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B1A4 "Adventure" concert in Seoul – The difference a country makes

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As some of my followers will know, last month I taking was a long and well deserved holiday to re-inspire and catch up with some good friends, idols and work. That’s right, I went to South Korea, a dream of mine for about 16 years. Of course I did the usual touristy things and explored Seoul city, but I was also invited to watch and partake in my first ever true Korean K-pop concert, with a little help from Kinetic Vibe and B1A4 (and experienced what could potentially be bought to Europe for B1A4’s European tour).

I was invited to join one of the members of Kinetic Vibe to the September 13th show (the last performance in Seoul) at the Yonsei Culture & Art Center Amphitheater, a venue known to many as a place where a lot of Korean dramas and movies are filmed. It was placed amongst the most picturesque scenery, but upon one of the biggest mountainous climbs I have ever had to trek. Before we arrived I was informed that B1A4 don’t accept fan gifts as a rule, nor do they accept money for charity. Instead they pick a worthy charity and ask fans to donate towards them – in this case fans were asked to bring stationary goods like pens, pencils, notebooks and art supplies. Every fan that bought something for the charity (no matter how little or big) was given a B1A4: Adventure Eco Bag and a certificate to state that they had donated to a good cause (items that were only available if you attended their concert and donated to the charity). Personally, I felt happier knowing a child from a worthy cause was getting some enjoyment from money I would have spent on the members, but not knowing if they would have gotten my gifts.

b1a4concert
Image From: kdramaheidi.wordpress.com

Upon arriving at the arena we were greeted by staff members who checked our tickets, gave us our wristbands, and then to my surprise gave me a fan banner which had all the instructions of when to use it on the back in English, Korean, Chinese and Japanese; as well as an inflatable cushion to sit on (because we would be seated on concrete steps). The ticket price came in at just 90’000 won (roughly £45) for a mid tier seat which was dead central – perfect view of the stage and close to the walk ways. Probably not that different to a top tier ticket price in the UK, but then again, the UK are notoriously more expensive than anything going on in South Korea. The ticket organisation was also really well done. Everyone was seated and no one was running to get to their seats. If you arrived early you were placed in the queue in an ordered fashion based on your row and seat number, eliminating the need to queue up at stupid o’clock in the morning to make sure you secured yourself a prime place in the standing pit.

Once seated it was apparent that fans had travelled from all over the world to be there. The staff were really interacting with fans by joking with them in general (and in multiple languages). Compared to European concerts where people sometimes complain about the rudeness and strictness of staff, it seemed like there was a mutual respect and understanding here. The stage was set up with many large screens, big bright lights, and what looked like fire, water, confetti and firework cannons around the vicinity. About 15 minutes before the show a large number of mimes and clowns walked amongst the pathways between the crowds, making people laugh. There was even a battle between eight different sections and clowns to see which section can scream the loudest. The mood was being set for a fun filled “Adventure” concert.

When the large lights dimmed and the screens began to show the B1A4 members, the usual screams and cheering began, but I was in for a very big surprise. I will note here that the whole concert was a no go zone for anything electrical, which meant no cameras, phones, tablets or recording devices. If you were found to have taken photos or videos throughout the concert, you would be asked to leave. It was nice to see that the fans took note of this rule, and it was also really nice to experience the concert without the lights from thousands of mobile phones in front of you.

A photo posted by #BARO (@baroganatanatda) on

Although it was hinted that B1A4’s “Adventure” concert was going to be similar to a circus, I was not expecting it to be on such a big scale. There was a live band, a marching band, flag bearers, clowns, dancers, and of course the antics and personalities of the B1A4 members themselves, which created a whole different atmosphere to the usual “shout because your favourite member is on stage” feeling. I found myself relaxing, feeling welcomed within the Korean BANA fandom and actually taking part in all of the fan chants whilst singing and dancing when asked by the members to do so. Ranging from a collection of older most loved songs to a collection of songs from their latest “Sweet Girl” album, there was a lot to sing about. Plus the members truly knew how to utilise and dominate the stage fully. A few key moments during the concert came with a drumming segment where all of the members stood in a line, wearing vests that bared their arms, with nothing but a spotlight on each member. In front of them were some large barrel drums, and in a spine tingling and goosebump inducing performance the members played the drums like true professionals. Hopefully the same feeling and performance will make its way to the stage on their European tour.

There was a very cute segment of the concert where the boys had to go change their clothing for the next song, so in true K-pop concert style a VCR (video) was prepared to play on the big screens. Member Jinyoung (known as the prince of the group) did a voiceover to a small chibi cartoon character of himself, explaining his ideal type of girl. The other members CNU, Baro, Sandeul and Gongchan also joined in the fun and began to explain what they liked in a girl. As each member was explaining, a camera would pan the crowd and then all of a sudden the member would shout “STOP” and the camera would zoom in on a singular fan as they are asked to act cute. In doing so a member of staff would then go to the fan and hand them a special present box and a rose, given by the member who told the camera to stop. This was a new and cute and way to interact with the fans, but also a new take on fanservice that didn’t involve bringing the fan up on stage. group Fanservice is pretty huge in Korea, but it is often overlooked as doable within the restrictions of health and safety, and security, for both the artists and the fans. In Korea there appears to be a bond and trust that fans won’t do anything to harm the idols. This was proved when a chair was placed directly in front of myself and Jinyoung proceeded to walk up to the chair as the lights went out. When the lights came back on fans went wild around the whole of the venue as the members had placed themselves in front of fans on the lower, middle and upper tiers, ready to serenade, hold hands, and interact with the surrounding fans. At this point I was completely blown away by the hidden beauty that Jinyoung held. From a more professional point of view, I was more in awe at just how well behaved the fans sitting directly in front of each member were. There was obviously excited shuffling in their seats, laughing, crying and a few very excited little yelps of a scream; but there was no pushing, yelling, grabbing or rudeness. In fact, fans were singing along and genuinely enjoying that small moment they had with the B1A4 members. I also noticed how each member of the group was studying every single one of their fans faces, smiling, giving nods of recognition and giving over an appreciative aura.

As the concert was coming to an end, keeping with the term ‘fanservice’, fans began to shout their chants for an encore, but they probably weren’t ready for what was to come. The members came out with many bottles of water, with staff members behind them carrying even more bottles of water. Whilst singing and jumping around on stage, the members then jumped off the stage and went through the whole of the concert arena. There was a moment where CNU, Baro and Gongchan were just an arm stretch away from where I was sitting as they asked fans to stand up to sing and dance, and began to throw water amongst the fans. By this time I didn’t care that I was getting wet, nor did any of the other fans, especially when Sandeul and Jinyoung began dancing with fans and holding their hands. The end was literally one big party. During the very last moments fans were greeted with a parade of the dancers, bands, and members who all waved and received praise and cheers from BANAs. With one final bow and wave to the fans, the boys bid farewell.  

