Star Wars and even occasionally throws in the swagger of Anchorman as part of his ’70s setting. Some of the taches are so luscious it’s a wonder part of the ticket price isn’t being handed over to charity for Movember.

His cast also do him proud. Victor Garber, Tate Donovan, Clea DuVall, Scoot McNairy, Rory Cochrane and Christoper Denham excel as the bickering Embassy staff unsure of whether to trust Mendez or not. Meanwhile, John Goodman (glib as hell as real-life make-up artist John Chambers) and Alan Arkin (on his best grumpy form) handle the Hollywood (or should that be ‘LLYWO D’ as the sign read in those days) side of things with aplomb. Bryan Cranston also continues an excellent run as Mendez’s boss, proving it’s almost impossible to pigeonhole him.

In fact, the only real weak link is Affleck himself. Directing, producing and starring is a tough gig and perhaps it took its toll, as it’s his character that rises least to the challenges facing all those involved. Waking up in what looks like Tracey Emin’s bed and chatting to his 10-year-old son on the phone feel like lazy attempts to fill out Mendez’s backstory. And while, admittedly, he’s supposed to be the cool and professional one of the group, we never really get the sense that he feels the danger or the pressure of the situation – despite the inclusion of the inevitable fuck-you scene as he argues with his superiors.

As for Affleck’s quote, about Argo being one of the worst films ever made had it not been true? It easily avoids that thanks to its effective period recreations, fine character acting, some truly gripping moments and a plot that really does defy belief.

VERDICT: 8/10

Argo was released in US cinemas on 12 October 2012 and is in UK cinemas 7 November 2012.