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Superdebz interview: Debra Phillips on cosplay

IMG-0948-(By Papercube)“It’s really good when you make something yourself and then you get recognised for it as well,” said Debra Phillips (Superdebz Cosplay) on the reactions she receives after finishing a costume she’s been working on. “It justifies it and makes me happy that [I’m not] wasting all my money for nothing. I’m actually getting a skill out of it.”

From Manchester, Debra attended the first MCM Manchester event in 2011 after her sister showed her photos from an MCM London convention. She started cosplaying the following year, only to take it more seriously in 2013, when she began learning to sew. She has since cosplayed Ariel from Disney’s The Little Mermaid, Daenerys Targaryen from Game of Thrones, Princess Zelda from The Legend of Zelda: Twilight Princess (including an armour clad Zelda from Hyrule Warriors) and Lana from Hyrule Warriors.

During our interview we talked about her most challenging cosplay, support from social media, getting motivation and fangirling over other people’s cosplay.

 

How did you end up getting into cosplay?

My sister went to one of the London events when she was at university with her anime society. Then she came back and showed me all the pictures. She was like, “Oh we did this and this and it was really fun.” So I was like, “Well, I want to do this!” So then we went to the first MCM Manchester event, which was five years ago and it was just a lot of good fun. I didn’t really do anything else for about two and a half years.

It was 2013 that I started getting more into it. I just started learning to sew as well. I ended up ordering a dress off eBay; it was for MCM Birmingham three years ago. It was an Ariel one… and it wasn’t what I wanted. It wasn’t the same as the eBay picture was. So then [I thought], “You know what, I’m just going to start learning to sew.” So now I can do it all myself and I don’t get ripped off by [dishonest sellers]!

A little over two years ago, you said you see yourself as a “massive noob” in regards to cosplay. How do you see yourself now when you look back at what you’ve managed to accomplish and where you are now?

Back then I didn’t really know what I was doing at all and now I have somewhat of an idea what I’m doing (laughs). I can actually do stuff that most of the time doesn’t look completely terrible. I hadn’t been involved in the [cosplay] community at all back then, which I’m quite involved in now. I’ve got a lot of friends who do the same thing. So everyone kind of knows everyone at this point, whereas back then I didn’t have a clue who anyone was. I didn’t have a clue how to do anything. I was just kind of winging it.

You’ve been cosplaying for nearly four years. Your first cosplay was Tinkerbell…

It wasn’t the first one I wore to a convention, but it was the first one that I made. It’s dreadful compared to how I can do stuff now.

Where does that passion come from to carry on and continue progressing?

My parents never let me have any of the Disney dresses as a child, so I guess they’re partly to blame. They have to deal with me now. But I guess a lot of it is escapism and it gives me something to do when I’m making it. Then you get to show off what you’ve made and you get a lot of attention and praise for it. It just makes you feel really nice and really good.

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Is that something you’re thinking about when you’re making it, seeing people’s reactions?

Yeah, I guess so. I really like to fangirl over other people as well. I’ll just be like, “Oh my God, these are really good.” I’m really into craftsmanship now. So I’ll sit on the floor and look at people’s dresses.

Has there been a particular fangirl moment at a convention for you?

I don’t think there’s been a particular one, but like I said, I do enjoy sitting on the floor looking at people’s hems now. That’s quite enjoyable for me. I don’t think I’ve ever fangirled completely on someone, but I’m not very good talking with people face-to-face either. So if I don’t know who someone is I’d just be like, “Oh my God, look at that over there. That’s so pretty, but I’m not going to go over because I’m scared.”(laughs)

What’s been the most challenging cosplay you’ve created so far?

Different ones have different aspects. I try and push myself with each thing I do, try and improve on something.

So, one would be more challenging than the other, but for a different reason?

Yeah. I’ll try and do different techniques for different things, try and learn something new. I usually give myself loads of time as well, but maybe Lana from Hyrule Warriors gave me the biggest headache, because I was restricted on time. It was a really awkward costume to put together. There was just things I was trying to do with it that I’d not done before and working with different fabrics and Worbla. I’ve worked with Worbla before, but I don’t think I’m that great with it. There’s things in the design that don’t make a lot of sense, it was really difficult finding reference images for a lot of the detail, so I had to wing a lot of the patterns on the skirt. So it’s trying to get it to look good and trying to work with the resources I’ve already got instead of buying new stuff.