  A photo posted by #BARO (@baroganatanatda) on

If there was something I learnt from this concert, it’s that BANAs are one of the kindest, heartwarming and genuine fan groups I have had the pleasure of meeting. In terms of concerts, I don’t think I will ever experience something on that scale within Europe (though I understand that Kinetic Vibe are thriving to bring the same essence of a true Korean K-pop concert to European fans). From extensive fanservice, special stages, and the involvement the members and staff had with fans, it was truly a delight to see. Instead of turning fan projects away, organisers worked together with different fan groups and helped to make special fan events happen. The tickets were well priced, the venue was beautiful and the design and organisation of the stage and the way it was used to its fullest was spot on.

Hopefully this has created a little bit of excitement about the B1A4: Adventure Tour in Europe, for it really does seem like Kinetic Vibe want to bring one of the best Korean inspired, immersive concerts to Helsinki, Berlin and Madrid. With a little support from European BANAs and K-pop fans alike, Kinetic Vibe can create the concert YOU want. Tickets for the B1A4: Adventure Tour in Europe are now on sale and available at the Kinetic Vibe website, and should you have any questions about the upcoming concerts then head on over to the Kinetic Vibe Facebook and Twitter pages. In the meantime be sure to keep checking back to MCM Buzz for more updates on the B1A4 European Tour as well as your update on K-pop around the world. Show your support of B1A4 by watching their latest music video for “Sweet Girl” below!

 

walking_dead_6x02_JSS_end_of_episode

The Walking Dead S06E02 “JSS” REVIEW

The Walking Dead S06E02 “JSS” REVIEW

walking_dead_6x02_JSS_end_of_episode

 

stars 5

Airing in the UK on: FOX, Mondays, 9pm

Writers: Seth Hoffman
Director: Jennifer Lynch

 

Essential Plot Points:

  • We see an SUV, with a couple in it trying to work out how to fix the engine. Enid is in the back and scream when a pair of Walkers appear. Her parents reassure her but then more arrive. The camera smash-cuts to End, in the back of the car, watching the Walkers feed.
  • We see Enid cowering, Walkers nearby. She writes JSS.
  • We see her kill her first zombie and hide out in a new car. She writes JSS on the window.
  • We see her find a tortoise and eat it raw, desperate to survive.
  • We see her, filthy, exhausted and stunned by the sound of celebration coming from inside Alexandria.
  • We see the gates open, Enid walks in. JSS written on her hand.
  • In the present day we check in on the team who didn’t go to the quarry. Maggie helps Deanna lay out some new land for the vegetable gardens, and come to terms with the death of Reg. Carl finds himself increasingly jealous of Enid and Ron’s relationship while Ron rejects any attempt by his mother to talk about the death of his father. Elsewhere, Gabriel persuades Carl to teach him to fight and Carol cements her status as most terrifying housewife in Alexandria. She watches a neighbour, who she chastised into smoking outside, have a fag in the garden…

 

walking_dead_6x02_JSS_WHOAH_NOW!

 

  • Then she watches the woman cut down by a filthy, machete-wielding attacker. The Wolves have arrived.
  • Across town, battle breaks out. Carol disguises herself as a wolf and heads to defend the armoury. Nearby new town doctor Denise gets the single worst first day anyone could possibly imagine. Carl and Enid stand guard over the baby while nearby Morgan rescues Father Gabriel. Countless Alexandrians fall and some can’t take the horror of the battle. The mystery of the truck horn from last week is solved when the Wolves use a zombie tied into a truck to smash through the walls of the town.
  • Ultimately, thanks to Carol’s ruthless quick thinking, the Wolves are seen off. Along the way, Morgan and Carol clash over the necessity of murder and both find themselves on the other’s side. Carol finds a quiet moment to break down after the loss of her neighbour and her having to euthanise another. Morgan encounters the Wolf he met last season and, finally, realises he has to kill the man.
  • While cleaning up, Aaron finds his pack on a dead Wolf and realises, to his horror, they found the town because of him…

 

Review:

Bloody hell. Again.

Lynch’s direction is amongst the best I’ve seen on this show, or any other. She constantly gives us a sense of the scale of the assault, but never lets us lose sight of the human cost of it. The abrupt butchery of Carol’s neighbour is one of the show’s most horrific moments but it’s Carol ending the life of the other woman that stays with both you, and her. It’s a single, quiet, awful moment of mercy in the middle of endless brutality and horror. It may not have broken Carol any more than she already is, but it’s a wound she’ll carry for a good long time. The emotional impact that has all comes from Lynch’s clever, subtle framing of the woman’s final moments.

 

walking_dead_6x02_JSS_Carol

 

There are many similar examples throughout the episode. Lynch is happy to lock her camera off and show events at multiple depths of field instead of running after everything like a Bourne movie on a sugar rush. It’s the best possible approach to Hoffman’s script and gives everything a measured, relentless, apocalyptic weight that neatly matches the flashback structure from last week. This season is two for two on experimentation and massive success. I honestly think they could pull off a musical episode at this point. Although the odds of it being all Nick Cave, all the time, are pretty high.

 

walking_dead_6x02_JSS_Morgan

 

On the other side of the ethical divide from Carol the Doombringer, is Morgan though he’s having a similarly terrible week. It would have been easy for the show to set him up as a stereotypical pacifistic asskicker but it’s going somewhere much more fun. Morgan is in many ways the ultimate expression of Tyreese’s closing episodes; a man who refuses to kill but is prepared, reluctantly, to compromise if he has to. Director Lynch and writer Hoffman cleverly use the two fights in which Morgan is involved here to show us how he’s changing. The four-on-one with the Wolves where he scares them off plays like a father scolding children. Yes he’s phenomenally gifted with the staff (and judging by how many close-ups we get, most of that’s Lennie James) but he’s also making a little more noise than he should. Working as hard as possible to show them mercy.

The fight in the house at the end couldn’t be more different. It’s ugly, scrappy, up close and personal stuff that sees Morgan confronted with the very real consequences of his choices. It also sees him not so much cross a line as define one. Everyone gets a second chance with Morgan but, judging by this episode, no one gets a third. Regardless, he’s the only person hurt worse than Carol by the consequences of the Wolf attack and I can’t wait to see both more of that and more of those two working together.

Morgan and Carol get the majority of the heavy lifting this episode, although we get some good stuff with Maggie, Eugene, Tara and new character, Denise. Those last three in particular are an interesting study in how smart Hoffman’s script and Lynch’s direction both are. As well as cutting from moments of brutality to moments of silence, neither let these characters off the hook. Denise is a sweet, nervous, not-quite doctor on her first day. She’s terrified of losing people. She’s in the middle of a war. She loses people and she is really not okay with it. There’s no calm, no moment of sympathy, just her, Eugene, Tara and a dead woman. Tara’s final line to her, reminding her to destroy the brain of her dead patient, is a perfect embodiment of this show and this season in particular. It’s not bitchy or mean, it’s just a truth that the Alexandrians haven’t learnt and Rick’s people have; just survive, somehow.

 

walking_dead_6x02_JSS_Enid

 

Which brings us to Enid, and that incredible opening scene. Lynch and Hoffman fire on all cylinders throughout this episode but that opening is staggering. Katelyn Nacon’s work is haunting; her gradual slide into traumatised survival machine is another perfect embodiment of who the “walking dead” on the show really are. Even better, the episode leaves us with some chilling ambiguity about whether or not she led the wolves in. We see Aaron’s pack on a Wolf body but Enid’s “That’s how we…” line implies a lot.

It also shows just how great this episode is. There’s no resolution to last week at all, a second equally massive plot has been put in motion and we’ve got Alexandria rung like a bell by the incredible trauma they’ve all gone through. The only closure here is that the battle has been won. The war is another story and one that, if it’s delivered as well as the first two episodes have been, will be unforgettable.

 

Good:

  • “Your dad used to hit you and he got himself killed. It happened. You live with it or it eats you up.” Carol, ultimate tough love auntie is just the best thing.
  • “Everyone that’s here is here because of you. You need to show ’em you’re still here.” Lauren Cohan’s one of a couple of characters who’ve been given short shrift recently so this was really nice to see. It’s one of Rick’s people coming in from the cold, and shows the natural authority they have that the Alexandrians don’t. Plus it’s a really sweet tribute to Maggie’s dad.
  • “Thumpers shouldn’t get dibs.” Eugene! All kids love Eugene! No one else does, but hey it’s still a great line.

 

walking_dead_6x02_JSS_Denise

 

  • “You’re my first patient, and with that symptom I’m pretty sure I can’t kill you.” Thanks, Doc. Not only is Denise immensely good fun, and clearly one of the few competent and fairly together Alexandrians but she’s played by Merit Weaver. Weaver wins this week’s Cast Member In Cult Movie You Should See award thanks to her role in the excellent Series 7: The Contenders about a reality TV show based around competitive murder. She’s also appeared in movies like Michael Clayton and Birdman and had a recurrent role in Nurse Jackie for which she won an Emmy. Oh and she’s brilliant as Matt Albie’s endlessly competent, put upon assistance in the overlooked Studio 60 On The Sunset Strip.
  • “Come by around three – we’ll start with the machete.” Chandler Riggs is another cast member who hasn’t had much to do recently but he’s on great form this week especially in this scene with Gabriel. It’s interesting too that Carl is so like his dad in mannerism but prepared to make exactly the opposite call to Rick with regards to Gabriel.

 

The Bad:

  • Nothing. Seriously. From the clever business with Carol’s baking timer to the careful use of soundscape the episode was directed, scripted and acted incredibly well. Right now this is a show at the top of its game.

 

The Random:

  • So is Enid a spy? The “JUST SURVIVE, SOMEHOW” note could certainly be viewed as a confession of sorts.
  • Apparently Morgan learned his staff fighting skills from a “cheesemaker”. That Morgan flashback episode on deck for later this season honestly cannot turn up fast enough for me. (I wondered if it was a Monty Python reference – as in “Blessed are the cheesemakers” – because he was talking to a priest at the time and was just being sarcastic – ed.)
  • WHAT ABOUT THE HORDE?!
  • Carol’s unlucky neighbour smokes Morley’s, a fake brand that appear in numerous TV shows and films. Notable appearances include Psycho, Warehouse 13 and The X-Files in which, of course, they’re the favoured brand of the Cigarette Smoking Man.
  • It’s a shot of the week triple crown this week. The first is this shot of Enid, exhausted, traumatised and almost unable to face the idea of safety.

 

walking_dead_6x02_JSS_Alexandria

 

  • The second is this shot of the worst day in the town’s history. The bike, the blood, the running man. All wrong, all horrifying.

 

walking_dead_6x02_JSS_other_shot_of_the_week

 

  • And the last is this gloriously framed ambush. Lynch is an amazing director and I really hope, after this and her work on “Spend” in season five the show has her back.

 

walking_dead_6x02_JSS_other_other_shot_of_the_week

Reviewed by Alasdair Stuart


 

 

Read our other reviews of The Walking Dead season six

 

walking_dead_6x02_JSS_end_of_episode

The Walking Dead S06E02 "JSS" REVIEW

The Walking Dead S06E02 “JSS” REVIEW

walking_dead_6x02_JSS_end_of_episode

 

stars 5

Airing in the UK on: FOX, Mondays, 9pm

Writers: Seth Hoffman
Director: Jennifer Lynch

 

Essential Plot Points:

  • We see an SUV, with a couple in it trying to work out how to fix the engine. Enid is in the back and scream when a pair of Walkers appear. Her parents reassure her but then more arrive. The camera smash-cuts to End, in the back of the car, watching the Walkers feed.
  • We see Enid cowering, Walkers nearby. She writes JSS.
  • We see her kill her first zombie and hide out in a new car. She writes JSS on the window.
  • We see her find a tortoise and eat it raw, desperate to survive.
  • We see her, filthy, exhausted and stunned by the sound of celebration coming from inside Alexandria.
  • We see the gates open, Enid walks in. JSS written on her hand.
  • In the present day we check in on the team who didn’t go to the quarry. Maggie helps Deanna lay out some new land for the vegetable gardens, and come to terms with the death of Reg. Carl finds himself increasingly jealous of Enid and Ron’s relationship while Ron rejects any attempt by his mother to talk about the death of his father. Elsewhere, Gabriel persuades Carl to teach him to fight and Carol cements her status as most terrifying housewife in Alexandria. She watches a neighbour, who she chastised into smoking outside, have a fag in the garden…

 

walking_dead_6x02_JSS_WHOAH_NOW!

 

  • Then she watches the woman cut down by a filthy, machete-wielding attacker. The Wolves have arrived.
  • Across town, battle breaks out. Carol disguises herself as a wolf and heads to defend the armoury. Nearby new town doctor Denise gets the single worst first day anyone could possibly imagine. Carl and Enid stand guard over the baby while nearby Morgan rescues Father Gabriel. Countless Alexandrians fall and some can’t take the horror of the battle. The mystery of the truck horn from last week is solved when the Wolves use a zombie tied into a truck to smash through the walls of the town.
  • Ultimately, thanks to Carol’s ruthless quick thinking, the Wolves are seen off. Along the way, Morgan and Carol clash over the necessity of murder and both find themselves on the other’s side. Carol finds a quiet moment to break down after the loss of her neighbour and her having to euthanise another. Morgan encounters the Wolf he met last season and, finally, realises he has to kill the man.
  • While cleaning up, Aaron finds his pack on a dead Wolf and realises, to his horror, they found the town because of him…

 

Review:

Bloody hell. Again.

Lynch’s direction is amongst the best I’ve seen on this show, or any other. She constantly gives us a sense of the scale of the assault, but never lets us lose sight of the human cost of it. The abrupt butchery of Carol’s neighbour is one of the show’s most horrific moments but it’s Carol ending the life of the other woman that stays with both you, and her. It’s a single, quiet, awful moment of mercy in the middle of endless brutality and horror. It may not have broken Carol any more than she already is, but it’s a wound she’ll carry for a good long time. The emotional impact that has all comes from Lynch’s clever, subtle framing of the woman’s final moments.