Is Lana one you’d want to rework in the future?

I’ve already started doing some bits for it now. I’ve redone the top part for that, which is good, I’m quite happy with that now. I don’t think I’ve ever been 100% happy with something. The first time I make something I usually go back and change something if I wear it again. If you’ve taught yourself to sew, every step you do is a learning process until you’re at a high enough skill level where it’s not. It’s good to go back and redo something as well, because it means you can look back on what you’ve done previously and realise, “Oh I’ve improved a lot since then.”

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A lot of cosplayers use social media to show off their progress and work, but there have been a few instances where you’ve asked for feedback, constructive criticism and help from fellow cosplayers and prop makers. How helpful has that been for you?

It’s very helpful. I’ve spent a lot of time stalking other people’s profiles, because they’ve made something that I’m trying to do, or something similar, and they’ve used a technique which I haven’t done, or even thought about. A majority of the time people are very happy to tell you and very happy to help you, which is great.

I try and be as helpful as I can if anyone asks me anything. It’s not very nice to be turned down if you’re stuck with something. I always try and be really helpful and I always appreciate it when people are incredibly helpful as well.

Would you say that you’ve had to rearrange certain things in your life around cosplaying?

(Pauses) I don’t leave my house a lot anymore, because a lot of my days off I’m sewing, sat on my kitchen floor with Worbla.

Would you say there was a certain turning point where that happened?

Probably about two years ago now, where I seriously considered that I know what I’m doing now. I’m quite happy to spend all day sewing and then just crashing out because I’m so tired (laughs).

Is there a favourite cosplay that you’ve created?

My pink Ariel one, my newest one, that’s probably my favourite at this point. I don’t know whether it will be my favourite at the end of the year, but at this point it’s definitely my favourite. I’m just obsessed with Ariel. I finished it in time for MCM London [in May 2015]. Then I redid some parts for it for MCM Birmingham in November [2015] and I won the masquerade on the Sunday with it.

Superdebz-Ariel(By Robert John Parker) Superdebz Cosplay-Ariel (By Robert John Parker)

What is it about Ariel and her costume that stands out for you?

I’ve always been attached to Ariel. It’s really cheesy, but I guess it’s because she has a dream, it happened and it was all really nice and lovely. I’ve just been obsessed with Ariel since I was pretty young and now I have a way to actually express it.

The dress was just one that I happened to want. It was one of the first ones that I actually made a few years ago, but it was when I was still learning, so wasn’t up to my standards anymore. I remade it and I was much happier with it. It’s not screen accurate, I did it off one of Lele Draw’s Queen Ariel designs. It’s true to the character, but it’s like your own spin on it. I like putting my own different spin on things. No one else really has it, so it’s nice to have something that’s more individual to you. I don’t want it to sound like it’s better than anyone else’s, because it’s not, but I like having something that’s more unique, [and being] the only one who has it like that.

How does it feel for you taking part in masquerades, placing and winning?

Really good. I really like getting recognition as well, because… I’ve got a lot of joint pain and the amount of work and effort I put into just working all day, that makes it justifiable. Like, “Oh I’ve worked nine hours,” which is probably something I shouldn’t have done, but I’ve done it and I’m in loads of pain, but it’ll be worth it. If you place, it’ll make you feel a lot more justified in what you’re doing.

You’ve mentioned moments where you tend to procrastinate. What do you do to motivate yourself?

I literally just force myself to do it. I’m usually quite good at keeping on track. It’s like, I’ll [work on something] for like an hour, then I’ll have a break for 20 minutes as opposed to working all the way through. Or instead of doing a part I don’t want to do, I’ll do another part. But if there’s something I don’t want to do, I just force myself to do it. It’s, “Do this and then you can eat this biscuit later. You can sit and play video games for the rest of the night, so long as you do this. It’s not going to get done itself, so you need to do it now.” I manage that way. It just works for me.

When you’re posting progress about your cosplays, you tend to mention being poor and having to budget. Do you plan and budget before making a cosplay, or do you just spend till you’re happy with it?

I try and save money. I’m trying to save money for the one I’m going to be starting in a few weeks. But I’m not working a lot. I work in retail and they keep dropping the hours. I just try and save as much money as I can. If I know that I’m not going to be able to afford a big costume, I’ll do something smaller.