 

walking_dead_6x02_JSS_Carol

 

There are many similar examples throughout the episode. Lynch is happy to lock her camera off and show events at multiple depths of field instead of running after everything like a Bourne movie on a sugar rush. It’s the best possible approach to Hoffman’s script and gives everything a measured, relentless, apocalyptic weight that neatly matches the flashback structure from last week. This season is two for two on experimentation and massive success. I honestly think they could pull off a musical episode at this point. Although the odds of it being all Nick Cave, all the time, are pretty high.

 

walking_dead_6x02_JSS_Morgan

 

On the other side of the ethical divide from Carol the Doombringer, is Morgan though he’s having a similarly terrible week. It would have been easy for the show to set him up as a stereotypical pacifistic asskicker but it’s going somewhere much more fun. Morgan is in many ways the ultimate expression of Tyreese’s closing episodes; a man who refuses to kill but is prepared, reluctantly, to compromise if he has to. Director Lynch and writer Hoffman cleverly use the two fights in which Morgan is involved here to show us how he’s changing. The four-on-one with the Wolves where he scares them off plays like a father scolding children. Yes he’s phenomenally gifted with the staff (and judging by how many close-ups we get, most of that’s Lennie James) but he’s also making a little more noise than he should. Working as hard as possible to show them mercy.

The fight in the house at the end couldn’t be more different. It’s ugly, scrappy, up close and personal stuff that sees Morgan confronted with the very real consequences of his choices. It also sees him not so much cross a line as define one. Everyone gets a second chance with Morgan but, judging by this episode, no one gets a third. Regardless, he’s the only person hurt worse than Carol by the consequences of the Wolf attack and I can’t wait to see both more of that and more of those two working together.

Morgan and Carol get the majority of the heavy lifting this episode, although we get some good stuff with Maggie, Eugene, Tara and new character, Denise. Those last three in particular are an interesting study in how smart Hoffman’s script and Lynch’s direction both are. As well as cutting from moments of brutality to moments of silence, neither let these characters off the hook. Denise is a sweet, nervous, not-quite doctor on her first day. She’s terrified of losing people. She’s in the middle of a war. She loses people and she is really not okay with it. There’s no calm, no moment of sympathy, just her, Eugene, Tara and a dead woman. Tara’s final line to her, reminding her to destroy the brain of her dead patient, is a perfect embodiment of this show and this season in particular. It’s not bitchy or mean, it’s just a truth that the Alexandrians haven’t learnt and Rick’s people have; just survive, somehow.

 

walking_dead_6x02_JSS_Enid

 

Which brings us to Enid, and that incredible opening scene. Lynch and Hoffman fire on all cylinders throughout this episode but that opening is staggering. Katelyn Nacon’s work is haunting; her gradual slide into traumatised survival machine is another perfect embodiment of who the “walking dead” on the show really are. Even better, the episode leaves us with some chilling ambiguity about whether or not she led the wolves in. We see Aaron’s pack on a Wolf body but Enid’s “That’s how we…” line implies a lot.

It also shows just how great this episode is. There’s no resolution to last week at all, a second equally massive plot has been put in motion and we’ve got Alexandria rung like a bell by the incredible trauma they’ve all gone through. The only closure here is that the battle has been won. The war is another story and one that, if it’s delivered as well as the first two episodes have been, will be unforgettable.

 

Good:

  • “Your dad used to hit you and he got himself killed. It happened. You live with it or it eats you up.” Carol, ultimate tough love auntie is just the best thing.
  • “Everyone that’s here is here because of you. You need to show ’em you’re still here.” Lauren Cohan’s one of a couple of characters who’ve been given short shrift recently so this was really nice to see. It’s one of Rick’s people coming in from the cold, and shows the natural authority they have that the Alexandrians don’t. Plus it’s a really sweet tribute to Maggie’s dad.
  • “Thumpers shouldn’t get dibs.” Eugene! All kids love Eugene! No one else does, but hey it’s still a great line.

 

walking_dead_6x02_JSS_Denise

 

  • “You’re my first patient, and with that symptom I’m pretty sure I can’t kill you.” Thanks, Doc. Not only is Denise immensely good fun, and clearly one of the few competent and fairly together Alexandrians but she’s played by Merit Weaver. Weaver wins this week’s Cast Member In Cult Movie You Should See award thanks to her role in the excellent Series 7: The Contenders about a reality TV show based around competitive murder. She’s also appeared in movies like Michael Clayton and Birdman and had a recurrent role in Nurse Jackie for which she won an Emmy. Oh and she’s brilliant as Matt Albie’s endlessly competent, put upon assistance in the overlooked Studio 60 On The Sunset Strip.
  • “Come by around three – we’ll start with the machete.” Chandler Riggs is another cast member who hasn’t had much to do recently but he’s on great form this week especially in this scene with Gabriel. It’s interesting too that Carl is so like his dad in mannerism but prepared to make exactly the opposite call to Rick with regards to Gabriel.

 

The Bad:

  • Nothing. Seriously. From the clever business with Carol’s baking timer to the careful use of soundscape the episode was directed, scripted and acted incredibly well. Right now this is a show at the top of its game.

 

The Random:

  • So is Enid a spy? The “JUST SURVIVE, SOMEHOW” note could certainly be viewed as a confession of sorts.
  • Apparently Morgan learned his staff fighting skills from a “cheesemaker”. That Morgan flashback episode on deck for later this season honestly cannot turn up fast enough for me. (I wondered if it was a Monty Python reference – as in “Blessed are the cheesemakers” – because he was talking to a priest at the time and was just being sarcastic – ed.)
  • WHAT ABOUT THE HORDE?!
  • Carol’s unlucky neighbour smokes Morley’s, a fake brand that appear in numerous TV shows and films. Notable appearances include Psycho, Warehouse 13 and The X-Files in which, of course, they’re the favoured brand of the Cigarette Smoking Man.
  • It’s a shot of the week triple crown this week. The first is this shot of Enid, exhausted, traumatised and almost unable to face the idea of safety.

 

walking_dead_6x02_JSS_Alexandria

 

  • The second is this shot of the worst day in the town’s history. The bike, the blood, the running man. All wrong, all horrifying.

 

walking_dead_6x02_JSS_other_shot_of_the_week

 

  • And the last is this gloriously framed ambush. Lynch is an amazing director and I really hope, after this and her work on “Spend” in season five the show has her back.