Last year I had lots of Coscraft vouchers, so I did one [Princess Zelda from Hyrule Warriors] that required lots of Worbla, because I didn’t have to pay for that myself; so that was convenient. Also I try and find cheaper alternatives to things. Like, a lot of my fabric I get online, just because it’s cheaper and I’ll try and find discount days or discount codes to try and get stuff as cheap as I can

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What is the most you’ve spent on making a costume?

Probably about £200, for my Ariel with the pink dress, everything included. (Pauses) I don’t know, it’s probably about £170-ish. It was about that amount after all the fabric. It’s such a good costume and it just kind of happened. Then it was like, “Okay, I need all this extra fabric as well, because I need to do this, I need to add this to it.” My fabric was £7 a metre and I have to get ten meters of that… it just adds up a lot. Then you end up getting little bits for it. Like, “Oh, this little bit is only £10, so that’s fine, I’ll get that.” That just keeps happening.

How does it feel for you when you’re at a convention and people ask to take a photo and want to talk to you about your costume?

Honestly, I’m always taken aback by it when people are like, “Oh, I love your costume, it’s so good!” But I have a lot of issues with my anxiety, so I guess I’m always going to be taken aback a little bit. I’m getting recognition out of it and it’s making people happy, it’s making me happy.

Would you say that cosplaying has helped you with your anxiety?

I guess it’s helped with some aspects. I never have that many issues when I’m at a convention as opposed to out with the normal people in civilised society. I guess it helps. It helps with a lot of things. It means that I socialise with people, I talk to people that I usually wouldn’t talk to… that I wouldn’t even dare talk to. And it gets me out of the house a lot, which is really good.

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You’ve mentioned a few times wanting to cosplay one of Anastasia’s dresses from Don Bluth’s animated film, as well as a walkable mermaid Ariel from The Little Mermaid. Are you still interested in cosplaying these characters?

I don’t think a walkable mermaid Ariel will ever happen. It’s something that I want to make, just for the sake of making it, but I don’t think I’ll ever be able to wear it. I don’t think I’ll be comfortable enough wearing it. A lot of people do it where her skirt is opened up at the bottom and you can walk around, but I’m one of those people who would want to make it as an actual tail and you wouldn’t be able to walk, so it’s not very practical.

I’d love to do one of Anastasia’s dresses at some point, it’s just trying to find one that I’m attached to and really would do… and just getting it done. I’ve got a list and I keep seeing things and I’m just like, “I want to add that to the list.” The list keeps getting longer and it’s just more harder to narrow everything down to what I can do within my skills and what I can afford to do.

If money was no object, which cosplay would be there on the top of your list to do?

(Pauses) There’s a few that I’d probably want to remake completely. I’d want to remake my Hyrule Warriors Zelda one, which I’ve [already] remade bits for, but it’s still not up to [the standard] I want it to be. I would want to do more Disney dresses… oh God, I know what I want! There’s an Ariel dress in one of the parades in Disneyland… one that’s not running anymore, the ‘Celebrate a Dream Come True’ parade. It’s blue and it looks like a sail and I want it, but it’s very expensive. I’ve seen a couple of people do it and it looks absolutely stunning. I really want to do it, but it’s not going to happen this year, unless I roll into a lot of money. It’s unlikely, but it’s on my list. Maybe one day I’ll be able to get it done… maybe.

Finally, what’s your favourite Disney film?

The Little Mermaid. I’m far too obsessed with Ariel. I have too many figures and too many pairs of Little Mermaid pyjamas (laughs).

 

Thank you to Debra for taking the time out for the interview. You can see her describe herself as adorable by following her progress on the Facebook page Superdebz Cosplay.

Thank you also to Papercube for arrangement and photos. You can check out his work on his Facebook page.

Photos of Debra cosplaying as Ariel by Robert John Parker.

Interview by Shalimar Sahota

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Cauldron of Mischief interview: Laura Kupse on cosplay

IMG-0639-(By Papercube)“I just kind of looked at the characters and thought ‘I want be that character’,” said Laura Kupse (aka Cauldron of Mischief) on how she started cosplaying. “My first costumes were Tohru from Fruits Basket and a Pokémon Trainer from Pokémon. I just kept thinking, ‘I really like that character.’ I didn’t know it was cosplay until I found out and did some research that it was cosplay.”