 

walking_dead_6x02_JSS_other_other_shot_of_the_week

Reviewed by Alasdair Stuart


 

 

Read our other reviews of The Walking Dead season six

 

Walk with me

The Muppets S01E01 “Pig Girls Don’t Cry” REVIEW

The Muppets S01E01 “Pig Girls Don’t Cry” Review

Walk with me

stars 3

Airing in the UK on Sky One, Mondays, 8pm
Writers: Bill Prady, Bob Kushell, Jordan Reddout, Gus Hickey
Director: Randall Einhorn

Essential Plot Points:

  • We meet the cast and crew of Up Late With Miss Piggy, a talk show hosted by the inimitable porcine diva.
  • We learn what goes on behind the scenes (namely producer Kermit dealing with his ex-girlfriend being a pain in the ass).
  • We discover Miss Piggy hates Elizabeth Banks because she reminds her of the night Kermit broke up with her.
  • Fozzie Bear is introduced to his new girlfriend’s parents. It does not go well.

Denise sucking straw

Review:

There’s no denying this first full-length episode of the updated, 21st-century Muppet Show is full of laughs, although they do die down as the story goes on – hopefully not an indicator of how the season itself will perform!

Right from the off, we know exactly what we’re going to get here: a cross between the groundbreaking Larry Sanders Show (which began in 1992) and 30 Rock (which ended two years ago), only with the cast filled out with felt Muppets rather than people. It’s also filmed in the hand-held camera, faux-documentary style of The Office (which began in 2001), a format that’s been reflected in countless sitcoms ever since, from Arrested Development (running since 2003) to Parks & Recreation (ended earlier this year). And yes, in case you’re wondering why I keep pumping all the dates into this, it’s to make a point: none of this is new.

And that’s the biggest problem with The Muppets: it should have been done ten years ago. Right now, it feels as if it’s hanging on the coat-tails of a style of television that’s breathing its last gasps, relying too heavily on the novelty value of its puppet cast to make an impact. But they’re not really a novelty, are they? Not when we’ve already seen them in the original Muppet Show way back in the ’70s, on the big screen and in our day-to-day lives ever since. Which means that the show isn’t original and has nothing new to offer… always a worry when you’re really rooting for it to do well (because, despite everything, everybody loves these Muppets).

There’s also the slight ‘ick’ factor that comes from the more adult tone of the series – Kermit actually says the word “sexy” and refers to sex at one point, which just feels wrong. However, the Muppets in general weren’t necessarily aimed entirely at kids (one look at the stoner band in the ’70s series should remind us of that), and so we’ll give The Muppets’ more mature tone a get-out-of-jail-free card for now. Just please, guys, never show us Muppets having sex, okay?

So, now we’ve got some rather necessary complaining out of the way, let’s look at some plus points:

 

Beaker baiting

The Good

  • While we do think the “behind-the-scenes” on a talk show/variety show format has been done to death, it’s worth remembering that The Muppet Show did it too, back in 1976, so they deserve kudos for that.
  • Beaker gets electrocuted. Beaker-baiting will never not be funny.
  • The writers aren’t allowed to say the word “gesticulate” because it sounds rude. Brilliant!
  • These guys:

Statler and Waldorf

  • Miss Piggy brings the show right into the modern day by telling Kermit “walk with me” as they move down a corridor. Very West Wing/Aaron Sorkin. Who, of course, also made Studio 60 On The Sunset Strip, which The Muppets mimics here (only with more laughs, thankfully).
  • Elizabeth Banks is glorious. But that’s because she’s Elizabeth Banks.

The Bad

  • We’ll admit it made us laugh when Fozzie talked about how his online dating profile stating “passionate bear looking for love” was misconstrued, but it feels so weird to hear a joke like this in a kids’ show! However, there was also a “bear” joke in Inside Out, so it’s clearly a thing now.
  • Someone can’t use apostrophes properly (or at all, in fact).

Writers room typo

  • Kermit makes a gag about “cross-promoting” and the camera zooms in on a shot of his girlfriend Denise sucking a straw suggestively. Oh my god, my childhood.

 

And The Random:

  • A shorter, pilot version of this was aired at San Diego Comic-Con, from where it leaked onto YouTube. Which might explain why some of it feels familiar.
  • Best Quote: Carl (father of Fozzie’s girlfriend): “Alright, I’m just gonna be blunt. What if you have children? How would you raise them? Where would they go to the bathroom? In the woods?” Fozzie: “Okay, that is an offensive stereotype!”

Reviewed by Jayne Nelson


 

 

Walk with me

The Muppets S01E01 “Pig Girls Don't Cry” REVIEW

The Muppets S01E01 “Pig Girls Don’t Cry” Review

Walk with me

stars 3

Airing in the UK on Sky One, Mondays, 8pm
Writers: Bill Prady, Bob Kushell, Jordan Reddout, Gus Hickey
Director: Randall Einhorn

Essential Plot Points:

  • We meet the cast and crew of Up Late With Miss Piggy, a talk show hosted by the inimitable porcine diva.
  • We learn what goes on behind the scenes (namely producer Kermit dealing with his ex-girlfriend being a pain in the ass).
  • We discover Miss Piggy hates Elizabeth Banks because she reminds her of the night Kermit broke up with her.
  • Fozzie Bear is introduced to his new girlfriend’s parents. It does not go well.

Denise sucking straw

Review:

There’s no denying this first full-length episode of the updated, 21st-century Muppet Show is full of laughs, although they do die down as the story goes on – hopefully not an indicator of how the season itself will perform!

Right from the off, we know exactly what we’re going to get here: a cross between the groundbreaking Larry Sanders Show (which began in 1992) and 30 Rock (which ended two years ago), only with the cast filled out with felt Muppets rather than people. It’s also filmed in the hand-held camera, faux-documentary style of The Office (which began in 2001), a format that’s been reflected in countless sitcoms ever since, from Arrested Development (running since 2003) to Parks & Recreation (ended earlier this year). And yes, in case you’re wondering why I keep pumping all the dates into this, it’s to make a point: none of this is new.

And that’s the biggest problem with The Muppets: it should have been done ten years ago. Right now, it feels as if it’s hanging on the coat-tails of a style of television that’s breathing its last gasps, relying too heavily on the novelty value of its puppet cast to make an impact. But they’re not really a novelty, are they? Not when we’ve already seen them in the original Muppet Show way back in the ’70s, on the big screen and in our day-to-day lives ever since. Which means that the show isn’t original and has nothing new to offer… always a worry when you’re really rooting for it to do well (because, despite everything, everybody loves these Muppets).

There’s also the slight ‘ick’ factor that comes from the more adult tone of the series – Kermit actually says the word “sexy” and refers to sex at one point, which just feels wrong. However, the Muppets in general weren’t necessarily aimed entirely at kids (one look at the stoner band in the ’70s series should remind us of that), and so we’ll give The Muppets’ more mature tone a get-out-of-jail-free card for now. Just please, guys, never show us Muppets having sex, okay?