From West Yorkshire, Laura started cosplaying in 2005 as a hobby. Having initially studied computer animation, her passion for costume and prop making won over, as she taught herself how to sew. Soon she was taking on costume commissions and earlier this year she launched her own website accepting commissions. “I know jobs are kind of hard to get and I wanted to get a job that I really enjoy doing,” she said. “It picked up and went from there.”

Our interview was conducted on the Sunday of MCM London Comic Con, where Laura was cosplaying as Krul Tepes from Owari No Seraph. She mentioned that she was feeling tired; yet during our time she was humble, cheerful and very polite. We discussed her most challenging cosplay, budgeting, making tutorial videos and being a perfectionist.

 

Who have you been cosplaying at MCM this weekend?

This weekend I’ve been Motoko Kusanagi from Ghost in the Shell: Stand Alone Complex and Krul Tepes from Owari No Seraph.

How did you initially get into cosplay?

It started out as a hobby. I’ve always been sewing and always enjoyed it since I was little. When I was about 14, 15, I started having an idea of dressing up as some of the characters. Then I realised it was actually a thing. Like people actually did it. Then I thought, ‘Oh, that’s really good, I should try that.’ So then I started with a really basic costume I made from one of my cloaks.

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You studied computer animation, but eventually moved to becoming a costume and prop-maker. How did that change come about?

I went to university and did computer animation and special effects for three years. I found out it was quite difficult and I just wasn’t enjoying my course as much. I decided to move on to sewing. I wanted to learn how to do it, but the courses were so expensive. All my sewing is self-taught. I did attend a small course at Hybrid FX to learn about prosthetics and make up, but anything else I taught myself. So I learnt from there and then moved on to that. Eventually it turned into a business. I wanted to just make and sell costumes. I just love making stuff.

What would you say has been the biggest hurdle for you to overcome to get to where you are now?

I guess it’s confidence. I was worrying a lot about what people thought. There were a lot of stupid things that I worried about and I just had to push all that away. For example, I’m not very confident speaking on camera, but when I’m cosplaying it helps boost my confidence a lot, because I don’t have to worry about anything else. I can jump into somebody else’s shoes temporarily and it just helps my confidence… greatly.

What has been your most challenging cosplay to create?

Definitely Elphelt Valentine from Guilty Gear Xrd. The way the character is designed, she has a hoopskirt, but there is a gap towards the side of the hoopskirt, but it’s only a very small gap. I had to engineer the skirt so it would stay up without collapsing. [I had to] put a dress on top of it, then loads of other details and then roses on top of that so that the whole thing would take the weight of it and it wouldn’t collapse. That was definitely a pain to figure out (laughs). But I did it! It ended in a lot of sleepless nights, a lot of mistakes, a lot of, ‘Oh God, I’ve done that wrong, I’m going to have to go back and start again.’

You also described your Elphelt Valentine cosplay as one of the most complicated to put on. What makes it so complicated?

I have a corset built into the dress and also a separate corset that I wear with it. I’ve got to put the corset on, then I put my shoes and socks on, then the hoopskirt on top of that, because once the hoopskit is on I cannot bend or sit down to put my shoes on. Then I got to put the dress on top of that, and there are loads of little hooks and attachments that attach the details that hang off the sides and the roses at the back. Then I got to put my jacket on over the top. That’s it; it’s just layer upon layer.

How long does it take to put on?

That can take up to an hour for me to put on (laughs). The quickest time I’ve put it on is 40 minutes, because I had [my partner] Sam (Varia Cosplay) to help me. I can put it on by myself, but it’ll take longer. But I do ultimately need somebody to zip the back up and put the roses on the back because I can’t do it by myself. Definitely a hard costume to wear (laughs).

Eventually I get back pain and side pain from it. If it gets to the point where I’m walking around and I’m hurting in it, I have to just take it off, because I don’t want to sacrifice my health for it or anything like that.

Out of the many cosplays that you’ve created for yourself, which one is your favourite?

It’s a cross between Elphelt Valentine and this one I’m wearing now, Krul Tepes. I wasn’t sure how I was going to look as Krul when I first made it, but I actually really like how this one came out. I like how long the sleeves are, I like the fact I get to wear fangs and prosthetic ears with it. Plus it’s not too bad to walk around in.