So, now we’ve got some rather necessary complaining out of the way, let’s look at some plus points:

 

Beaker baiting

The Good

  • While we do think the “behind-the-scenes” on a talk show/variety show format has been done to death, it’s worth remembering that The Muppet Show did it too, back in 1976, so they deserve kudos for that.
  • Beaker gets electrocuted. Beaker-baiting will never not be funny.
  • The writers aren’t allowed to say the word “gesticulate” because it sounds rude. Brilliant!
  • These guys:

Statler and Waldorf

  • Miss Piggy brings the show right into the modern day by telling Kermit “walk with me” as they move down a corridor. Very West Wing/Aaron Sorkin. Who, of course, also made Studio 60 On The Sunset Strip, which The Muppets mimics here (only with more laughs, thankfully).
  • Elizabeth Banks is glorious. But that’s because she’s Elizabeth Banks.

The Bad

  • We’ll admit it made us laugh when Fozzie talked about how his online dating profile stating “passionate bear looking for love” was misconstrued, but it feels so weird to hear a joke like this in a kids’ show! However, there was also a “bear” joke in Inside Out, so it’s clearly a thing now.
  • Someone can’t use apostrophes properly (or at all, in fact).

Writers room typo

  • Kermit makes a gag about “cross-promoting” and the camera zooms in on a shot of his girlfriend Denise sucking a straw suggestively. Oh my god, my childhood.

 

And The Random:

  • A shorter, pilot version of this was aired at San Diego Comic-Con, from where it leaked onto YouTube. Which might explain why some of it feels familiar.
  • Best Quote: Carl (father of Fozzie’s girlfriend): “Alright, I’m just gonna be blunt. What if you have children? How would you raise them? Where would they go to the bathroom? In the woods?” Fozzie: “Okay, that is an offensive stereotype!”

Reviewed by Jayne Nelson


 

 

superheroweaknesses_infogram 2

Guardians Of The Gallery: Jurassic World ’70s-style, Superhero Weaknesses & More

A round of some of the best, weirdest and silliest images and vids that have been doing the rounds on the net we like to call inter this past week…




 

••• Superhero and supervillain’s weaknesses chart, courtesy of morphsuits.com.

superheroweaknesses_infogram 2


 

••• Star Wars shower heads. Perfect for after a session in the trash compactor up to your armpits in dianoga poo. They’re available from Oxygenics. Click on the image for a larger version. [via ComicBookResources]

star_wars_shower_heads


 

••• Man creates Thor’s hammer for real (kinda)…


 

••• Star Wars shoes, available to buy from 30 October at Irregular Choice, a UK outlet. No Prices yet (someone asked on their Facebook page but they remained mysteriously quiet) but they look really expensive to us. And anybody else think the heels on the second ones down look a little like robot Beakers from The Muppets? 

star_wars_shoes_2

star_wars_shoes_1

star_wars_shoes_3


 

••• Not one but two Jurassic World skits now, the first of which is absolutely brilliant as it uses some great stock footage to produce what a trailer for the ’70s version of the film might have been like. The latest Screen Junkies Honest Trailer is the usual fun, but not one of their sharpest and waaaaaaay too long. We’ll forgive them, though, because we’re still laughing at the mere thought of their Mad Max: Fury Road trailer.


 

••• TrekMovie.com this week posted a whole bunch of very mildly spoilery images of the Star Trek: Beyond filming in Dubai. The most curious one, though, seemed to be a pair of background aliens who seemed to have wandered in from Doctor Who. Enjoy the Silence, Starfleet…

star_trek_the_silence


 

••• Darth Vader and Iron Man get Maori Tiki Warrior makeover courtesy of artist Mike Mendez.

 

MAORI-Tiki-Warrior-Iron-Man


 

••• “No, Mr Bonds, I expect you to melt.” All the Bonds together at last… thanks to Madam Tussauds.

all_bonds

all_bonds_2


 

••• Marvel/DC crossover of the week courtesy of Batsvsupes.

batsvsupes1

batsvsupes2

batsvsupes3

batsvsupes4

batsvsupes5


••• And yet another Back To The Future II skit…


 

 

Once_upon_a_time_5x03_Siege-Perilous_dark_swan

Once Upon A Time S05E03 "Siege Perilous" REVIEW

Once Upon A Time S05E03 “Siege Perilous” REVIEW

Once_upon_a_time_5x03_Siege-Perilous_dark_swan

 

stars 3

 

Airing in the UK on Netflix

Writer: Jane Espenson
Director: Ralph Hemecker

Essential Plot Points

  • Dark Emma continues to try to free Excalibur
.
  • David and King Arthur go on a quest for a magical toadstool
.
  • David and King Arthur must team-up in the present to find a thief.
  • Lancelot appears in secret to Snow that King Arthur must not be trusted.

Once_upon_a_time_5x03_Siege-Perilous_chest

Review:

It’s amazing how backgrounded Dark Emma has become in her own story arc. 

This episode only exists for one purpose, as a set-up for future episodes. It basically consists of another quest in the flashback and more heel-kicking back in Storybrooke. However it does leave us with the promise that some interesting complications are coming up.

Once_upon_a_time_5x03_Siege-Perilous_mushroomThe search to free Merlin continues! Our heroes come up with a brainstorm. Why not ask Merlin himself how to set him free? Communicating the wizard involves locating a magical item – The Mario Super Mushroom. Actually, it’s a magical toadstool called the Crimson Crown but it does look exactly like something from a Mario games. Apparently it comes with a power-up which allows the user to communicate through magical barriers, such as being trapped in a giant tree, for instance.

David wastes no time and begins a quest to search for it, and King Arthur insists on joining the adventure. Before they head off Arthur shows off his treasure chest filled with magical items; he chooses a magical torch to help guide them through the magical forest. There are two issues with this. Firstly, this torch has an naked, everlasting flame which seems an incredible health and safety issue when it’s being stored in a wooden chest.  Secondly, the torch’s flame is so feeble it’s practically useless for the quest, so it’s patently obvious the thing is a mere plotting tool designed to introduce the far more important magical chest.

Once_upon_a_time_5x03_Siege-Perilous_health_safety
Come on! Health and safety, man!

Back in the present, Emma steals a dwarf axe which literally serves no purpose, and… oh no! Someone has stolen the contents of King Arthur’s treasure chest! These include one of the magic beans that could transport them all back to Camelot. They first suspect Emma, but immediately realise that the lock has scratch marks on it (Emma could have just magicked it open). They ask the man who found the chest, Grif, if he has any clues to the identity of the thief. Grif of course, acts like the most suspicious and obviously guilty person ever created, but for some reason David decides to not to question him further.

Meanwhile (or six weeks ago) in Camelot David and Arthur locate the Mario Mushroom, at the other end of a rickety bridge over a lake, which other than a potential slipping hazard it doesn’t come across as that dangerous. It’s only on the return journey that David run into trouble, in the form of undead skeletons trying to kill him. I will give the episode this: the action scene in which David battles two skeleton knights is really entertaining. When he slips in there are more skeletons in the water to drag him down. Luckily Arthur arrives to save him from drowning at the cost of losing the toadstool in the water. Hey, but who cares about a mushroom when bromance is brewing?