Elphelt I really like, but it’s so hard to wear because I can’t sit down, I can only stand up straight and walk straight. It’s a good costume other than that.

Laura Kupse as Elphelt Valentine - Roses (by Alex Kupse)4  Laura Kupse as Elphelt Valentine (by Alex Kupse)5

What is it about their costumes or characters that stands out for you?

I’ve always liked the Guilty Gear games. When I saw Guilty Gear Xrd come out, which was in 2014 when Elphelt was introduced, she was one of those characters where you just look at her and think, ‘I love that design. I need to find out more.’ I didn’t get a hold of the game immediately, so I had a friend bring it over and I played it. I also watched a play-though online as well. I loved it, I like her move-set and I just think it’s so cool. It’s so cool how much thought went into her as well. And I like the fact that she fights with roses and different guns (laughs). I really enjoy it.

And Krul Tepes?

When I first read Owari No Seraph, I felt it started out quite slow. Then I went back to read it from the beginning and I really enjoyed it a lot more. I also like the fact that Krul’s surname is based off Vlad Tepes, so that was cool that they put that in there. And I just love vampires as well (laughs). I also like her design, the long sleeves, the cape… I just like the way she is (laughs).

Laura Kupse as Akiba Blue (by Alex Kupse)I noticed you mentioned that your Akiba Blue cosplay cost over £450!

It did! The majority of that cost came from the helmet. I haven’t learnt how to make helmets yet, so I had that commissioned from Aniki Cosplay. He makes these helmets for a living, so I really wanted to get that from him. But because it was a custom commission it cost me about £350, including shipping. The rest of the cost was just the outfit… materials…

Is that the most you’ve ever spent on a costume?

I think so… yeah. Elphelt cost me around the £200 mark I would say, because I had to make bits of it again. Other than that, I think Akiba Blue is definitely the most I’ve ever spent on one costume.

Do you try and set a budget in mind before making a cosplay or do you spend till you feel it’s perfect?

Usually I try budget myself a bit. I look at the costume I want to make, I look at the materials I’ve already got, or what I can reuse. If it requires me to buy new material then I usually go to my local market and buy the fabric, or I’ll source other material. But usually I start budgeting, using what I’ve got first if I can help it. If it’s something I’ve already got then I can just use that and save money. If I find out I’ve already got the fabric I can start immediately. With Krul for example, I already had most of the fabric lying around, so I didn’t have to go buy any.

So how much did it cost to make Krul?

I haven’t totalled up my whole costume, but I’d say it’s about £50. The wig was £20 and the teeth and ears were about another £20-25 on top. The rest of it I already had so I just used it up. Half of [the material] was already there; I just had to make it.

You’ve said that you want to try making more tutorial videos in the future. Is that something we could potentially see?

I get a lot of questions on how I’ve made bits of costumes. It might be easier if I just made a tutorial on it, so if people want help on the costume, or if they need help making that one particular thing, it’s there. If it helps, that’s great. It also helps with my confidence as well. I don’t usually film myself for tutorials, but I think if I could it would help me a bit more so I wouldn’t have to worry again. But yeah, I’d love to make more tutorials again in the future.

I’ll probably do that with more of my costumes. Because I enjoy making costumes so much I don’t really think about it. I just go straight into it, because I’m so excited to get on my sewing machine and then I think, ‘Ah, I could have filmed that.’

Would you say that you’re kind of a perfectionist?

Yeah, I’m very OCD about stuff like this. Even if it’s something someone else won’t notice, if I know it’s not there, it’s going to make me feel a bit weird. Because I enjoy sewing and I’m very passionate about this, I just need to focus and make sure I get everything in there. Like today, I realised that Krul actually has buttons on her sleeves. I’m not going to lose sleep over it now.

But you’re probably thinking, ‘I can improve this in the future’?

When I get time, I can just add the buttons or any other details I didn’t add and then it’ll be fine. I don’t mind it at the moment, because it’s not noticeable, it’s such a minor detail.

What part of cosplaying do you find the most fulfilling for you?

Oh man, this is hard, because there’s a lot of things. I think when I finish a costume and then I give it to the person I’m making it to. If they’re really happy with it, seeing their face light up, it’s like, ‘Aww, I’ve made them happy.’ Also, you get to meet a lot of old friends, meet new people. It definitely really helps my confidence in meeting people as well. It’s just so nice to hang around with people that you know in the same community.