Dark Emma shows up! Remember her? Because we don’t think the writers did. Hook is invited on a date with Emma during which she tries to convince him that she’s better off as the Dark One, saying how that Rumplestiltskin was a coward before he became the Dark One. Hook – in a rather touching moment where Hook reflects on his past life – tries to tell her that Rumple was a man trying to keep his family together when he begged in front of him on his ship.

Once_upon_a_time_5x03_Siege-Perilous_plank
A plank (we assume we don’t need to point out which one)

David and Arthur find the thief with unbelievable ease leading to a pretty awesome car-horse chase/jousting scene in which David uses a 2×4 to slam the thief off his horse (which, even if he was wearing armour, would almost certainly have done him some serious damage). The thief turns out to be Grif, because every single person other than David saw that coming.

The last few scenes of the episode are all setting in motion plot lines for the future. Arthur not only kills Grif after revealing that there was never a bean in the chest, but he also hides the fact that he saved the magical toadstool from the water. Lancelot shows up to warn Snow White about Arthur. And Emma brings Rumplestiltskin out of his coma so that he can remove the sword from the stone for her.

 

The Good:

Once_upon_a_time_5x03_Siege-Perilous_action
Some great action sequences this week.
  • Interesting set-ups for the next few episodes
.
  • Pretty awesome action scenes with David
.
  • Hook continues to prove what a great character he is


.

 

The Bad:

Once_upon_a_time_5x03_Siege-Perilous_date
Emma and Hook on an awkward date.
  • Dark Emma feels like a supporting role in her own story arc
.
  • King Arthur is still a bore of a character despite possibly being a future villain


.

 

The Random:

  • The Dwarfs whistle “Heigh-Ho” while digging
.
  • The title card features Brocéliande, the dark Forest. However as the Title card usually features a forest it’s difficult to notice they added anything new.
  • The dark forest Brocéliande is from the Arthurian legend.
  • Hook and Emma’s date was supposed to be on the deck of the Jolly Roger but was moved to the inside for budget reasons.
  • King Arthur’s use of a round table to remind him to be humble was inspired by TH White’s The Once and Future King.
  • Inside the chest there’s a golden apple which could be a reference to Snow White or King Midas.
  • In the police station there’s a missing poster for Melissa Lew, who works on the production staff (who’s not missing, for those wondering).
  • Many apologies for the lateness of the review this week… illness got in the way.

Reviewed by Sam Halford

Read our other Once Upon A Time Season Five reviews

 

Once_upon_a_time_5x03_Siege-Perilous_cup
“We won the doubles ping-pong!”

 


 

doctor_who_S09E05_girl_who_died_mire

Doctor Who S09E05 "The Girl Who Died" REVIEW

Doctor Who S09E05 “The Girl Who Died” review

doctor_who_S09E05_girl_who_died_mire

stars 4

Airing in the UK on BBC One, Saturdays

Writers: Jamie Mathieson, Steven Moffat
Director: Ed Bazalgette

 

Essential Plot Points:

  • The Doctor and Clara are captured by Vikings and taken back to their village.
  • Some armoured monsters called the Mire, who are under the orders of some bloke claiming to be Odin, invade the village.
  • The Mire teleport all the village’s best warriors, plus Clare and a Viking girl called Ashildr, up to their ship.
  • There, Odin – actually a Mire in holographic disguise – kills all the warriors and feasts on “warrior juice” aka testosterone (mixed with crème de menthe by the looks of it).
  • Odin saves Clara and Ashildr because they were in possession of alien tech – the Doctor’s sonic shades (well half of them…)
  • The Mire are happy to leave now they have what they want, but then Ashildr declares war on them. Oops!
  • So now the Doctor has to train the remaining villagers – farmers not warriors – to repel the Mire.
  • The villagers succeed thanks to one of the Doctor’s patented ruses but Ashildr dies.
  • So the Doctor uses Mire technology to resurrect her, making her immortal in the process.
  • In hindsight, the Doctor wonders if this was a good idea.

doctor_who_S09E05_girl_who_died_serpent

Review:

Whatever other pros and cons this experimental “series of two parters” might have, you can’t deny it’s giving us some cracking cliffhangers. Not that the ending of “The Girl Who Died” is a traditional cliffhanger. Moffat said that this series would also shake up the concept of the two-parter, and this is the first major example of what he meant by that. The story in “The Girl Who Died” is to a large degree self-contained, with a beginning, middle and end (even in that order, which isn’t always a given in a script with Moffat’s name on it). But there are dangling threads, ready to be woven into something new next week…

It would be churlish to say the success of the episode is all down to the ending. It isn’t. There’s loads to enjoy here. But it’s the ending that will linger longest in your memory. Both in concept and execution it is extraordinary; something new and different for the show, which is no mean feat after nearly 52 years. And while guest star Maisie Williams hasn’t had a chance to make much of an impact yet (wait till next week, when she’s magnificent) she is stunningly good in that final FX shot, a kaleidoscope of emotion surging across her face as she goes through wonder to acceptance to something more ominous. Meanwhile the world won’t stop spinning around her and eternity beckons with a hollow promise. Simply beautiful.

caecilius-the-fires-of-pompeiiLeading up to this we’ve had an episode that’s been all kinds of fun. At first it looked like it might be this series’ “Robot Of Sherwood” – all frothy fun and zero drama – but throughout there were delightful little tonal changes; shifts into darker, more introspective moments that gave it more depth. While most of the Vikings are played for laughs the scenes between Ashildr and her father had a genuine warmth while the moments when the Doctor translated the baby’s fear had a real emotional resonance. The Doctor explained his “duty of care” to Clara more convincingly and with more clarity than ever before. Then, of course, there was the hairs-on-the-back-of-the-neck moment when the Doctor recalled his doppelgänger, Caecilius, from “The Fires of Pompeii” (though you have to wonder how many casual viewers were left baffled by that fan-pleasing bit of continuity… but who cares, to be honest – it was great! And anyway, they probably liked seeing Tennant again). Capaldi is simply magnificent at various key points.

On the other hand, when it is being silly, it’s being wonderfully silly. There are some great one liners throughout (“The universe is full of testosterone. Trust me, it’s unbearable!” “Fly like a bird, run like a nose…”) and the naming ceremony, training sequences and “Let’s get to work” montage are all wonderfully irreverent and daft. And then there was the Benny Hill moment.

The balance isn’t quite perfect. While the armoured Mire are great monsters, their boss, faux-Odin, is disappointingly bland and tiresomely shouty. The phrase “deadliest race in the galaxy” is enough to make you yawn involuntarily. The final battle is a bit of a mess (and you have to suspend disbelief a bit as regards the eels).

Mostly, though, it’s a visual feast. The final shot may be the crowdpleaser but an earlier shot – from an extreme low angle looking up past the Doctor to angry orange clouds as he explains that that’s not thunder it’s, “the weapon forges of the Mire, making sure we hear them” – is a subtle masterpiece in understated power. Director Ed Bazalgette bathes some scenes in colour, and leaves others cold and harsh, creating a deep, rich, classy vibe for the episode. He also entices great performances from the support cast; whereas other directors would have all the vikings acting it up like they’re in Monty Python And The Very Naughty Vikings, here some of them are played admirably straight.

In many ways this episode is a mere curtain raiser; a set-up for the Ashildr we’ll meet next week. However, it more than justifies it existence as a great piece of New Who in and of itself.

doctor_who_S09E05_girl_who_died_doctor_odin

The Good:

  • The transition shot from Clara in space to Clara in the TARDIS works beautifully, throwing you off kilter for a moment.
  • You have to love the way the Viking simply picks the sonic sunglasses off the Doctor’s face and breaks them.
  • Great line: “People talk about premonition as if it’s something strange. It’s not. It’s just remembering in the wrong direction.”
  • The Doctor’s tomfoolery with his yoyo: “It’s supposed to do that.”
  • The Mire in their armour are great; really chunky and impressive. What they’re like unhelmeted is difficult to tell as all the shots are so quick. They look okay, though, from what we do see.
  • Great echange: “What are you going to do? Raise crops at them?” “If necessary.” “I think he was being sarcastic.”
  • “Do babies die with honour?” The Doctor’s ability to “talk baby” has always come across a bit silly in the past, but here it adds some real pathos, drama and darkness. Capaldi’s sensitive delivery in these scenes helps immensely. The little moment when Clara refers to the baby as “it”, and the Doctor corrects her, saying, “She”, is a wonderful little character beat, while Clara pointing out, “You just decided to stay… the baby stopped crying,” is lovely.
  • The Doctor’s Viking naming ceremony is hilarious. Especially Heidi.
  • SMUT ALERT (funny though): “You’re the blacksmith? You’ve got a baby too? He’s been at it hammer and tongs.”
  • Have we mentioned that final shot?

doctor_who_S09E05_girl_who_died_final_shot

The Bad:

  • “You’re always talking about what you can and can’t do but you never tell me the rules.” Well, yeah, a fair enough comment but it’s always dangerous when shows bring attention to their own inherent flaws – it makes you wonder why it’s not been an issue before. And, ultimately, the Doctor saving Ashildr seems much less of a crime against time than some of the temporal meddling he’s indulged in previously.
  • Odin looks a bit naff. Okay he’s only supposed to be an alien doing an impression of what the local populace think Odin might look like, but something more Game Of Thrones and less Horrible Histories would have been prefereable.
  • The forced jollity of the “party” is a little too forced.
  • Sometimes we really wish the spaceships in Doctor Who didn’t always whizz off into the distance in such a cartoony way. The ships look great but they often fly like they have no weight.

 

And The Random:

doctor_who_S09E05_girl_who_died_diary

  • The second Doctor consulted a 500 Year Diary in his debut story “The Power Of The Daleks” and later in “The Tomb Of The Cybermen”.  It reappeared in the Fourth Doctor story “The Sontaran Experiment”. The Seventh Doctor was seen keeping a 900 Year Diary in the US TV movie Doctor Who (1996).
  • Yes the Doctor does say “Reverse the polarity of the neutron flow” but you don’t really want us to go into a history of that phrase, do you?
  • Clara indicates that she has used a sword in battle but we don’t think we’ve seen this on screen… not even in “Robot Of Sherwood.” But we’re quite happy to stand corrected.
  • Erm, electric eels aren’t native to Europe. They’re from South America. Though there is some evidence that Vikings made it to South America (Erik the Red definitely made it  North America before Columbus) so maybe they brought back souvenirs.
  • Ongoing themes: “It’s okay to make ripples but not tidal waves.” “You are a tidal wave.” There is a lot of water imagery – both literally and in the dialogue (“Fire in the water”, “The sky is crying”) throughout the episode. After two weeks “Under The Lake” and “Before The Flood” you have to wonder if this is just a coincidence or if the whole season is going to keep returning to this “tidal wave” idea.
  • More ongoing themes: the Doctor says that he turned Ashildr into a hybrid, then looks surprised at himself for suggesting the idea. Is he remembering what Davros said in “The Witch’s Familiar”? “There was a prophecy, Doctor, on your own world… It spoke of a hybrid creature. Two great warrior races forced together to create a warrior greater than either. Is that what you ran from, Doctor? Your part in the coming of the hybrid?”
  • Even more ongoing themes: Here we have a storyteller bringing about a resolution to the “war” and the Doctor threatening the Mire with the idea of letting the universe know the “story” of how they ran from a puppet. In “Before The Flood” Doctor tells the Fisher King, “This is where your story ends!” And in “The Witches Familiar” Missy says to Clara, “I’m going to tell you a story of the Doctor.”
  • After two days, Clara must whiff a bit inside that space suit. How is she taking a pee?
  • ed_bazalgetteThis week’s director Ed Bazalgette, is an interesting guy. He was lead guitarist in ’80s rock group the Vapors famous for the innuendo-laden hit “Turning Japanese”. He’s also the great-great-grandson of Joseph Bazalgette, the man who designed London’s Victorian sewer system and saved the city from almost literally drowning in its own excrement. When Ed Bazalgette changed career to become a filmmaker he directed an episode of the brilliant drama/documentary series The Seven Wonders Of The Industrial World (2003) called “The Sewer King” which was all about his famous forebear. He is also third cousin to Peter Bazalgette, the influential TV producer responsible for Big Brother and Deal Or No Deal.
  • The Viking village was filmed at Cosmeston Medieval Village in Wales.
  • The Doctor has previously used his ability to speak baby in “Closing Time” (2011) and “A Good Man Goes To War” (2011).
  • The clips are from “Fires of Pompeii” (2008) and “Deep Breath” (2014).
  • Anybody else slightly shocked to realise how much Capaldi’s hair has grown?
  • When the Doctor shouts, “To hell with you!” who is the Doctor shouting at? Just some random deity he doesn’t even believe in? Or is this building up to something?

Watch the Next Week trailer for “The Woman Who Lived”

• Read our Doctor Who series 9 reviews

 

 

resident_evil

Animated Resident Evil Movie In Development

resident_evil

The Milla Jovovich Resident Evil movie series may be nearing its conclusion with Resident Evil: The Final Chapter (currently filming in South Africa) due out in February 2017 but that won’t mean the end of cinematic outings for the franchise, apparently.

According to Japanese website Inside, Capcom is teaming with Marza Animation Planet to produce a computer animated Resident Evil movie, set for release in 2017. Takashi Shimizu (Ju-On) is executive producer on the film which Takanori Tsujimoto will direct, from a script by Moakoto Fukami (Psycho-Pass).

The story will feature Leon Kennedy, Chris Redfield, and Rebecca Chambers but will have no connection to the Jovovich/Paul WS Anderson film series other than being inspired by the same games.

[via ComicBook.com]

 

• Milla Jovovich Posts First Still From Resident Evil The Final Chapter… Sort Of…
• More Fun With Milla From The Resident Evil: Final Chapter Set
• Ali Larter & Milla Jovovich On Set For Resident Evil: The Final Chapter