I find it interesting that the first thing you answered with was the reactions from people you’ve made something for.

I really don’t want to mess up making a costume for somebody else. If I make a mistake on a costume and they’re not happy with it, I’ll fix it, one hundred percent. But if they’re happy with it the first time around, seeing their face light up and seeing how happy they are in their costume, it just makes me really happy seeing them happy. Seeing them happy is important.

How does it feel for you when you’re at MCM and you have people talk to you about your character, your costume and ask you for photos?

It feels good. It feels nice getting your photo taken. When you’re walking around a con and you’re very tired and then somebody wants a photograph, or they compliment you on your costume, it’s just like a nice feeling. It’s very sweet of them that they like the costume.

Have you had that today with Krul?

I just came from a Owari No Seraph meet and some of the people came running up to me saying, ‘Oh my gosh, I love your ears, I love your hair, I love the clips in it.’ I’m just like, ‘Oh my gosh, that’s so sweet, thank you.’ I’m looking at everyone else around me and they just look amazing as well. So it’s really nice for them to come up to me and say that.

It’s also a bit of reassurance. Because, if you’re very tired and you’re worried about how bits of your costume look, getting other people coming up to you saying, ‘Oh, you look fab,’ it’s just…(breathes sigh of relief). It settles your mind a bit if you’re worrying. It’s very calming and reassuring.

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On your Facebook page you put up pictures of cosplays you’d like to attempt in the future. With some of them, you sometimes say how they’re a bit out of your comfort zone, or that you finally feel confident enough to work on it. Over the years do you feel that cosplaying has increased your confidence?

Definitely. When I look back to when I was 15 or 16 and compare it to now, I wouldn’t have expected to be doing this now. When I was 15, 16, I just thought, ‘Oh, one day I would like to do this.’ I just kept practicing and practicing, and then it built up… eventually to this.

Would you say it has also pushed you into wanting to create more elaborate, more challenging costumes?

Yeah, I would think so. For example, I really like Trinity Blood; I’ve never done a Trinity Blood costume for myself, though I helped Sam make his Seth Nightroad costume. But I’ve never attempted anything that detailed for myself. I would like to attempt one of those costumes. Definitely Astharoshe Asran.

So would that be your dream cosplay?

One of them, yeah, because I love her design, her hair, her costume, her hat, and I like the staff that she has as well. It’s just… oh my God, I need to try it (laughs). I just need to attempt it one day.

I also like Scissors Crown, which is not very well known outside of its origin, but it’s by the same artist (Thores Shibamoto) who drew the Trinity Blood designs. One of them is Alice and it’s such an intricately designed dress. I’m just looking at it thinking, ‘I don’t know how I’m going to attempt that,’ but I would like to try it one day.

 

Thank you to Laura for taking the time out for the interview. You can follow her progress on her Facebook page, Cauldron of Mischief Cosplay. Or, if you’re interested in getting a costume, prop or a wig commissioned, then visit cauldronofmischief.com.

Photos by Papercube and Alex Kupse.

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Charlotte Baker: Cosplay interview

IMG-1933-(By Papercube)“I was seeing all these amazing costumes around me,” explains Charlotte Baker (Char Cosplay) on her first experience to a convention. “It made me want to improve and create bigger and better cosplays with each convention I went to.”

After attending her first convention in 2010, Charlotte was motivated to make her own costume for the next one she attended the following year and has been cosplaying ever since. She has cosplayed characters such as Alois Trancy, Princess Tutu, Princess Aurora and Princess Peach. She is also a member of the dance group Cinnamon Purin.

Our interview was conducted at MCM London Comic Con, where Charlotte was cosplaying as Ariel from Disney’s The Little Mermaid. Upon meeting her I went along to a photoshoot she had scheduled. She later changed out of her cosplay, but kept the theme of the character present, wearing a T-shirt that said, “I’m really a mermaid.” She was in good spirits as we talked about how she started her cosplay journey, the reactions she has had when cosplaying, and starting a princess party business.

 

Who have you been cosplaying at MCM London?

Ariel from The Little Mermaid.

You’ve been cosplaying since May 2011.

Yes, it’s been such a long while. I actually cannot believe it’s been so many years now. Really, it just flies by.

What was it that got you interested in cosplay?

I think it was more that I just really wanted to bring to life the character. The first convention that I went to was in 2010 and I was just surrounded by all these amazing costumes. I really hadn’t been exposed to [something like that]… coming from Surrey. There was nothing in Surrey for cosplayers (laughs).

So in May 2011, it was my first MCM. I decided to cosplay Yuuki from Vampire Knight. It was such a rubbish cosplay. Looking back now it was like the worst thing ever, but at the time it was like the best thing. I felt really good at the time.

What was the reaction and experience like for you when cosplaying for the first time?

It was really surreal. This sounds really sad, but I remember for a week or two before [the convention] I’d be constantly trying it on and wearing it casually around the house (laughs).

Okay, what was the reaction like at home?

My mum was like, ‘What are you doing? This is quite strange.’ But she was the one helping me sew everything, so I was trying to be really nice to her. But my dad was quite supportive of me. He’s got quite a geeky side to him, whereas my mum really has nothing to do with that at all, other than just sewing in general. She was like, ‘Why do you want to spend money doing this thing? Making a costume?’ (laughs). I was like, ‘Just let me do this one thing and then you’ll see.’

From the actual convention, [my dad] took me to my first MCM convention in 2011. His feedback was really positive too when we came back. He was just talking about all these different, amazing cosplays and so was I. My mum finally realised that it’s not just me being really weird, but there’s a whole community of us doing it together. I had no idea there was such a massive community. I thought it was really tiny. It’s really strange looking back now. It’s so odd (laughs).

[000158](By Papercube)You say you’ve never spent more than £150 on a cosplay. Is that a limit you’ve set for yourself or do you budget when making your costumes?

Because I’m a student, I don’t want the whole of my student loan to be taken up buying expensive fabrics, even though that’s what I really dream to do (laughs). I’ve got other things to save up for. I try to not cheapskate the outfit, but I try to budget. Not like cut corners, but try to be the most cost effective I can.

Rather than buying really expensive accessories that people from Etsy have made, I try to recreate them myself. My Princess Aurora cosplay, the crown and the necklace, they’re not as perfect as I wanted them to be, but it was so much cheaper for me to make them myself and learn the skills with that rather than buying it off Etsy for £50 (laughs).

In the future, are those accessories something you would remake again?

I definitely want to remake Aurora. Pretty much every cosplay I’ve done, afterwards I’m thinking, ‘I want to remake that again and make it a lot better.’ Because I’ve learnt so many skills making it, I won’t mess up so much making it the next time (laughs).

There have been some outfits where I’ve learnt a lot, mainly the princess ones. With my last three cosplays I feel like I’ve really learnt the most and I’m more motivated to sew it myself rather than ask for help. I used to rely on my mum a lot for help, but now I’ve motivated myself to learn properly how to sew. So… that’s good (laughs).

What has been your most expensive cosplay to create?

(Long pause) I’d probably say Ariel. I bought the wig and then I bought loads of wefts to go in it and then all the accessories. I’d probably say Ariel also was the most time consuming one I’ve done. Sewing on all those little pearls was so painstakingly hard and just… urgh. Yeah, Ariel was the most expensive and required the most amount of fabric.

How much would you say it came up to?

(Pauses)

You never thought about it?

No, I haven’t! It’s really strange. You buy all these things and you’re like, ‘Oh, that’s alright for that piece of fabric.’ I probably should total it all up. Um… (laughs). I don’t know if it would even be like £100. It’s not like a ridiculous amount. Most of it is just the time it takes me to make everything really (laughs).

IMG_1024-(By Papercube)You described Siesta 00 (Chiester 00) from Umineko no Naku Koro ni as one of your favourite cosplays to wear.

Definitely!

Is that still your favourite?

I don’t know. Ariel was really fun to wear today. But I have worn Siesta 00 the most. But it’s also quite bad, because that’s one of the only cosplays that I’ve actually bought, surprisingly enough. At that time I didn’t have enough time to actually make a cosplay, because I was doing A-level finals, but I still wanted that cosplay (laughs).

I’m going to say Ariel is now my favourite to wear. I think Ariel’s creeping ahead.

What is it about Ariel or her costume that stands out for you?

(Pauses) I like to think Ariel’s quite over the top, with her over the top hair, like the eyebrows (laughs), the puffy sleeves. Even though it was a bit of a nightmare to wear today, it was still so much fun. With Siesta 00, it’s more like a military style, with the bunny ears. Who doesn’t love bunny ears? But then, I really like Princess Peach too (laughs).

With Peach and Ariel, do you have an affinity towards cosplaying princess characters?

I really have started getting into princesses. I don’t know whether it’s just the interaction with people [when I’m cosplaying] a princess.

Well, you have said, “Cosplaying princesses at conventions makes me want to start up a princess party business.”

Yes, I did say that! It was after I was at another convention (laughs). I met with this sea of photographers taking pictures of me as Peach and this little girl did not care, she just came straight through the crowd, just to come up to me and talk to me. It was so sweet. It’s that sort of interaction that really just makes me want to cosplay even more, to bring these characters to life, for me as well as other people.

Because you had that happen to you, does that motivate you, where you start to think, ‘I hope I get that kind of reaction with this cosplay. I hope I get that with Ariel’?

Sort of, yeah. I had it loads today. It’s just such a sweet moment that you’ve brought this character to life for this little child. When I was a child growing up, I went to Disneyland once when I was five, but I can barely remember it. I wish I could have come to conventions and met princesses (laughs). That would have been really cool.

So is a princess party business going to happen in the future?

I don’t know, maybe (laughs). I have been contemplating it.

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You mentioned how when cosplaying as Nerine from Shuffle you had a guy crying over you. What happened?

Oh my goodness. It was like the sweetest thing ever, but a part of me was… more sort of shocked as to this guy’s affection over this character. I completely understand it, obviously. But it was the fact that he was just projecting it so emotionally on to me and my shoulder (laughs). It was really sweet though. That is like a moment that I’m never ever going to forget (laughs).

It’s quite an obscure anime too. That someone loved the character as much as I did was just really nice to see. I think I was the only Nerine that year (laughs).

How does that feel for you, knowing that your cosplay reduced a man to tears?

(Laughs) Obviously it feels really good, because I’ve hopefully done the character justice that he feels obliged to cry (laughs). I always hope to do a character justice so that people have some sort of reaction to it. I really just want to connect with people I guess.

What would your number one dream cosplay be?

I don’t even know (long pause). Is it really strange that I haven’t actually thought about that? Seriously, I don’t really think about an ultimate cosplay. I feel like every one that I do is my next dream cosplay to do (laughs). I don’t really know. I feel like a couple of years ago there would have been one. Like, ‘Yes, I must do that.’ But now it’s just moving onto the next goal. It’s really strange.

To be like the spitting image of every Disney princess, that’s the dream goal (laughs). To have the best fabrics and to be above the quality of Disneyland park (laughs). (Emphatically) That is the dream.

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You’re also a member of the dance group Cinnamon Purin.

Yes, I am.

How did that come about?

It’s been like… years. Before [I was in Cinnamon Purin] they had me as a guest performer. So I wasn’t officially a member of Cinnamon Purin, but still performed with them. I guess being a member of the cosplay community you get to know all these different types of people, not just people that are into cosplay, but people that are into idols, K-pop, and you just mix and match what you really like with different people. So, I’ve become more interested in idols recently, but equally with cosplay.

You’ve said that personally making cosplay by hand is half the fun. So, what part of cosplaying do you find the most fulfilling for you?

Probably, as I said, interacting with people at the convention. Just making myself up. Even getting up at five o’ clock in the morning, like this morning, and sitting there with Netflix on in the background, making myself into this princess (laughs). It’s really fun in a really satisfying way, even though I am depriving myself of sleep. Then, making my way to the convention, interacting with people, getting photos, chatting, just networking with people, it’s just so much fun. I enjoy it so much. When I meet someone that really connects to the character I’m cosplaying, that’s probably one of the best things.

What are your future cosplay plans?

I really want to do Meg from Hercules, which is still within the Disney realm. She’s not technically a princess. But her purple gown… it’s just something a lot more different. Because I do big dresses, so it’s quite a different style of dress and with the massive ponytail and everything. So that’s going to be a challenge for me I think… my next one (crosses fingers), hopefully in May (laughs).

 

Thank you to Charlotte for taking the time out for the interview. You can follow her on her Facebook page (Char Cosplay).

Thank you also to Papercube for arrangement and photos. You can check out his work on his Facebook page.